Category: BUSINESS

  • New movies on Netflix, Amazon, Peacock, Max, Hulu to stream now

    New movies on Netflix, Amazon, Peacock, Max, Hulu to stream now

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    Love movies? Live for TV? USA TODAY’s Watch Party newsletter has all the best recommendations, delivered right to your inbox. Sign up now and be one of the cool kids.

    Streaming movie fans are eating well this month. And we’re not just talking about the scrumptious-looking Italian vittles cooked up in “Nonnas,” a perfect movie for Mother’s Day weekend.

    The Vince Vaughn Netflix dramedy leads a bunch of new flicks in May that have arrived on your favorite streaming services, from Hulu and Amazon’s Prime Video to Peacock and Max. There are theatrical releases finally coming home, including a romantic slasher and a Ke Huy Quan action comedy, if you like to celebrate Valentine’s Day all year round. Don’t sleep on the original fare, though, such as an Anna Kendrick/Blake Lively sequel and a teen sex comedy starring “Saturday Night Live” regular Chloe Fineman.

    Here are 10 notable new movies you can stream right now:

    ‘Adult Best Friends’

    Director Delaney Buffett co-writes and co-stars with Katie Corwin in the indie comedy about two childhood best friends who have their codependence tested. When one gets engaged to her masseuse boyfriend (Mason Gooding), she plans on springing the news on the other during a nostalgic beach trip that goes cringingly off the rails.

    Where to watch: Max

    ‘Another Simple Favor’

    In Paul Feig’s dark comedy mystery sequel, crime-solving mommy vlogger Stephanie (Anna Kendrick) is shocked when fresh-out-of-jail frenemy Emily (Blake Lively) invites her to be maid of honor at her wedding in Capri. Assorted shenanigans ensue involving Italian mob families, shady relatives, bloody murders and cold martinis.

    Where to watch: Prime Video

    ‘Black Bag’

    Steven Soderbergh’s whodunit twist on the spy thriller is a bit of a must-see. Michael Fassbender plays a British intelligence officer tasked with finding who leaked a top-secret software program and betrayed their country, and the list of five potentially traitorous suspects includes his own high-profile wife (Cate Blanchett).

    Where to watch: Peacock

    ‘The Damned’

    In the freaky psychological horror tale, a 19th-century widow (Odessa Young) heads up a remote fishing village in the Arctic. Her crew comes across a shipwreck and morally wrestles with saving the survivors or leaving them to die and conserve their own depleting supplies, and a dark folkloric creature rises in the aftermath.

    Where to watch: Hulu

    ‘The End’

    Need something strange? How about an ambitious post-apocalyptic musical? Tilda Swinton and Michael Shannon play the mom and dad of a wealthy family holed up in a posh bunker in a salt mine, George MacKay plays their son who yearns to know about the inhospitable outside world, and Moses Ingram is the stranger who changes everything.

    Where to watch: Hulu

    ‘Heart Eyes’

    The horror rom-com juggles the many tropes of both its genres, but this gory slasher romp also boasts an impressive mean streak, entertaining leads and an excellent hook. A masked psycho hits up a new big city to gut couples every Valentine’s Day, and this time targets Seattle co-workers (Olivia Holt and Mason Gooding) mistaken for lovers. 

    Where to watch: Netflix

    ‘Love Hurts’

    Oscar winner Ke Huy Quan snags his first leading role in the action comedy. He plays a good-natured realtor and ex-hitman whose past comes flying back in his face – as do a lot of punches – when the lawyer (Ariana DeBose) he was supposed to kill years ago returns to town. (He also harbors strong feelings for her, though she doesn’t know it.)

    Where to watch: Peacock

    ‘Nickel Boys’

    Director RaMell Ross’ innovative, Oscar-nominated drama tells its riveting tale from the first-person vantage of its two young protagonists. In 1960s Jim Crow Florida, Black teenager Elwood (Ethan Herisse) is unjustly convicted of car theft and sent to reform school, where he faces abuse and corruption alongside a fellow student (Brandon Wilson).

    Where to watch: Prime Video

    ‘Nonnas’

    Vince Vaughn trades the broad comedy for something sweeter and more heartfelt with this dramedy, based on a true story. He stars as a Brooklyn MTA worker who, after the death of his beloved mom, uses the life insurance money to open a restaurant in her honor where the chefs are Italian grandmas who can cook like a kitchen on fire.

    Where to watch: Netflix

    ‘Summer of 69’

    In Jillian Bell’s directorial debut, high school senior Abby (Sam Morelos) finds out that her crush (Matt Cornett) prefers a certain sexual position. To master it – even though she’s totally inexperienced – Abby enlists exotic dancer Santa Monica (Chloe Fineman) to be her “sexual fairy godmother” in the coming-of-age comedy.

