Category: BUSINESS

  • Eras Tour dancer to appear on CBS show ‘Poppa’s House’

    Eras Tour dancer to appear on CBS show ‘Poppa’s House’

    Fresh off the Eras Tour, dancer Kameron Saunders is bringing all of his bejeweled moves to CBS after being cast as a sassy, vibe setting bailiff in “Poppa’s House.”

    Saunders captured the hearts of Swifties around the globe as the only member of Taylor Swift’s crew with not one, but two speaking lines during her three-and-a-half-hour show. At international dates, he varied his line in the bridge of “We Are Never Ever Getting Back Together” and counted to four in a long list of languages for “I Can Do It With A Broken Heart.”

    Now the St. Louis, Missouri, native is dancing his way onto the small screen. Fans can spot him Monday in a brand-new episode of “Poppa’s House” as an Essex County, New Jersey, sheriff’s deputy. The show stars Damon Wayans as “Poppa,” a legendary talk radio host, and Damon Wayans Jr. as “Junior,” who still lives at home but wants to create documentaries.

    Junior takes Poppa to small claims court — think “Judge Judy” but if the honorable was played by Vivica A. Fox. The father and son battle it out in front of Judge SayWha.

    “Order case number 01333, all rise for the honorable judge,” Saunders says in an exclusive clip provided to USA TODAY, to which the courtroom responds with a saucy, “SayWhaaaa.”

    Saunders twirls his arms, busts his hips, sticks out his tongue and passes off paperwork to Fox before gaining his composure and instructing the gallery to “be seated.”

    “Sure you wanna come at me like that?” Judge SayWha asks Wayans Jr. after he accuses her of being prejudicial.

    As an exclamation point to Fox’s snapback, Saunders offers a light-hearted threat, “Don’t make me come dance over there.”

    The bailiff’s role is only written for Monday’s episode that airs on CBS at 8:30 p.m. ET / 7:30 p.m. CT. It will also be available on Paramount+.

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    Eras Tour dancer Kameron Saunders plays a bailiff in ‘Poppa’s House’

    The dancer known for his “We Are Never Ever Getting Back Together” speaking lines and sassy dance moves is making his way onto the small screen.

    Long live the Eras Tour with our enchanting book

    Saunders’ widest reach may have come through Eras Tour, but his entertainment resume extends beyond the record-breaking show. He graduated from the University of Missouri-Kansas City with a BFA in dance before popping up on tours with Saucy Santana and Lizzo.

    He’s been featured in the ensemble of Ryan Reynold’s Christmas movie “Spirited” and the 2023 movie adaptation of “The Color Purple.”

    Don’t miss any Taylor Swift news; sign up for the free, weekly newsletter This Swift Beat.

    Follow Bryan West, the USA TODAY Network’s Taylor Swift reporter, on Instagram, TikTok and X as @BryanWestTV.

  • Bret Michaels tour shows support military veterans: Here’s why

    Bret Michaels tour shows support military veterans: Here’s why

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    Any time Bret Michaels is behind a microphone, expect him to acknowledge the military members in the crowd.

    The Poison frontman, who tours regularly with his solo band for what he calls Parti Gras shows, always takes a few minutes to share his support for active troops and veterans before performing Poison’s poignant 1990 ballad, “Something to Believe In.”

    Michaels’ dad, Wally, was a veteran of the Navy, and others in his family have military backgrounds. Michaels also works regularly with Operation Homefront, which provides aid to military families.

    “We found we love the freedoms and opportunities afforded to us by the sacrifices of many,” Michaels tells USA TODAY.

    “The freedom of opinion, the freedom to choose what religion we follow … that’s an amazing feeling and I have been in some countries that do not do that.”

    In addition to championing the military, Michaels’ Life Rocks Foundation helps kids with diabetes. The rocker has lived with Type 1 diabetes since childhood and is an avid supporter of those with the condition.

    “I’ve never complained about getting old,” says Michaels, who turned 62 March 15, “because I’ve known so many friends who never had the chance.”

    Michaels will be on the road throughout the summer starting April 11, and is releasing a photo journal, “Then, Now and Forever,” in the fall.

