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  • George Wendt, actor who played Norm on ‘Cheers,’ dead at 76

    George Wendt, actor who played Norm on ‘Cheers,’ dead at 76

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    Actor George Wendt, best known for his beloved role as beer-quaffing barfly Norm Peterson on the iconic NBC comedy “Cheers,” has died. He was 76.

    A representative for Wendt, publicist Melissa Nathan, confirmed the actor’s death to USA TODAY on May 20, adding that he died peacefully in his sleep at his home “early Tuesday morning.”

    “George was a doting family man, a well-loved friend and confidant to all of those lucky enough to have known him,” the statement continued. “He will be missed forever.”

    Wendt earned six consecutive best supporting actor Emmy nominations playing his one-line-delivering everyman character. He never won an Emmy for “Cheers,” but his underemployed accountant character was greeted with a boisterous call of “Norm!” by fellow patrons with every entrance to the fictional Boston bar. The actor’s death falls on the 32nd anniversary of the final “Cheers” episode that aired on May 20, 1993.

    Born George Robert Wendt Jr. on October 17, 1948, in Chicago, Illinois, Wendt spent six years in Chicago’s renowned Second City improv troupe before auditioning for “Cheers.” Originally, his character only appeared in the final scene of the pilot, with only one line: “Beer.” 

    “My agent said, ‘It’s a small role, honey. It’s one line. Actually, it’s one word.’ The word was ‘beer,’” Wendt said in a GQ oral history of “Cheers” published in 2012.

    But the role turned pivotal, and Wendt appeared as Norm in every “Cheers” episode through 11 seasons (1982-93). Sitting next to fellow barfly and postal worker Cliff Clavin (John Ratzenberger), Norm sipped on countless TV beer mugs, which Wendt revealed were filled with Kingsbury-brand “near beer” that was poured warm from the set’s taps.

    Wendt also played the Norm role in the short-lived spinoff “The Tortellis,” a 1990 episode of NBC’s “Wings,” and in an episode of the “Cheers” spinoff “Frasier,” featuring psychiatrist Frasier Crane (Kelsey Grammer).

    The comic actor was a frequent “Saturday Night Live” guest, where he famously portrayed one of the superfan Chicago sports enthusiasts in the recurring “Bill Swerski’s Superfans” sketch.

    Decked out in walrus mustaches and Bears gear, Wendt and his fellow superfans – including Chris Farley, Mike Myers, Joe Mantegna, and Robert Smigel – enthusiastically discussed “Da Bears” and legendary head coach Mike Ditka (known only as “Ditka”).

    Following “Cheers,” Wendt starred as a radio-host car mechanic in his own sitcom, “The George Wendt Show” on CBS in 1995. The show was canceled after six episodes.

    Wendt appeared in movies such as “Airplane II: The Sequel” (1982), “Fletch” (1985), “The Little Rascals” (1994) and as a film producer in “Spice World” (1997) as well as making guest appearances on TV’s “Seinfeld,” “The Larry Sanders Show” and “The Simpsons.” On the stage, Wendt notably played Edna Turnblad in the 2007 Broadway production of “Hairspray.”

    While Norm assiduously avoided his never-seen wife, Vera, at the bar, Wendt was married for 46 years to actress and Second City alum Bernadette Birkett, who voiced the unseen spouse on several “Cheers” episodes.

    In one of his final public appearances at the 75th Emmy Awards in 2024, Wendt reunited with his “Cheers” co-stars Ted Danson, Rhea Perlman, Grammer and Ratzenberger on a recreated set of the show’s iconic Boston bar. Wendt’s memorable entrance brought one final “Norm!” from his assembled costars.

    Danson, who played Cheers owner and bartender Sam “Mayday” Malone, said he was “devastated to hear that Georgie is no longer with us” in a statement following the sad news.

    “It is going to take me a long time to get used to this,” Danson added. “I love you, Georgie.” 

  • Megan Thee Stallion calls Tory Lanez ‘demon’ amid shooting questions

    Megan Thee Stallion calls Tory Lanez ‘demon’ amid shooting questions

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    Megan Thee Stallion is hitting back after Tory Lanez’s legal team claimed new evidence suggests the now-jailed rapper didn’t shoot her in 2020.