    Where to watch: Hulu

  • ACM Awards full list of winners: Lainey Wilson, Ella Langley

    ACM Awards full list of winners: Lainey Wilson, Ella Langley

    Lainey Wilson and Ella Langley were big winners at the 60th annual Academy of Country Music Awards, which were broadcast live from Frisco, Texas, on May 8.

    Wilson took home entertainer of the year for the second year in a row, and Langley took home four awards. Old Dominion won group of the year for the eighth consecutive time — something no other group has done.

    We have the winners’ list below, with winners in each category listed in bold.

    The studio recording awards had not yet been announced as of 11 p.m. ET.

    Entertainer of the year

    • Kelsea Ballerini
    • Luke Combs
    • Cody Johnson
    • Jelly Roll
    • Chris Stapleton
    • Morgan Wallen
    •  Lainey Wilson

    Female artist of the year

    • Kelsea Ballerini
    • Ella Langley
    • Megan Moroney
    • Kacey Musgraves
    • Lainey Wilson

    Male artist of the year

    • Luke Combs
    • Cody Johnson
    • Jelly Roll
    • Chris Stapleton
    • Morgan Wallen

    Duo of the year

    • Brooks & Dunn 
    • Brothers Osborne 
    • Dan + Shay 
    • Muscadine Bloodline
    • The War and Treaty

    Group of the year

    • Flatland Cavalry
    • Little Big Town 
    • Old Dominion 
    • Rascal Flatts
    • The Red Clay Strays

    New female artist of the year

    • Kassi Ashton
    • Ashley Cooke
    • Dasha
    • Ella Langley
    • Jessie Murph

    New male artist of the year

    • Gavin Adcock
    • Shaboozey
    • Zach Top
    • Tucker Wetmore
    • Bailey Zimmerman

    New duo or group of the year

    • Restless Road
    • The Red Clay Strays
    • Treaty Oak Revival

    Album of the year

    Awarded to artist(s)/producer(s)/record company–label(s)

    • Am I Okay? (I’ll Be Fine) – Megan Moroney; producer: Kristian Bush; Columbia Records / Sony Music Nashville
    • Beautifully Broken – Jelly Roll; producers: BazeXX, Brock Berryhill, Zach Crowell, Devin Dawson, Charlie Handsome, Ben Johnson, mgk, The Monsters & Strangerz, Austin Nivarel, SlimXX, Ryan Tedder, Isaiah Tejada, Alysa Vanderheym; BBR Music Group / BMG Nashville / Republic Records
    • Cold Beer & Country Music – Zach Top; producer: Carson Chamberlain; Leo33
    • F-1 Trillion – Post Malone; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
    • Whirlwind – Lainey Wilson; producer: Jay Joyce; BBR Music Group / BMG Nashville

    Single of the year

    Awarded to artist(s)/producer(s)/record company–label(s)

    • “A Bar Song (Tipsy)” – Shaboozey; producers: Sean Cook, Nevin Sastry; American Dogwood / EMPIRE
    • “Dirt Cheap” – Cody Johnson; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
    • “I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
    • “White Horse” – Chris Stapleton; producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mercury Nashville
    • “you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records

    Song of the year

    Awarded to songwriter(s)/publisher(s)/artist(s)

    • “4x4xU” – Lainey Wilson; songwriters: Jon Decious, Aaron Raitiere, Lainey Wilson; publishers: Louisiana Lady; One Tooth Productions; Reservoir 416; Songs of One Riot Music; Sony/ATV Accent
    • “The Architect” – Kacey Musgraves; songwriters: Shane McAnally, Kacey Musgraves, Josh Osborne; publishers: Songs for Indy and Owl; Sony/ATV Cross Keys Publishing
    • “Dirt Cheap” – Cody Johnson; songwriter: Josh Phillips; publishers: Warner-Tamerlane Publishing; Write or Die Music; Write the Lightning Publishing
    • “I Had Some Help” – Post Malone, Morgan Wallen; songwriters: Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters, Ryan Vojtesak; publishers: Bell Ear Publishing; Master of my Domain Music; Poppy’s Picks; Sony/ATV Cross Keys Publishing; Universal Music Corporation
    • “you look like you love me” – Ella Langley, Riley Green; songwriters: Riley Green, Ella Langley, Aaron Raitiere; publishers: Back 40 Publishing International; Langley Publishing; One Tooth Productions; Sony/ATV Tree; Warner-Tamerlane Publishing Corp

    Music event of the year

    Awarded to artist(s)/producer(s)/record company–label(s)