    The indefatigable rocker will blast through a trove of Poison hits (“Talk Dirty to Me,” “Unskinny Bop,” “Every Rose Has its Thorn”) during his upcoming shows at amphitheaters and theaters; play alongside Alice Cooper, Shinedown, Nickelback and others at the May 18 Boardwalk Rock festival in Ocean City, Maryland; and reconvene with pals Def Leppard for shows in June and July in between his own dates.

  • Sofia Carson talks 'The Life List' and her motherEntertain This!

    Sofia Carson talks 'The Life List' and her motherEntertain This!

    Sofia Carson talks ‘The Life List’ and her motherEntertain This!

  • Sofia Carson’s own ‘Life List’ includes ‘finding love,’ she says

    Sofia Carson’s own ‘Life List’ includes ‘finding love,’ she says

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    NEW YORK − Sofia Carson won’t be stepping out on a comedy club stage or a basketball court anytime soon. But after her latest film, in which her character does both as she fulfills her bucket list, the actress might be making some big plans.

    In “The Life List,” (streaming now on Netflix), Carson plays Alex Rose, a young woman who loses her mother to cancer and then attempts to find herself by revisiting the goals she created as a child.

    There are some parts of the role that don’t run parallel to Carson’s life; for example, her mother Laura is not only alive but present for the interview. The film’s “life list” includes getting a tattoo and shooting hoops against a New York Knicks player. Carson doesn’t have tattoos and needed a coach to assist with the basketball scene opposite Hall of Famer Patrick Ewing.

    But as Carson, 31, thinks about what she’d take from Alex’s bucket list to write on her own, she immediately gravitates toward one item.

    “Finding love is something that should be on all of our lists,” Carson says. “Through this beautiful journey, (Alex) falls in love with herself. It’s a journey that is scary, but that all of us should go on.”

    Sofia Carson’s mom championed Netflix’s ‘The Life List’

    “The Life List” is based on the book of the same name by Lori Nelson Spielman. Carson received the script from her aforementioned mother, who vets all projects that are pitched to Carson.

    “I remember I was in a meeting and I get a text from my mom: ‘Stop whatever you’re doing and read this script,’ ” Carson recalls of receiving “The Life List” script written by Adam Brooks, who also directs. “I might have read 15 pages in, and I just felt like I was reading something so special. I felt that in Alex Rose, I not only saw myself, but I felt that Alex Rose is all of us at some point in our lives when we feel like we’re alive, but we’re not living. And she kind of awakens us to life again.”

    Connie Britton plays Alex’s mother, and Kyle Allen and Sebastian de Souza portray Alex’s love interests.

    “There really isn’t a villain in the movie,” Carson says of the love triangle. “Between the two guys, one of them ends up not being right for her. But it’s beautiful in that no one’s ever villainized.”

    As for working with her mother, Laura, on all aspects of her career, Carson characterizes the experience as “amazing.”

    “She’s not only my mother and the person who knows me and loves me more than anyone in the world, but she’s my compass and my north star,” Carson says. “Her only care in the world is my happiness, so every decision is grounded in that.”

    Sofia Carson lists her Netflix ‘guilty pleasures’

    Carson is no stranger to Netflix. The actress stars in “Carry-On,” which USA TODAY’s Brian Truitt succinctly calls “Die Hard in an Airport,” alongside Taron Egerton, Theo Rossi and Jason Bateman. Carson also starred in and executive produced Netflix’s “Purple Hearts,” playing a struggling singer-songwriter who vows to never date military guys, only to wed a Marine. Carson doesn’t rule out a sequel.

    But when she’s not working, what is she binging on the platform?

    ” ‘The Diplomat’ is one of my favorite television shows ever,” Carson says. “I mean, ‘Gilmore Girls’ is my go-to guilty pleasure. I love ‘The Crown.’ I love ‘Selling the City,’ ‘Selling Sunset,’ all those reality shows are my guilty pleasures.”

  • Hilary Swank’s ‘Yellowjackets’ role revealed: Star talks bloody debut

    Hilary Swank’s ‘Yellowjackets’ role revealed: Star talks bloody debut

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    Surprise! Another Yellowjacket made it to adulthood, and she still wears backward baseball caps. 

    Hilary Swank’s mystery “Yellowjackets” character has finally been revealed: The two-time Oscar winner is playing the adult version of Melissa, confirming another character from the teen timeline is still alive in the present.