    In a post to TikTok on May 19, the Atlanta-based rapper, whose real name is Megan Pete, took aim at both Lanez, whose real name is Daystar Peterson, and his fans, accusing him of lying and calling him a “demon.”

    “At what point are y’all gonna stop making me have to re-live being shot BY TORY !?” Megan Thee Stallion wrote. “At what point are Tory and y’all FANS gonna stop lying? Like, how much is the check to keep harassing me?”

    She continued: “One min him/y’all said I was never shot, now y’all letting him play in y’all face AGAIN and say I was shot but it wasn’t him oh ok… ?!” Her comments come after Peterson’s legal team, Unite the People, claimed they had several new witnesses willing to testify that he didn’t shoot her.

    Peterson was convicted in 2022 of shooting Pete in the ankle two years before, after an alleged argument in Hollywood Hills, California. The Canadian singer-songwriter, who pleaded not guilty on all counts ahead of his trial, was charged with discharging a firearm with gross negligence; assault with a semiautomatic firearm; and carrying a loaded, unregistered firearm in a vehicle.

    He is currently serving a 10-year sentence and was hospitalized earlier this month after being stabbed multiple times by a fellow inmate.

    In an update on May 14, Peterson’s father, Sonstar Peterson, said his son was “recovering remarkably” after the incident and that medical professionals had already removed “the tubes that were draining the fluids from his lungs.”

    Peterson’s father also had a message for Pete, saying during the press conference: “We have prayed for her on many occasions.”

    The goodwill does not extend in both directions, though, as Megan Thee Stallion in December sought a restraining order against Peterson and his fans, alleging online harassment and doubling down on the claims in her recent post.

    “How y’all mad at the person that got shot ????” she wrote, “FACTS ARE FACTS, he did it, it was PROVEN IN COURT.” Taking aim at “the hate campaign on the internet,” she continued, “TORY PLEASE LEAVE ME ALONE. You are a … demon.”

    Despite her legal victory against Peterson, the “WAP” rapper alleged in the request for a restraining order that Peterson orchestrated a “campaign of harassment” against her, including employing a network of bloggers to slander her online.

    Demanding he stay at least 100 yards away from her and her home, vehicle and place of work, she also asked the court to order him not to contact her, directly or indirectly, and to stop his alleged online harassment.

    Contributing: Taijuan MoormanKiMi Robinson, Edward Segarra

  • ¿Por qué Bad Bunny no dará conciertos en EE. UU.? Lo que debes saber

    ¿Por qué Bad Bunny no dará conciertos en EE. UU.? Lo que debes saber

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    Bad Bunny ha vuelto a acaparar la atención mediática con su participación en el Met Gala 2025 y su reciente actuación en “Saturday Night Live”. Sin embargo, su próxima gira mundial “Debí Tirar Más Fotos” no contempla presentaciones en Estados Unidos, lo que ha generado incertidumbre y reacciones divididas entre sus seguidores latinos en el país.

    A continuación, explicamos lo que se sabe hasta el momento y por qué esta decisión podría formar parte de una estrategia mayor.

    Presencia reciente en eventos destacados

    El 5 de mayo de 2025, Bad Bunny destacó en la alfombra del Met Gala al vestir un conjunto marrón personalizado de la firma italiana Prada, complementado con una pava puertorriqueña, en un gesto claro de orgullo cultural y homenaje a sus raíces boricuas. Su elección fue ampliamente comentada por la prensa de moda y sus seguidores, quienes destacaron su consistencia en integrar mensajes culturales en eventos de gran visibilidad global, como asi lo reporto la revista Vogue.

    Poco después, el artista cerró la temporada 50 del programa “Saturday Night Live” el 17 de mayo. Durante su presentación, interpretó dos de los temas más representativos de su último álbum: “NUEVAYoL” y “PERFuMITO NUEVO”, reafirmando su vigencia en la escena musical internacional y su versatilidad como artista en vivo.