    • “Cowboys Cry Too” – Kelsea Ballerini, Noah Kahan; producers: Kelsea Ballerini, Noah Kahan, Alysa Vanderheym; Black River Entertainment
    • “I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
    • “I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
    • “we don’t fight anymore” – Carly Pearce, Chris Stapleton; producers: Shane McAnally, Josh Osborne, Carly Pearce; Big Machine Records
    • “you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records

    Visual media of the year

    Awarded to producer(s)/director(s)/artist(s)

    • “4x4xU” – Lainey Wilson; producer: Jennifer Ansell; director: Dano Cerny
    • “Dirt Cheap” – Cody Johnson; producer: Dustin Haney; director: Dustin Haney
    • “I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producers: Christen Pinkston, Wesley Stebbins-Perry; director: Dustin Haney
    • “Think I’m In Love With You” – Chris Stapleton; producers: Wes Edwards, Angie Lorenz, Jamie Stratakis; director: Running Bear (Stephen Kinigopoulos, Alexa Stone)
    • “you look like you love me” – Ella Langley, Riley Green; producer: Alex Pescosta; directors: Ella Langley, John Park, Wales Toney

    Artist-songwriter of the year

    • Luke Combs
    • ERNEST
    • HARDY
    • Morgan Wallen
    • Lainey Wilson

    Songwriter of the year

    • Jessi Alexander
    • Jessie Jo Dillon
    • Ashley Gorley
    • Chase McGill
    • Josh Osborne

    Producer of the year

    • Dave Cobb
    • Ian Fitchuk
    • Charlie Handsome
    • Jon Randall
    • Alysa Vanderheym

    Audio engineer of the year

    • Brandon Bell
    • Drew Bollman
    • Josh Ditty
    • Buckley Miller
    • F. Reid Shippen

    Bass player of the year

    • J.T. Cure
    • Mark Hill
    • Rachel Loy
    • Tony Lucido
    • Craig Young

    Drummer of the year

    • Fred Eltringham
    • Tommy Harden
    • Evan Hutchings
    • Aaron Sterling
    • Nir Z

    Acoustic guitar player of the year

    • Tim Galloway
    • Todd Lombardo
    • Mac McAnally
    • Bryan Sutton
    • Ilya Toshinskiy

    Piano/keyboards player of the year

    • Dave Cohen
    • Ian Fitchuk
    • Billy Justineau
    • Gordon Mote
    • Alex Wright

    Specialty instrument player of the year

    • Dan Dugmore
    • Jenee Fleenor
    • Josh Matheny
    • Justin Schipper
    • Kristin Wilkinson

    Electric guitar player of the year

    • Kris Donegan
    • Jedd Hughes
    • Brent Mason
    • Sol Philcox-Littlefield
    • Derek Wells

    Casino of the year – theater

    • Deadwood Mountain Grand – Deadwood, S.D.
    • Foxwoods Resort Casino – Mashantucket, Conn.
    • Harrah’s Cherokee Casino Resort – Cherokee, N.C.
    • The Theater at Virgin Hotels – Las Vegas, Nev.
    • Yaamava’ Theater – Highland, Calif.

    Casino of the year – arena

    • Golden Nugget Lake Charles – Lake Charles, La.
    • Hard Rock Live at Etess Arena – Atlantic City, N.J.
    • Harveys Lake Tahoe – Stateline, Nev.
    • Mystic Lake Casino Showroom – Prior Lake, Minn.
    • Turning Stone Resort Casino – Verona, N.Y.

    Festival of the year

    • C2C Country to Country – London
    • CMC Rocks – Ipswich, Queensland
    • Stagecoach Festival – Indio, Calif.
    • Two Step Inn – Georgetown, Tex.
    • Windy City Smokeout – Chicago

    Fair/rodeo of the year

    • Calgary Stampede – Calgary, Alberta
    • California Mid-State Fair – Paso Robles, Calif.
    • Cheyenne Frontier Days – Cheyenne, Wy.
    • Minnesota State Fair – Falcon Heights, Minn.
    • Houston Livestock Show and Rodeo – Houston

    Club of the year

    • Billy Bob’s Texas – Fort Worth, Tex.
    • Brooklyn Bowl – Nashville
    • Cain’s Ballroom – Tulsa, Okla.
    • Georgia Theatre – Athens, Ga.
    • Joe’s on Weed St. – Chicago

    Theater of the year

    • The Caverns – Pelham, Tenn.
    • MGM Music Hall at Fenway – Boston
    • The Met Philadelphia – Philadelphia
    •  The Rave/Eagles Club – Milwaukee, Wisc.
    • Tennessee Theatre – Knoxville, Tenn.