    The latest episode of the Showtime series (Sunday, 8 ET/PT, but now streaming on Paramount+) explained that Shauna’s (Melanie Lynskey) ex-girlfriend faked her death, changed her name to Kelly and has been living a quiet life married to the daughter of Hannah (Ashley Sutton), one of the frog researchers whose death the Yellowjackets have been covering up. Before she died, Hannah gave Melissa a tape with a message for her daughter, Alex. But Melissa never delivered it, instead keeping a close eye on Alex to make sure she was OK before unexpectedly falling in love with her.

    Melissa’s relationship with Alex is part of what “has helped heal” her, Swank says, but despite the couple’s twisted origin, she “doesn’t think that it’s weird.

    “It’s such a psychologically interesting thing that you are trying to make peace with the past,” she says. “You know that this person loved their daughter, and your way of making peace with it is to love that person the way you think that person would love them. It’s so intense.”

    In contrast to the increasingly dark storylines of the other surviving Yellowjackets, Melissa professes that she has truly put the past behind her and achieved a totally normal, boring life. Swank, 50, says this isn’t just a front that she’s putting on for Shauna; Melissa has “done a lot of work” and “really feels like she’s moved” on.

    That seems to really set off Shauna, who it’s safe to say has not done the same. Because Shauna is “still haunted by the past,” she “doesn’t feel like anyone else should be able to be released” from those shackles, Swank says.

    But the episode explores the way that “emotional trauma, even when you think you’ve healed, can rear its head in unexpected ways,” Swank says. Shauna’s arrival “brings back a very vivid memory that can trigger what that trauma response is, and then it all comes rushing right back” at Melissa.

    The fact that Melissa is ready to pounce when she realizes someone has broken into her home also emphasizes that this is still the same girl who once sadistically sliced Coach Scott’s Achilles tendon.

    “The tone that my character takes of ‘who’s in my closet, because I will demolish you,’ is a reminder of who this person was and what they went through,” Swank says.

    The simmering tension throughout the episode explodes in a shocking final scene, when Shauna flips out on Melissa, takes a bite out of her arm and demands she eat her own flesh.

    “They both have experienced so much trauma that that’s how they deal. They almost go back to being 2-year-olds,” says Swank, whose own twins turn 2 next month. “They’re like, ‘I don’t know how to deal with my emotions except for biting your arm off, because there’s nothing else I can do to get this release and show you that I mean what I’m saying.’ It’s literally like a 2-year-old.”

    Swank, who returns in next week’s episode, says this moment begins a “downward spiral” for Melissa. The actress also teases a “huge surprise” coming up in her storyline that fans won’t see coming. She sure didn’t.

    “People are going to be like, ‘Wait, what just happened?’”

    The “Yellowjackets” role was Swank’s first since she had twins in 2023. The “Million Dollar Baby” star embraced the challenge of returning with such a dialogue-heavy role. “Jumping right back into that postpartum” was “tricky,” she says, noting that her “brain was not working in that way for a couple of years.”

    Adult Melissa’s debut followed months of speculation and countless Reddit threads trying to piece together Swank’s role in the season, which Showtime concealed in promos. Fans analyzed everything from the actress’ eye color to the cast’s social media activity to make their guesses. But none of that made its way to the Swank, who had no idea how much buzz her casting has been causing online. “I love that,” she says.

    Showtime hasn’t officially renewed “Yellowjackets” for a fourth season. But assuming the series gets picked up —and assuming Melissa makes it out of Season 3 without being eaten — Swank is open to returning.

    “It was a really fun set,” she says, “and I can’t say that about all sets.”

  • The star who portrays Jesus in ‘The Chosen’ reveals why the show is so impactfulEntertain This!

    The star who portrays Jesus in ‘The Chosen’ reveals why the show is so impactfulEntertain This!

    The star who portrays Jesus in ‘The Chosen’ reveals why the show is so impactfulEntertain This!

  • ‘The Chosen’ Season 5, the Last Supper movie is the ‘most intense yet’

    ‘The Chosen’ Season 5, the Last Supper movie is the ‘most intense yet’

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    MIDLOTHIAN, Texas ‒ Ahead of Easter, “The Chosen” will present its version of Holy Week, the days leading up to Jesus’ crucifixion.