    Detalles de la gira ‘Debí Tirar Más Fotos’

    La nueva gira mundial de Bad Bunny, titulada “Debí Tirar Más Fotos,” está programada para iniciar el 21 de noviembre de 2025 en Santo Domingo, República Dominicana. A lo largo de su recorrido, el artista visitará países de América Latina, Asia, Oceanía y Europa, con paradas confirmadas en ciudades de Costa Rica, México, Colombia, Perú, Chile, Argentina, Japón, Australia, España, Francia, Alemania e Italia, de acuerdo con la página oficial de la gira.

    Llama la atención que hasta la fecha no se ha incluido ningún concierto en territorio estadounidense, pese a la gran base de seguidores que el artista tiene en ciudades como Nueva York, Miami, Los Ángeles y Chicago. Esta ausencia ha generado un montón de especulaciones sobre las razones detrás de esta decisión en redes sociales.

    Posibles razones de la exclusión de EE. UU.

    Existen diversas teorías sobre por qué Bad Bunny ha decidido no incluir a Estados Unidos en su itinerario. Algunas de las más comentadas por expertos en la industria musical incluyen:

    • Enfoque temático del álbum: “Debí Tirar Más Fotos” ha sido interpretado como una obra introspectiva con fuerte carga emocional y una narrativa centrada en Puerto Rico, de acuerdo a análisis como el de NPR. Esto podría justificar su intención de priorizar territorios donde esa temática resuene de forma más directa o personal.
    • Factores logísticos o políticos: Las recientes complicaciones con visados y restricciones migratorias para artistas internacionales anunciados por la administración Trump, podrían haber influido en la logística de planificación de fechas en suelo estadounidense.

    Comparación con giras anteriores

    La decisión contrasta marcadamente con el enfoque de sus giras anteriores:

    La omisión de Estados Unidos en su próximo tour no solo representa un cambio logístico, sino también una redefinición de su estrategia artística y comercial.

    Reacciones del público en redes sociales

    En plataformas como Reddit, X (antes Twitter) e Instagram, los comentarios no se han hecho esperar. Usuarios han expresado su frustración y desconcierto:

    “Bad Bunny se va de gira mundial pero está excluyendo a EE. UU. JAJAJAJA SÍ SABES!!!,” escribio Levita Alize Jenkins en X( anteriormente conocido como Twitter).

    COMO ASÍ QUE TOUR MUNDIAL Y NO HAY NI UNA SOLA FECHA EN USA??? 😭😭😭 quedamos 🤡🤡, dijo @ariaanisd en su descripcion a su video en TikTok.

    Otros especulan que podría tratarse de una jugada comercial para generar expectativa o un anuncio futuro de fechas sorpresa, aunque esto no ha sido confirmado por su equipo de trabajo.

    ¿Qué pueden esperar los fans en EE. UU.?

    Hasta ahora, ni Bad Bunny ni su equipo han emitido comunicados oficiales sobre posibles conciertos adicionales en Estados Unidos. Sin embargo, en el pasado el artista ha sorprendido con anuncios de último minuto o fechas secretas. Los seguidores pueden mantenerse atentos a sus canales oficiales y perfiles en redes para futuras actualizaciones.

    Mientras tanto, el artista continúa expandiendo su influencia a nivel global, explorando nuevos escenarios y consolidando su legado musical más allá del mercado estadounidense.

  • ‘Hunger Games: Sunrise on the Reaping’ cast: Elle Fanning and more

    ‘Hunger Games: Sunrise on the Reaping’ cast: Elle Fanning and more

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    May the odds be ever in Elle Fanning’s favor.

    The “Maleficent” star, 27, is the latest to join the cast of “The Hunger Games: Sunrise on the Reaping,” according to an announcement on the film’s official social media channels.

    Fanning is set to play a younger version of Effie Trinket, the character portrayed by Elizabeth Banks in the first four “Hunger Games” movies. Also confirmed for the cast on May 20 were Iona Bell as Lou Lou and Molly McCann as Louella McCoy.