    Outdoor venue of the year

    • BankNH Pavilion – Gilford, N.H.
    • CMAC – Constellation Brands Marvin Sands Performing Arts Center – Canandaigua, N.Y.
    • Saint Augustine Amphitheatre – St. Augustine, Fla.
    • The Wharf Amphitheater – Orange Beach, Ala.
    • Whitewater Amphitheater – New Braunfels, Tex.

    Arena of the year

    • Dickies Arena – Fort Worth, Tex.
    • Moody Center – Austin, Tex.
    • TD Garden – Boston
    • Thompson-Boling Arena at Food City Center – Knoxville, Tenn.
    • Van Andel Arena – Grand Rapids, Mich.

    Don Romeo talent buyer of the year

    • Deana Baker
    • Bobby Clay
    • Gil Cunningham
    • Weston Hebert
    • Stacy Vee
    • Taylor Williamson

    Promoter of the year

    • Brent Fedrizzi
    • Alex Maxwell
    • Patrick McDill
    • Anna-Sophie Mertens
    • Rich Schaefer
    • Aaron Spalding
  • Crossword Blog & Answers for May 9, 2025 by Sally Hoelscher

    Crossword Blog & Answers for May 9, 2025 by Sally Hoelscher

    There are spoilers ahead. You might want to solve today’s puzzle before reading further! Cart Out

    Constructor: Mark Valdez

    Editor: Amanda Rafkin

    What I Learned from Today’s Puzzle

    • STOOP (13A: “___ kid’s afraid to leave his ___!” (Chant in a “Hey Arnold!” episode)) Hey Arnold! (1996-2004) is an animated TV series about a fourth grader named Arnold who lives with his grandparents. I knew about this show (from having written about it before) but STOOP Kid is new to me. On the show, STOOP Kid is a teenage boy who lives on a STOOP, and rarely leaves it. In an episode titled “STOOP Kid,” Arnold convinces him to have the courage to leave his STOOP.
    • TOPSY (63A: “___ Turvy” (“The Hunchback of Notre Dame” song)) “TOPSY Turvy” is a song in Disney’s 1996 animated movie The Hunchback of Notre Dame (which is loosely based on Victor Hugo’s 1831 novel of the same name). Although I wasn’t familiar with the song, the answer here was inferable because I’m familiar with “TOPSY turvy” as a phrase.
    • CUPCAKES (21D: Desserts made at Sprinkles) Sprinkles is a bakery specializing in CUPCAKES. The first Sprinkles opened in Beverly Hills, California in 2005. There are now Sprinkles locations in Arizona, Florida, Nevada, Texas, Utah, and Washington D.C., in addition to California. I see that they do have nationwide shipping…
    • ONE (28D: Number of Tonys won by Joaquina Kalukango) Paradise Square is a musical that opened on Broadway in 2022. It is set in New York City during the Civil War and tells the story of conflict between Irish Americans and Black Americans. Joaquina Kalukango played the role of Nelly O’Brian on Broadway (and during the pre-Broadway run in Chicago). For this role, she won her ONE Tony to-date, for Best Actress in a Musical.

    Random Thoughts & Interesting Things

    • ASTRO (1A: Prefix with “turf” or “physics”) It’s true that ASTROturf and ASTROphysics share a prefix. This clue made me chuckle as I thought about the differences between these two things.
    • CRAN (17A: Vodka ___ (tart drink)) Vodka CRAN, as one might guess from the name, is a cocktail of vodka and cranberry juice. A vodka CRAN is also known by the name Cape Codder.
    • ALTO (18A: Patsy Cline’s vocal range) Patsy Cline (1932-1963) was one of the first country music artists to successfully cross over into pop music. Although her recording career lasted only eight years, Patsy Cline is considered one of the most influential vocalists of the 20th century. Patsy Cline died in a plane crash in 1963, which was before I was born, but my parents were fans, so I grew up listening to her ALTO voice singing songs such as “I Fall to Pieces” and “Crazy.”
    • BYE (22A: “___ ___ ___” (NSYNC song with the lyrics “I just want to tell you that I’ve had enough”)) I like the triple blank in this fill-in-the-blank clue. NSYNC released “BYE BYE BYE” in 2001. The song won an MTV Video Music Award for Best Pop Video.
    • UNDO (24A: Ctrl+Z function) I know I’ve said it before, but it bears repeating that UNDO is my favorite computer shortcut. It has saved me from so many, “Ack! I didn’t mean to do that!” moments.
    • KOREA (37A: Jeju Island’s region) KOREA is a region in East Asia that consists of the Korean Peninsula, Jeju Island, and several smaller islands. Since 1945, KOREA has been divided into the two distinct sovereign states of North KOREA and South KOREA. Jeju island is part of South KOREA.
    • YES AND (44A: Improv comedy’s two-word tenet) The improv comedy tenet, “YES, AND…” is the idea that a participant accepts what someone else has said – YES – before expanding on that line of thinking – AND.
    • CONCEPT ART (50A: Visual prototype for a piece of media) CONCEPT ART is basically just what it sounds like, ART (sketches, 3D models, etc) that conveys a CONCEPT. It is used in the areas of film, animation, comic books, TV shows, and video games.
    • PUMAS (56A: Mountain lions) My cat, Willow, is happy to see her big cat cousins in the puzzle. At least, I assume she is … I didn’t actually wake her up to ask her.