    “Season 5 is our most intense yet,” says Dallas Jenkins, creator of the first multi-season historical drama about Jesus. “There’s a million people all in one city, the enemies, the followers, the friends, the believers, the antagonists. They’re all together, and they’re all plotting either for or against Jesus.”

    The eight-episode “The Chosen: Last Supper” resumes where the previous one left off, capturing a crowd celebrating the arrival in Jerusalem of Jesus (Jonathan Roumie) at the start of the week (known as Palm Sunday) and ending before Jesus’ arrest in the Garden of Gethsemane. Like Season 4, the season will be divided into three waves for its theatrical release: Part 1 arrives in theaters March 28, Part 2 on April 4 and Part 3 on April 11. The entire season will be available to stream on Amazon Prime Video in June.

    The day before filming of the Last Supper began last July, production designer James Cunningham walked through the studio, about 25 miles sourthwest of Dallas, as the blaring Texas sun, sent temperatures into the 90s.

    The set was redesigned three times to fit the small space, Cunningham said. Bright yellow caution tape blocked off parts of the Garden of Gethsemane, still under construction. It was “a gigantic undertaking” that included olive trees shipped in from California and a cave.

    “This is the season where some of the most iconic moments in history are taking place,” Jenkins says. “You’ve got the triumphal entry into Jerusalem. You’ve got the turning over the tables in the temple. You got the Last Supper. You got Judas’ betrayal. These are moments that have such visual and emotional weight that I think that, more than any season we’ve ever done, it demands to be seen on the big screen.”

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    ‘The Chosen: Last Supper’: Watch the Season 5 trailer now

    “The Chosen” creator Dallas Jenkins says Season 5 of the faith-based series focused on Holy Week will be the series’ “most intense and heaviest” yet.

    Yet even the small moments are impactful, Jenkins says, like when Jesus is by himself shouldering the agony to come.

    “What he’s thinking about happening in the future, what he’s thinking about happening in the past and what he knows is going to happen this week, it’s got such dramatic weight to it that it feels big, even though it’s just one person,” Jenkins says.

    Jenkins and Roumie highlight what’s to come.

    Jonathan Roumie shows off ‘extraordinary’ whip skills

    Part 1 of the season shows Jesus enraged at the sight of the market in the temple, “completely boiling over with righteous indignation,” Roumie says. He’s angered that the poor are being extorted with outrageous taxes, a “breaking point” for Jesus. “To take a stand for those people and to make a point, he cleanses the temple of those influences that he feels have defiled the temple and also sets in motion a series of events that will be irreversible,” Roumie says, “leading him ultimately to the cross, which was the plan from the very beginning.”

    Jesus flips tables and cracks a whip he made himself. For the scene, Roumie trained with whip master Anthony De Longis, who’s also worked with Harrison Ford on “Indiana Jones and the Kingdom of the Crystal Skull” and Michelle Pfeiffer for her turn as Catwoman in “Batman Returns.”

    That practice paid off, Jenkins says. “There’s a really awesome moment when Jonathan swings the whip and the end of the whip wraps around a leg of a table, and he did it in one take,” Jenkins says. The shot, he says, is “extraordinary.”

    The Last Supper illustrates ‘the key theme of the season’

    For five days, Jenkins and his crew filmed their version of the Last Supper on a sound stage in Midlothian, Texas, more than 7,000 miles from Jerusalem. The meal, shared by Jesus and his disciples in “The Chosen,” emphasizes one of the season’s important motifs, Jenkins says.

    “Jesus is telling his closest friends, ‘I’m not going to be with you much longer. But here’s what’s to come,’” he says. “And they’re like, ‘This must be a metaphor. You can’t be serious that the Messiah, the savior of the world, is going to cause more division and is going to actually leave us. That doesn’t make any sense.’ The key theme of the season is can you still trust and follow even when you don’t understand?”

    Jesus’ washing of his disciples’ feet during the meal is one of the moments that touched Roumie.

    “Here you have the master of this group of disciples acting as the servant to his students, and it was just profound and unheard of and shocking,” he says. “We have moments like that that we recreated, that for me and for many of the other cast members were just deeply, deeply moving. And I’m so excited for people to see what we have in store.”