    “The Hunger Games” will be another major franchise added to Fanning’s resume coming off her role in the upcoming “Predator: Badlands.” The Emmy nominee starred opposite Timothée Chalamet in the Oscar-nominated Bob Dylan biopic “A Complete Unknown” last year.

    Based on author Suzanne Collins’ prequel book, “Sunrise on the Reaping” takes place 24 years before the events of the original “Hunger Games” and follows the fictional 50th Hunger Games, the annual event where representatives from each district in Panem are forced to fight to the death. The first “Hunger Games” book, and its 2012 film adaptation starring Jennifer Lawrence, focused on the 74th Hunger Games.

    Joseph Zada will star in “Sunrise on the Reaping” as a young Haymitch Abernathy, a District 12 tribute previously played by Woody Harrelson. The film will also feature younger versions of several other characters from the original series, including Beetee Latier, previously played by Jeffrey Wright; Plutarch Heavensbee, previously played by Philip Seymour Hoffman; and President Coriolanus Snow, previously played by Donald Sutherland.

    A younger version of Coriolanus Snow played by Tom Blyth was the protagonist of the most recent “Hunger Games” movie, 2023’s “The Ballad of Songbirds & Snakes,” another prequel centered on the 10th Hunger Games. Rachel Zegler also starred.

    ‘The Hunger Games: Sunrise on the Reaping’ cast list

    With Fanning on board, here’s how the cast of “Sunrise on the Reaping” is shaping up so far:

    • Elle Fanning as Effie Trinket
    • Iona Bell as Lou Lou
    • Molly McCann as Louella McCoy
    • Joseph Zada as Haymitch Abernathy
    • Ralph Fiennes as Coriolanus Snow
    • Whitney Peak as Lenore Dove Baird
    • Mckenna Grace as Maysilee Donner
    • Maya Hawke as Wiress
    • Lili Taylor as Mags Flanagan
    • Kelvin Harrison Jr. as Beetee Latier
    • Ben Wang as Wyatt Callow
    • Jesse Plemons as Plutarch Heavensbee

    ‘The Hunger Games: Sunrise on the Reaping’ release date

    “The Hunger Games: Sunrise on the Reaping” is set to hit theaters on Nov. 20, 2026.

  • Jennifer Lopez sued over posting paparazzi photos of herself

    Jennifer Lopez sued over posting paparazzi photos of herself

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    Jennifer Lopez’s social media use landed her in legal hot water over the weekend, after a photographer and celebrity news agency sued the multi-hyphenate for copyright infringement over a pair of Instagram and X posts.

    In a complaint filed May 17, photographer Edwin Blanco accused Lopez of posting his copyrighted photographs from a pre-Golden Globes party in January without consent. In a twin filing, news and photo agency Backgrid USA targeted Lopez over the same photographs, which it co-owns with Blanco.

    Lawyers for Blanco and Backgrid alleged that Lopez posted the photos of her arriving and departing the party, which took place Jan. 4 in Los Angeles, on her social media channels without contacting them or seeking a license.

    USA TODAY has reached out to Lopez, Backgrid and Blanco’s lawyers for comment.

    The result, they argued, was a rapid spread of copyright infringement online, with several fan accounts for Lopez reposting the images and the fashion brand Adrienne Landau, which designed her dress for the evening, posting the shot to its official Instagram page. Lawyers for Blanco and Backgrid called the Adrienne Landau post “particularly egregious” and argued it “directly leveraged (the) photographs to market the brand’s products … generating promotional value for both the designer and Ms. Lopez, all without permission or compensation.”

    Lopez’s “unauthorized use of the Images is commercial in nature, intended for the purpose of self-promotion,” the filing says. Both parties had attempted to settle the matter outside of court, lawyers for Blanco and Backgrid claimed, adding that Lopez’s representatives were in communication with the photographer and agency to reach an “informal resolution” by paying him for the shots, but that she still had not signed the agreement.

    The photos, which are not watermarked and show Lopez in an old Hollywood-style fur coat and white slip dress, remain up on her Instagram.

    The complaints feature two separate claims of copyright infringement, as well as breach of contract, which refers to Lopez seeking the settlement but never signing it. Blanco and Backgrid are requesting damages in an amount that can range up to $150,000 and include a jury trial.