    • IDES (59A: “Beware the ___ of March!”) In the Roman calendar, IDES referred to a day near the middle of the month – the 15th of March, May, July, or October, and the 13th of any other month. March 15 is the IDES of March. In 44 BC, Julius Caesar was assassinated on the IDES of March, making the date notorious. Any mention of the IDES of March reminds me of my ninth grade English teacher, Mrs. Horton, for it was in her class that I first read William Shakespeare’s play, Julius Caesar, which features the line, “Beware the IDES of March!”
    • STARK (60A: “Kinky Boots” actor Sands) Cyndi Lauper wrote the songs for the musical Kinky Boots, which tells the story of Charlie Price. Charlie inherited a shoe factory from his father, and ends up in a partnership with a drag queen named Lola. STARK Sands originated the role of Charlie Price on Broadway in 2013. Just last week, we saw BILLY PORTER, who originated the role of Lola, as a theme answer.
    • MOCHI (6D: Chewy rice cakes) MOCHI is pounded sticky rice that is molded into cakes. It often has a sweet filling.
    • SCAR (8D: “Be Prepared” singer in “The Lion King”) SCAR, the evil villain of Disney’s The Lion King, sings “Be Prepared” to the hyenas as he makes plans to murder Mufasa and Simba. The song was written by Elton John and Tim Rice.
    • HAHN (15D: “Agatha All Along” actor Kathryn) In the Disney+ TV series, Agatha All Along, Kathryn HAHN portrays the title character, Agatha Harkness, a character she first played in the Marvel miniseries WandaVision. Agatha is part of a coven of witches who are following the Witches’ Road. 
    • CAN (20D: “I ___ Do It With a Broken Heart” (Taylor Swift song)) “I CAN Do It With a Broken Heart” is a song from Taylor Swift’s 2024 album, The Tortured Poets Department. “I cry a lot but I am so productive, it’s an art…”
    • MANTRA (42D: “I am enough” or “You can do hard things”) This clue reminds me of the May 1st puzzle, which had the word AFFIRMATION clued as [“I am enough,” e.g.]. The AFFIRMATION “I am enough” would make a great MANTRA to repeat to one’s self as needed. “You can do hard things” is also a great MANTRA, and it reminds me of a Carrie Newcomer song, “You Can Do This Hard Thing.”
    • PHIL (51D: “Modern Family” dad Dunphy) Modern Family is a mockumentary TV series that follows the lives of three families. It originally aired for 11 seasons from 2009-2020. PHIL Dunphy, played by Ty Burrell, is the dad of one of the families. Ty Burrell won multiple Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series for his portrayal of PHIL.
    • SKY (57D: “Giants in the ___” (“Into the Woods” song)) Into the Woods is a 1987 musical by Stephen Sondheim that intertwines the plots of several fairy tales. “Giants in the SKY” is sung by the character of Jack, who describes his adventure of climbing a beanstalk.

    Crossword Puzzle Theme Synopsis

    • CHORD CHART (20A: Guitar student’s guide)
    • CROSS MY HEART (32A: “I promise!”)
    • CONCEPT ART (50A: Visual prototype for a piece of media)

    CART OUT: The word CART is found at the OUTside edges of each theme answer: CHORD CHART, CROSS MY HEART, and CONCEPT ART.

    The word OUT in today’s title immediately let me know to pay attention to the edges of the theme answers. This is a nice example of this classic USA Today theme type. I appreciate that the split of the word C/ART is consistent in each theme answer. Thank you, Mark, for this enjoyable puzzle.

    For more on USA TODAY’s Crossword Puzzles

  • A look at Diddy lawyer’s strategy in eerily similar ‘sex cult’ trial

    A look at Diddy lawyer’s strategy in eerily similar ‘sex cult’ trial

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    NEW YORK ― A charismatic man coerced women into sex and silence. His inner circle transported victims, reaping financial rewards. Sleep deprivation abounded.