    Judas’ ‘very horrible and regretful’ betrayal

    Knowing that Judas led the authorities to Jesus, Jenkins and his team worked backward in constructing Judas’ journey.

    “I think it’s safe to say that he was a follower; he was a believer,” Jenkins says. “Something corrupted him over time, and what might that have been? That was really exciting to explore with our actor Luke Dimyan, and I think we did a job that’s effective. I think it’s plausible.”

    Dimyan feels Judas’ actions stem from a place of despair.

    “He’s very disappointed in what he’s seeing and hoping from the Messiah because he’s filled with so much fear and anxiety and dread for his people,” Dimyan says. “And he wants them to be saved, (and perhaps) more so, himself to be saved. And now we see the culmination of all those fears and anxieties just turn into a very horrible and regretful decision that he’s going to later feel a lot of guilt for.”

  • Sarah Snook astounds in 26 roles on Broadway

    Sarah Snook astounds in 26 roles on Broadway

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    NEW YORK — One woman, two hours and 26 wildly eccentric characters.

    In “The Picture of Dorian Gray,” which opened March 27 at the Music Box Theatre, Sarah Snook pulls off nothing short of a Herculean feat. The Emmy winner, who brought steely ambition to Shiv Roy on HBO’s “Succession,” is tasked not only with slipping in and out of multiple roles on a dime, plucking from a mélange of wigs, costumes, voices and mannerisms. But she is also continuously asked to act against herself, performing entire scenes with as many as five or six different prerecorded selves, which are strikingly projected onto massive screens.

    If your head is already spinning, then buckle up. In director Kip Williams’ audacious, gender-bent adaptation of Oscar Wilde’s 1890 novel, a small army of camera operators essentially shoot a movie in real time. The effect is both staggeringly impressive and exhaustingly relentless.

    As in Wilde’s book, the play follows a beautiful but vain young man named Dorian Gray, who commissions a portrait from the infatuated artist Basil Hallward. Fearing he will one day lose his comely features, Dorian makes the rash decision to sell his soul to the devil, so that his portrait may fade and age while he remains boyish. But as it goes with any Faustian bargain, Dorian’s vicious descent into egomania comes with a fatal price.

    Like recent movies “A Different Man” and “The Substance,” Williams’ production ingeniously ushers Wilde’s parable into the modern age. As Dorian’s life becomes an incessant bacchanal, Snook spends much of her time mugging and narrating directly into a smartphone screen, which is seamlessly projected onto a wall behind her. At one point, the actress snaps a selfie with the theater audience, which she feverishly edits into a Daliesque distortion as she monologues about Dorian’s self-loathing and obsession.

    In the play’s most riveting scene, Snook speaks straight to the camera as Dorian whips between a glossy Facetune filter and his normal visage, taking “monstrous and terrible delight” in the wrinkles etched across his mouth and forehead. For anyone who’s ever spent hours examining every pore and dimple on one’s body, it’s a recognizably squirmy moment performed with gleeful dexterity by Snook.

    But as can be the case with such high-concept stagings, Williams’ gimmick eventually runs out of gas, pummeling theatergoers with every new screen, filter and thumping club track that’s unspooled over two intermission-less hours. Some sequences – including a stagnant chase through the forest – are rendered almost entirely through prerecorded video, leaving you to question whether you’ve somehow wandered into the AMC down the block.

    More frustratingly, Snook’s face is frequently obscured by walls or cameras moving in front of her, and much of the action takes place far upstage. As a result, you may often find your eyes fixated on the enormous screens planted in front of you, rather than the flesh-and-blood human being who’s performing her heart out mere feet away.

    Despite the show’s overreliance on whiz-bang technology, Snook is never anything less than jaw-dropping. The Australian actress tackles the prodigious task at hand with breathtaking precision, believably engaging in verbose conversations with her digitalized selves, and never missing a beat as she plays to each and every camera that’s ceaselessly roving and whirring around her.

    But it’s a performance that goes far beyond mere technical prowess, bursting with mischief and regret and crippling loneliness, as Dorian is slowly undone by his hubris. And it cannot be overstated just how funny Snook is: A puppet-show scene, in which she plays a confoundingly miscast Juliet, is sidesplitting, while a preening lip sync to “Gorgeous” from “The Apple Tree” near brought us to tears with joy.