    Lopez, a triple threat and longtime star, has taken a small step back from the spotlight in recent months, following a divorce from ex-fiancee-turned-new husband Ben Affleck and a series of projects chronicling their rekindled romance. She is expected to make a grand return later this month as host of the American Music Awards.

    Backgrid is no stranger to lawsuits, often suing other celebrity news agencies, fashion brands and big-name stars over an alleged use of their photographs. In recent years, they have pursued legal action against celebrities like Lisa Rinna, Justin Bieber and Christina Milian.

  • See Spotify’s predicted top 30 Songs of summer 2025

    See Spotify’s predicted top 30 Songs of summer 2025

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    The beginning of summer is exactly one month away, but school years are winding down, and warmer weather has everyone, including Spotify, thinking about the season ahead.

    To kick things off, the music streaming giant released its predictions for the top songs of summer 2025, and it’s an eclectic mix. The global list consists of 30 songs from various genres, including afro-fusion, pop, dance rave and lowkey tunes from artists ranging from Charli xcx and Drake to Lorde and Florence + The Machine.

    Spotify uses “cultural expertise, editorial instinct, and streaming data” to curate its Songs of Summer list, which has proven to be fairly accurate in the past, including predicting Billie Eilish’s “BIRDS OF A FEATHER,” Sabrina Carpenter’s “Espresso” and Kendrick Lamar’s “Not Like Us” would make the 2024 list.

    Check out Spotify’s 2025 predictions below.

    Top music genres of summer 2025 predicted by Spotify

    Spotify editors noted the popular global spread of afro-fusion, with songs like “Show Me Love (with Tyla)” by WizTheMc, bees & honey and Tyla, and “YA BABA” by DYSTINCT and French Montana.

    On the pop frontier, what Spotify described as lyric-driven “lovestruck pop” is expected to make streaming charts with tracks like “Ordinary,” “Blue Strips” and “back to friends” by breakout artists Alex Warren, Jessie Murph and sombr.  

    Summer partiers will probably be playing high-speed dance and rave hits like “Running Around” by Ely Oaks and “Say My Name – Remix” by Morgan Seatree & Florence + The Machine, while lazier summer days are expected to be soundtracked by “hazy” and chill beats like “No One Noticed” by The Marías and “You’ll Be in My Heart – Spotify Singles” by NIKI.

    Top 30 songs of summer 2025 predictions

    Note that Spotify organized this global list alphabetically by artist name and not as a ranking system.

  • ‘Amazing World of Gumball’ Season 7 gets new name and home at Hulu

    ‘Amazing World of Gumball’ Season 7 gets new name and home at Hulu

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    Welcome back to Elmore.

    TV’s favorite blue cat is back for more hijinks under a new name. “The Wonderfully Weird World of Gumball,” a continuation of the hit Cartoon Network series “The Amazing World of Gumball,” is coming to Hulu.

    In a teaser released May 20, the Watterson home is seen covered in dust as 12-year-old Gumball and his brother Darwin wake up dried out and shiveled before realizing they’re late to school, by about seven years. Both let out a gasp before Gumball quips: “Five more minutes then.”

    The series, on Cartoon Network from 2011 to 2019, has been on hiatus for almost as long.

    The new series is from the original creator and executive producer, Ben Bocquelet, and produced by Hanna-Barbera Studios Europe. “The Wonderfully Weird World of Gumball” will air on Hulu domestically, Cartoon Network’s international channels and HBO Max outside of the United States.

    Read on for what we know about the new series.

    ‘The Wonderfully Weird World of Gumball’ release date

    “The Wonderfully Weird World of Gumball” will premiere later this year, though an exact release date has yet to be announced.

    What is ‘The Wonderfully Weird World of Gumball’?

    As with the original series, “The Wonderfully Weird World of Gumball” will follow the misadventures of the Watterson family: Gumball (Alkaio Thiele), Darwin (Hero Hunter), their sister Anais (Kinza Syed Khan) and their parents, Nicole (Teresa Gallagher) and Richard (Dan Russell). Gallagher and Russell are returning voices, while the Watterson children will be voiced by new castmembers.