    Those are all allegations against Sean “Diddy” Combs, whose sex-trafficking trial heads to opening statements on Monday, May 12. But they are also similar to the charges in a 2019 sex-trafficking trial against self-help guru Keith Raniere, the so-called NXIVM “sex cult” leader. And the similarities could offer an early window into Combs’ defense.

    After all, the two men went to trial with the same lawyer: Marc Agnifilo.

    As a federal prosecutor in the 2000s, Agnifilo helped expand the government’s use of a 1970 law designed to take down the mafia, the Racketeer Influenced and Corrupt Organizations Act or “RICO.” Agnifilo helped broaden the use of RICO to also tackle street gangs.

    However, as a defense lawyer Agnifilo argued that using that law against Raniere was a bridge too far.

    The law is now being used against Combs to allege he ran a criminal enterprise that involved kidnapping, forced labor, and sex trafficking.

    Agnifilo, who lost Raniere’s case, didn’t respond to USA TODAY’s request for comment on how he will be approaching Combs’ defense and whether his strategy will mirror that defense. But Season 2 of HBO’s “The Vow,” in which Agnifilo let a documentary team follow him through the trial, offers clues to what the defense could look like.

    The prominent New York defense lawyer is also representing accused UnitedHealthcare CEO-killer Luigi Mangione along with his wife, Karen Agnifilo, who is leading that defense team. Marc Agnifilo also represented former pharmaceutical CEO Martin Shkreli and ex-International Monetary Fund chief Dominique Strauss-Kahn in high-profile cases.

    Humanizing Diddy: Painting a story of good intentions

    To prove their sex-trafficking charges against Combs, prosecutors will have to show that Combs knew his alleged victims were participating in “freak off” parties that involved sexual activities as a result of force, fraud, and coercion.

    It’s an element of the charges that’s not just about whether the parties happened, but also about Combs’ intent and whether he believed the women had freely consented.

    When Raniere faced similar sex-trafficking charges, Agnifilo approached that issue head-on, portraying Raniere as a man who lived an atypical sexual lifestyle, but who always had good intentions.

    “I don’t have to defend everything to win this case, but one thing I am going to defend is his intentions,” Agnifilo said in his opening statement at Raniere’s trial. “I’m going to defend his good faith.”

    Agnifilo has already dropped hints that he will pursue a similar strategy in Combs’ case. At an April 25 pre-trial hearing, Agnifilo said he plans to tell jurors that there is a certain alternative sexual lifestyle – “call it swingers” – that Combs belonged to. He said being able to describe that lifestyle to jurors will be crucial to showing Combs didn’t have the necessary intent to be guilty.

    More broadly, Agnifilo tried to humanize Raniere throughout his trial.

    “Keith undoubtedly believes that his work with NXIVM is good, and I think it’s helped a lot of people,” Agnifilo said at the time.

    It’s a strategy that’s in line with Agnifilo’s general style, according to Mitchell Epner, a long-time litigator who worked in the New Jersey federal prosecuting office at the same time as Agnifilo.

    “His style is to make the jury believe that he is investing his personality in the defendant,” Epner said.

    Epner described it in the following way: “I’m likable. You like me. I’m a charismatic guy. I like my client. I’m standing behind him, I’m putting my hands on his shoulders. I am investing whatever halo effect I have on my client. And therefore, you should think good things about my client.”

    Disputing evidence that’s hard to get past: The Cassie video

    In Raniere’s trial, Agnifilo appeared to conclude that the defense’s Achilles’ heel was evidence that practically any juror would see as morally abhorrent.

    That included sexual images of someone the jury concluded was a minor. Even though that evidence spoke directly only to charges that Raniere sexually exploited a child and possessed child sexual-abuse material, Agnifilo believed it damned the entire defense.

    “After Keith’s sentencing I said, ‘You know, Keith, this was a fascinating debate, and maybe even a debate that we win until you have allegations of, you know, underage sex and pornography,’” Agnifilo said in the documentary. “Then you don’t get to be a participant in the debate anymore, and no one’s going to listen to your viewpoint the same way.”

    Combs is also going to be up against evidence that no juror is likely to countenance: a video that appears to show Combs dragging and kicking his ex-girlfriend, Cassie Ventura, in a hotel hallway. Judge Arun Subramanian ruled April 25 that prosecutors will be able to show the video at trial, despite the defense’s objections.

    Agnifilo’s experience in Raniere’s trial may cause him to think especially hard about how to challenge the evidence Combs faces. In court filings ahead of trial, the defense has suggested the video may have been doctored.

    CNN, which made the video public in its broadcast, has denied the allegations.

    Agnifilo’s experience with the Raniere case could also give him food for thought when it comes to picking a jury that is going to see morally troubling evidence.