    Moments such as those make you wonder just how exhilarating Snook might be without all the mishegoss Williams throws her way. This “Dorian Gray” drives home the perils of living life through an Instagram filter, but seldom takes a breath long enough to heed its own warning.

    “The Picture of Dorian Gray” is now playing at the Music Box Theatre (239 W. 45th Street) through June 15, 2025.

  • Crossword Blog & Answers for March 28, 2025 by Sally Hoelscher

    Crossword Blog & Answers for March 28, 2025 by Sally Hoelscher

    There are spoilers ahead. You might want to solve today’s puzzle before reading further! That’s the Way the Cookie Crumbles

    Constructors: Olivia Mitra Framke & Sally Hoelscher

    Editor: Amanda Rafkin

    Comments from Today’s Crossword Constructors

    Olivia: Due to a sugar intolerance, I no longer eat OREOs (the brand “Highkey” makes a great sugar free alternative!) but I still have love for them because of their handiness in crosswords. It’s fun to give back to this crossword classic; maybe this’ll be the beginning of a fad of highlighting other crossword mainstays like ERIE, ARIA, OSLO, and ANTE! 😉 Thanks Sally for another great one!

    Sally: This puzzle was the result of Olivia thinking about OREO-themed puzzles at two in the morning and me realizing that I’ve written about a number of hidden anagram themes lately. Thanks to Olivia for another fun collaboration!

    Random Thoughts & Interesting Things

    • ITALIA (15A: Paese di 55-Across) and ROMA (55A: Capitale di 15-Across) It’s just coincidence that we ended up with ITALIA (Italian for Italy) and ROMA (Italian for Rome) both in the grid, but since we did, it was fun to clue them together. “Paese de” is Italian for “country of,” and “capitale di” is Italian for “capital of.”
    • I DO (16A: Probable response to “Who wants some chocolate?”) and GODIVA (2D: Chocolate brand named for a Lady) I DO is frequently clued in reference to wedding vows, and there’s nothing wrong with that. But since I DO crosses GODIVA in the grid, it was fun to change things up a little bit. Also, if you are near me and say, “Who wants some chocolate?” I am definitely going to say, “I DO!”
    • LICORICE ROOT (19A: Plant part whose extract flavors candy) In addition to chocolate, I would also accept LICORICE.
    • GRETA (24A: “The Climate Book” author Thunberg) GRETA Thunberg staged her first climate strike protest in August 2018. Since then, her activism helped raise awareness of the climate crisis. For her book, The Climate Book, which was published in 2022, she brought together over one hundred experts who contributed essays focusing on climate change.
    • DARTH (28A: Title for Vader or Maul) What would an Olivia / Sally collab be without a Star Wars clue? DARTH Vader is the name assumed by Anakin Skywalker after he is lured over to the dark side of the force. DARTH Maul is a powerful Sith Lord who made his first appearance in Star Wars: Episode 1 – The Phantom Menace (1999).
    • THEATER (30A: Place to see “Come From Away”) I love the THEATER, particularly musical THEATER, so I was in a bit of a quandary about what show to feature in this clue. Come From Away is an incredible musical about the true story of the 38 planes that landed in the small town of Gander, Newfoundland following the September 11 attacks. The focus is on the people – those on the planes and in the town – and their responses and reactions to this unexpected event. Come From Away is one of my top five favorite musicals, and I’m happy to give it a shoutout here.
    • FLOOR EXERCISE (37A: Event for which Simone Biles has two Olympic medals) Simone Biles won a gold medal for FLOOR EXERCISE at the 2016 Summer Olympics in Rio de Janeiro. At the 2024 Summer Olympics in Paris, she won a silver medal in FLOOR EXERCISE.
    • TULIP (45A: Netherlands bloom) The Netherlands, informally referred to as Holland, is a country in northwestern Europe. The Netherlands are the major producer of TULIPs for world markets.
    • SERTA (50A: Mattress brand whose ads feature talking sheep) The SERTA mattress company is known for its commercials featuring counting sheep. According to SERTA, the idea for the SERTA sheep came from an ad executive who was having trouble sleeping because he hadn’t purchased a SERTA mattress yet. 
    • EUROPE (59A: Alhambra’s continent) Alhambra is a palace and fortress complex in Granada, Spain, which is of course, in EUROPE. Alhambra is considered one of the finest examples of Islamic architecture in EUROPE. The palace also contains examples of Spanish Renaissance architecture.
    • ESTE (69A: Direction opposite oeste) Here’s a review of Spanish directions: norte, sur, ESTE, and oeste (north, south, east, and west).
    • LOVIN’ (5D: “You’ve Lost That ___ Feeling”) “You’ve Lost That LOVIN’ Feeling” (whoa that LOVIN’ feeling…) was first recorded in 1964 by the Righteous Brothers. The song has been covered by numerous artists since then. The song experienced increased popularity when it was used in the 1986 movie Top Gun. I admit, that Top Gun scene is what I always think of when I hear this song.
    • EAR (12D: Play it by ___) “Let’s play it by EAR” was something my dad used to say while tugging on his EAR. This phrase always makes me think of him.
    • ON T (20D: Using Testopel, for example) ON T here stands for “ON Testosterone.” Testopel is a brand name of a testosterone pellet implant that delivers drug over three to four months.
    • ROTTEN (21D: “Something ___” (musical with the song “A Musical”) I was so happy to get not one, but two musical references in this puzzle. Something ROTTEN is (in my opinion) an extremely funny musical that pokes fun at the whole notion of musicals. Set in 1595, it tells the story of the Bottom brothers, Nick and Nigel, as they seek success in the theatrical world while competing with William Shakespeare. Something Rotten also contains several songs that make me laugh every time I listen to them. My favorite is called “A Musical.”
    • HBO (29D: “The White Lotus” network) I have previously written about The White Lotus. The third season of the show is currently underway on HBO.
    • AXE (35D: Paul Bunyan’s tool) In American and Canadian folklore, Paul Bunyan is a giant lumberjack (who uses an AXE).
    • CAT (40D: Calico pet) I like this clue because it has somewhat of a double meaning. When I wrote the clue, I was thinking of my calico CAT, Willow. Olivia then left a note on the spreadsheet saying “love this game.” Oh, yeah, Calico is also a board game – which I have, of course! – that features quilts and CATs. Here’s a picture of my calico. The basket Willow is sitting in in this photo is the one that contains her toys. I guess she couldn’t decide what to play with, so she just crawled in on top of them.