    In Elmore, the series synopsis reads, “The laws of reality are a joke, and family life is anything but ordinary. Whether he’s battling an evil fast-food empire, facing off against a sentient AI in love with his mom or trying to stop Banana Joe from wearing pants – Gumball Watterson drags his brother Darwin, sister Anais, and the rest of the town of Elmore along for the ride. With even wilder stories, bigger twists and surreal humor, the show is so amazing that they had to rename it!”

  • ‘Sold on a Monday’ author Kristina McMorris on new novel

    ‘Sold on a Monday’ author Kristina McMorris on new novel

    As a historical fiction author, Kristina McMorris has made a career out of exploring untold nuggets of history.

    Her novel “Sold on a Monday” was inspired by a real newspaper photo of children under a sign offering them for sale. “Bridge of Scarlet Leaves” followed the non-Japanese women who voluntarily entered Japanese internment camps to stay with their spouses and children. 

    But it took her several decades to learn about the history right in her backyard. McMorris had heard of “being Shanghaied” as slang, but found out about the Portland Shanghai tunnels, funnily enough, from an episode of “Ghost Hunters”. Now, “The Girls of Good Fortune” (out now from Sourcebooks) connects those tunnels and the discrimination against Chinese laborers during the 1800s through its main character, Celia. 

    What does it mean to get ‘shanghaied’? ‘Girls of Good Fortune’ goes behind slang

    In popular culture, “shanghaied” often refers to tricking or coercing someone. But the term’s historical roots refer to the method of kidnapping men to meet the growing demand for sailors in the late 19th century. The Portland Tunnels, subject to much local lore, were likely used as dungeons for “shanghaied” victims.

    “Girls of Good Fortune,” set in 1888, opens as Celia awakens in one of these underground cells, drugged and disguised as a man. As she retraces her steps to understand how she got there, she begins to understand that she has been “shanghaied” and is about to be shipped off into forced labor. She’ll do anything to make it back to her young daughter, who’s been left behind in peril. 

    During the start of her research during the pandemic, McMorris took virtual tours of the tunnels and read historical texts from the Oregon Historical Society to fill in the blanks. It was more of a challenge than her previous novels, many of which have been set in the 20th century and relied on interviews and first-hand accounts. 

    That research led her to a period of intense anti-Chinese violence in the late 1800s. McMorris learned about the Tacoma Method, which refers to a mob of several hundred white men (including city leaders) violently pushing out the entire Chinese community of Tacoma, Washington in 1885. The mob intimidated families, burned churches and broke into and vandalized homes. Seen as a method to successfully push Chinese populations out, the Tacoma expulsion led to even more violence. In Rock Springs, Wyoming Territory in 1885, white miners attacked Chinese miners and set fire to their homes, killing an estimated 28 people. In Hells Canyon in 1887, 30 Chinese miners were gunned down in Oregon by a white gang. 

    The novel is set during this period of intense anti-Chinese sentiments, and Celia’s father is killed in these massacres. 

    “How have we never learned about this?” McMorris says. “Given that it is, historians will tell you, the greatest atrocity against the Chinese immigrants in America, in our history. And yet most people have never heard of it.”

    As a historical fiction writer, McMorris says the best compliment she receives from readers is that her books make them want to learn more and do their own research. She sees the genre as an accessible entry point.

    “That is more interesting, I hope, than a textbook from history class, when we were told just to memorize dates and names and regurgitate them for exams and it didn’t mean much to us because we didn’t humanize it,” McMorris says. “The humanizing of history, where it becomes real people that are us at a different time, they’re ordinary people during extraordinary times, in extraordinary circumstances, then we’re able to increase empathy. And I think that is really important.”

    In all her work, McMorris searches for women’s roles in history that are “easily brushed over.” “When We Had Wings,” her 2022 novel with Ariel Lawhon and Susan Meissner, follows the forgotten but crucial Women’s Army Corps in World War II. She’s “endlessly fascinated” by stories of women (fictional and real) who had to disguise themselves as men for freedom, political power or to serve on the battlefield. She was also partially inspired by “Mulan,” a household family favorite, when she was writing Celia getting “shanghaied.”