    Robert Hirschhorn, a lawyer and jury consultant, told USA TODAY ahead of jury selection that, if he were on the defense team, he might argue Combs is guilty of domestic violence, but he was overcharged with sex trafficking. Hirschhorn would test whether potential jurors could set aside the video by asking if they could work through and compartmentalize a significant other cheating.

    “Everybody that says, ‘compartmentalize,’ I don’t care what else they say – Unless they say, ‘I already think Diddy’s guilty,’ I’m putting them on the jury every day,” Hirschhorn said.

    Using alleged victims’ words against them

    Another of Agnifilo’s tactics to try to combat the case against Raniere was to use the words of his victims against them.

    “These women who are saying that they’re victims, yet see, how do they speak to Keith?” Agnifilo asked rhetorically ahead of witness testimony. “That’s when the jury’s gonna start seeing what this case is really about, when we actually get to the evidence.”

    It was a strategy he employed over and over as prosecutors put women on the stand who testified that Raniere coerced them.

    With one witness who testified that, at Raniere’s direction, she started sending him nude images and entered into a “master-slave” relationship with him, Agnifilo pointed to her text messages to cast doubt on her claims of coercion.

    “You were asking to see Keith on a pretty regular basis?” Agnifilo asked. “I was just following the instructions of my master,” the woman responded.

    “Have you told my client that you love him?” Agnifilo asked. “I tried to be the best slave I could be so that things would work out for me,” the woman responded.

    When another woman, a Mexican citizen, testified that Raniere forced her to stay in a room for two years after she kissed another man, Agnifilo again pointed to what she wrote.

    “What you write here is, ‘From my love for you and what is unfinished between us, I gathered the strength to go against my own momentum and be honest with myself,’” he said.

    “This is a very complex situation,” she replied. “I have no money, no papers, and I was threatened with both being sent back to Mexico, and also threatened with being completely cut off from everyone I knew,” she said.

    Agnifilo has experience with just how impactful an alleged victims’ own statements can be. New York prosecutors dropped a sexual assault case against his client, former French politician Strauss-Kahn, based on statements they believed called her story into question.

    Just as with that woman in Raniere’s case, prosecutors in Combs’ case say he leaned on other members of his alleged enterprise to help him monitor women and keep them from leaving. They plan to introduce testimony from a psychologist on why victims might stay in abusive or violent relationships.

    Positive stories about Combs?

    In Raniere’s case, Agnifilo also wanted to bring in witnesses who could testify to participating in an organization within NXIVM, “DOS,” that prosecutors alleged was used to traffic women.

    “The only way to rectify it is to hear from these DOS women firsthand and set the record straight and say, ‘Listen, I joined DOS for my own reasons,’” Agnifilo said as he was preparing for trial. “Even the power and might of the great federal government hasn’t shaken these women from that belief.”

    In practice, that strategy didn’t work out for him. When it came time for the defense to present witnesses, nobody wanted to do it.

    “We went to several different countries and interviewed hundreds of people to be witnesses in this case, and we got what I think was good information,” he said after the trial. “But when it came time to actually, you know, travel to Brooklyn, enter that courtroom, sit in the witness chair, not a lot of people wanted to do that.”

    Agnifilo will likely be hoping witnesses for Combs will stay the course even as prosecutors present testimony and evidence over several weeks that could likewise paint Combs in a highly-negative light. In court filings ahead of the trial, the defense team and prosecutors have been arguing over whether Combs should be able to present that kind of testimony.

    Ultimately, Agnifilo’s defense didn’t work out for Raniere, who was found guilty on every charge he faced.

    Still, a recent development – Combs’ decision to reject a plea offer – may indicate Agnifilo is optimistic for a better outcome this time. (The details of the offer – or what Agnifilo advised – weren’t publicly revealed.)

    When Raniere was headed to trial, Agnifilo said, “If your client’s guilty and the government can prove it, cut a deal and call it a day.”

    Raniere was sentenced to 120 years in prison. His appeal is ongoing.

    Aysha Bagchi covers the Department of Justice for USA TODAY. She is an attorney, Harvard Law graduate, and Rhodes Scholar. You can follow her on X and Bluesky at @AyshaBagchi.

  • Watch Jelly Roll, Shaboozey perform ‘Heart of Stone’ song

    Watch Jelly Roll, Shaboozey perform ‘Heart of Stone’ song

    At the 60th annual Academy of Country Music Awards on May 8, Jelly Roll and Shaboozey delivered an energetic performance of their duet “Amen” alongside a dancing choir.

    At a ceremony broadcast live from the Ford Center at The Star in Frisco, Texas, and hosted by Reba McEntire, the pair hit the stage after Jelly Roll performed his 2024 song “Heart of Stone.”