    • LOOSEN (47D: Turn a screw to the left) The mnemonic “Righty tighty, lefty loosey” is one I use frequently to remember which way to turn screws, bottle caps, etc.
    • WOOFS (53D: Alerts from dogs) We’re giving equal time to CATs and dogs today.

    • TRUST (54D: ___ fall (team-building activity)) My apologies if the mere thought of a TRUST fall makes you shudder (as it does me).
    • OTOE (58D: Chiwere speakers) The OTOE are indigenous people of the Midwestern United States. Their language, Chiwere, is part of the Siouan family of languages.

    Crossword Puzzle Theme Synopsis

    • LICORICE ROOT (19A: Plant part whose extract flavors candy)
    • FLOOR EXERCISE (37A: Event for which Simone Biles has two Olympic medals)
    • METEOROLOGY (56A: Study of weather)

    THAT’S THE WAY THE COOKIE CRUMBLES: Each theme answer contains an anagram of OREO: LICORICE ROOT, FLOOR EXERCISE, and METEOROLOGY.

    Consider this puzzle to be Olivia and my ode to crossword’s favorite cookie, the OREO. After coming up with the idea for this theme, we discovered that finding theme answers with three different hidden OREO anagrams was a bit of a challenge. We’re happy with the theme answers we ended up with. Thanks to Amanda for her help along the way, and for her excellent editing as always. I hope you enjoyed this puzzle.

    For more on USA TODAY’s Crossword Puzzles

  • Beyoncé released her 'Cowboy Carter' album one year ago: A look backEntertain This!

    Beyoncé released her 'Cowboy Carter' album one year ago: A look backEntertain This!

    Beyoncé released her ‘Cowboy Carter’ album one year ago: A look backEntertain This!