    Kristina McMorris’ Asian identity informs ‘Girls of Good Fortune’ characters

    McMorris, who is Japanese and white, hasn’t put this much of her Asian identity into a novel since “Bridge of Scarlet Leaves” in 2012. With “Girls of Good Fortune,” she used her own experience being mixed race to craft Celia, who is white and Chinese and passing while she works as a maid for the mayor’s family. 

    McMorris’ father is from Kyoto, and she says he was reluctant for many years to teach her and her sister Japanese because he was “so proud of having his kids be American.” He regretted it later in his life. 

    “We didn’t know exactly where we fit in,” McMorris says. “Having a foot in both worlds was interesting and yet wasn’t something that we appreciated as much until we got older. And so now we absolutely love that, the feeling that we’re different in a way, that we’re unique in our own ways.”

    That experience of balancing assimilation but holding onto cultural roots is something McMorris injected into her novel. And more than just grappling with her identity, Celia reckons with her privilege to pass as white and how she can use her voice to speak up for those who cannot, like her father.

    “What we bring to the table is our voice, which is how we view the world, the way that we put those words together, the messages that we want to share,” McMorris says. “Most importantly, it is telling stories from history that otherwise might be forgotten. Shining a light on that in some way, I think, is absolutely important today more than ever.”

    Clare Mulroy is USA TODAY’s Books Reporter, where she covers buzzy releases, chats with authors and dives into the culture of reading. Find her on Instagram, subscribe to our weekly Books newsletter or tell her what you’re reading at [email protected]

  • Start time, finalists, where to watch

    Start time, finalists, where to watch

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    “The Voice” is set to wrap its 27th Season with the crowning of a new winner on Tuesday night.

    Five artists remain in the competition ahead of the live finale episode on May 20, but only one will take home the title and grand prize of a recording contract.

    Each week since Feb. 3, contestants have battled for their spot on four teams coached by celebrity judges.

    The season is broken up into stages of competition, including blind auditions, battles, knockouts and playoffs. There were also live shows on May 12 and May 19.

    Here’s what to know about the May 20 finale of “The Voice,” including finalists, voting and how to watch.

    What time is ‘The Voice’ finale on?

    “The Voice” Season 27 finale airs on May 20 at 9 p.m. ET.

    There will also be a season recap episode airing at 8 p.m. ET for the hour before the finale, according to NBC.

    How to watch ‘The Voice’ Season 27 finale

    The episode will be available to watch live on NBC. It will also be available for streaming on May 21 on Peacock.

    Who are the coaches on ‘The Voice’ Season 27?

    This season’s celebrity coaching panel features several familiar faces and one new member:

    • John Legend: The “All of Me” singer returned to the show after missing the previous season. This is his tenth season as a coach.
    • Michael Bublé: In his second season, Bublé is the only coach to have two artists in tonight’s finale.
    • Kelsea Ballerini: Ballerini is in her first season as a coach.
    • Adam Levine: One of the show’s original coaches, Levine returned to the show after a 10-season hiatus.

    ‘The Voice’ Season 27 finalists

    There are five artists still in the competition, with each of the four judges’ teams represented.

    Here’s who could take it all Tuesday night:

    • Renzo: A Philadelphia native, Renzo is on Team Legend. He teaches science to elementary students, according to his cast bio. His real name is Dennis Lorenzo.
    • Lucia Flores-Wiseman: Flores-Wiseman represents Team Adam. She is originally from Washington state and is fluent in Spanish, according to her cast bio.
    • Jadyn Cree: Cree is one of two members of Team Bublé competing in the finale. Her father, Bryan Oleson, was previously a finalist on the show’s 25th season, according to her cast bio.
    • Jaelen Johnston: A member of Team Kelsea, Johnston has built a music career by performing at venues around Kansas, according to his cast bio. His grandfather is a former entertainer who inspired his music journey.
    • Adam David: The other member of Team Bublé in the finale, David’s singing career has taken him around the world, according to his cast bio. He previously struggled with addiction but is five years clean and performs at rehabilitation centers each week.

    Is voting still open for ‘The Voice’ finale?

    The voting window for the finale was open overnight after the May 19 episode. Voting closed at 7 a.m. ET on May 20, according to NBC.

    We occasionally recommend interesting products and services. If you make a purchase by clicking one of the links, we may earn an affiliate fee. USA TODAY Network newsrooms operate independently, and this doesn’t influence our coverage.

    Melina Khan is a national trending reporter for USA TODAY. She can be reached at [email protected]

  • New Disney live-action movie needs more charm

    New Disney live-action movie needs more charm

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    If Disney were to replace Mickey Mouse as its mascot, the only choice that probably wouldn’t cause a global riot is Stitch. That adorably furry mix of E.T., the Tasmanian Devil and a rambunctious puppy has become one of the most beloved animated characters in the company’s iconic lineup.

    So it’s a little head-scratching why there’s not more of the big-eared alien weirdo in the new live-action remake “Lilo & Stitch” (★★½ out of four; rated PG; in theaters May 23). Director Dean Fleischer Camp’s family adventure feels like an excessively earnest Disney Channel movie compared with the delightfully unhinged 2002 cartoon. That’s great for those who want more of a human connection but not so much if you’re more jazzed about Stitch wrecking a bunch of stuff. 

    The updated “Lilo” pulls back on the sci-fi action to focus instead on the emotional story of two orphaned human siblings, though it begins the same as the first flick. Stitch (aka Experiment 626) is deemed too dangerous to exist by the United Galactic Federation, and escapes authorities in a flurry courtesy of a space police cruiser.

    He crash lands in Hawaii near the home of young Lilo (newcomer Maia Kealoha). She’s a rebellious 6-year-old who gives her big sister/guardian Nani (Sydney Agudong) fits, and Nani is desperately trying to keep social services from taking Lilo away.

    Lilo visits the local pound where she meets (and immediately falls for) Stitch, whom everyone assumes is a pooch even though he looks more like a blue koala bear. The sisters’ lives get more fun and also more stressful as Stitch causes mayhem wherever he goes (from surfing and driving to some antics with a soda gun). Meanwhile, a couple of other aliens are dispatched to bring him back: his mad scientist inventor Jumba (Zach Galifianakis) and Earth-loving oddball Pleakley (Billy Magnussen). 

    The new “Lilo & Stitch” takes a much more grounded approach to the plot, with some changes from the original movie. For example, the antagonistic alien brute Captain Gantu is left out. While the OG Jumba and Pleakley wore random clothing as a disguise, their updated counterparts use holograms to appear human – which just seems to be an excuse to include a couple of recognizable faces.

    And Ving Rhames’ tough-guy social worker Cobra Bubbles is essentially two characters in the remake: The new Cobra (Courtney B. Vance) is a CIA agent searching for Stitch, too, while Mrs. Kekoa (Tia Carrere) is the social worker concerned about Nani and Lilo’s home life.

    One aspect that’s improved in the revamp is Lilo and Nani’s relationship. Kealoha is precocious enough as the Elvis-loving Lilo, leaning more troublemaker than her animated self. And Agudong makes the most of Nani’s character reinvention. (Rather than just trying to get a job, she has a whole subplot about going to college to study marine biology.)  

    There are some nifty nods to the first film. The casting of Carrere, who originally voiced Nani, is a nice touch. And Chris Sanders (who directed the animated version alongside Dean DeBlois) also returns to give voice to all Stitch’s signature growls, snarls and yells.

    That old “Ohana means family” riff still hits right in the feels, though what this latest outing lacks most is the first film’s electric charm. It’s surprising considering that Camp crafted the sweetly bizarre “Marcel the Shell With Shoes On” – this “Stitch” settles on being a fine retread instead of a rabble-rousing romp.

    Stitch, in his own peculiar way, sums it up perfectly: This “Lilo & Stitch” is “broken but still good.” Even if it’s ultimately an unnecessary new take on a chaotic masterpiece.