    Donning all white, Shaboozey appeared on a circular secondary stage to kick off the pair’s new song, which was released on April 24. A choir appeared behind the pair as they danced and harmonized simultaneously with Shaboozey joyfully belting the gospel-country track.

    “Somebody say a prayer for me / ‘Cause the pills ran out and I still can’t sleep,” Shaboozey sang, with Jelly Roll joining him on stage.

    “Somebody send a word upstairs / ‘Cause the bar’s shut down and I’m God knows where / So should knock on Heaven’s door / ‘Cause mine ain’t working anymore.”

    And though the lyrics to the tune may have been tinged with sadness, Shaboozey and Jelly Roll delivered hardy and powerful vocals.

    At the end, Jelly Roll began preaching to the audience with power in his voice and his hand raised in the air.

    Who is Shaboozey?

    Shaboozey, born Collins Obinna Chibueze, is a 29-year-old singer-songwriter and rapper whose music combines country, hip-hop and rap elements.

    The Virginia native is best known for his hit “A Bar Song (Tipsy),” which spent 27 weeks at the top of the Billboard Radio Songs chart, becoming the longest-running No. 1 song in the chart’s history.

    In May 2024, Shaboozey released his record “Where I’ve Been, Isn’t Where I’m Going.” In April, he released a complete edition of the record.

    Recently, Shaboozey received five Grammy nominations, performed at Coachella and Stagecoach Festival and made his Met Gala debut on May 5.

    Who is Jelly Roll?

    Jelly Roll, born Jason DeFord, is a 40-year-old country music singer whose career continues to skyrocket. A Nashville native, Jelly Roll broke into the scene in 2020 and 2021 with hits “Save Me” and “Son of a Sinner.”

    Now, he’s a four-time Grammy Award nominee and CMT and CMA Award winner, best known for his hits “Need a Favor” and “I Am Not Okay.”

    This year, Jelly Roll debuted his gospel track, “Hard Fought Hallelujah,” with Brandon Lake, at the Grand Ole Opry and headlined at Stagecoach Festival in April.

    Jelly Roll, who was formerly incarcerated due to robbery and drug charges, has also been in the headlines recently as the Tennessee Board of Parole recommended a pardon, which would clear his criminal record.

    Now, Jelly Roll is a vocal proponent for prison reform and an advocate for incarcerated youth. Later this month, Jelly Roll will hit the stage at the Music City Rodeo.

  • Singer receives lifetime achievement award

    Singer receives lifetime achievement award

    Country music legend Alan Jackson got a standing ovation during the opening monologue at the 60th annual Academy of Country Music Awards just because his name was mentioned.

    That explained why the ACM’s new lifetime achievement award is named after Jackson, who is also its first recipient.

    After a simple and sweet performance of his hit “Remember When,” Jackson took to the mic during the May 8 ceremony and thanked everyone for the special honor.

    “Usually one of my fans tells me they named their dog after me, and I thought that was really something,” Jackson quipped. “I came to Nashville with a paper sack full of songs and a crazy dream and that all these years later I’m standing here receiving such an honor is mind blowing.

    “I thank God all the time for all the people that have been a part of my life and career and maintain this all this time.”

    Alan Jackson’s legacy previously honored by country industry

    Jackson is no stranger to lifetime achievement awards.

    In 2022 and 2024, his extensive body of work was honored by the Country Music Association and Nashville Songwriters Association International.

    At the 2022 CMA Awards, Jackson was presented with the association’s Willie Nelson Lifetime Achievement Award following an all-star tribute performance by Dierks Bentley, Jon Pardi, Carrie Underwood and Lainey Wilson.

    “The very first concert I ever went to was an Alan Jackson concert,” Underwood said. “Seeing him perform helped inspire me to pursue my dreams.”

    She added: “It’s been said that country music is three chords and the truth. And in every one of Alan Jackson’s songs, there is truth, for his powerful voice speaks to us about hope and heartache, about fun and friendship, about tragedy and triumph. About life, and a little about love.”

    Alan Jackson receives ACM Poets Award

    At the 2024 ACM Honors ceremony, Jackson received the Poets Award recognizing his songwriting prowess.

    The event’s hosts, Jordan Davis and Carly Pearce, honored Jackson by performing “Chattahoochee” and “Don’t Rock the Jukebox.” Eric Church also performed a take on Jackson’s 1990 hit “Chasin’ That Neon Rainbow.”

    “Alan Jackson is an institution and an American treasure. It’s my honor to be here and play for him,” Church said.

    Jackson’s appearance was particularly noteworthy in that it’s one of the few he’s made in public since his 2021 announcement that he had Charcot–Marie–Tooth disease, which has profoundly impacted his ability to balance himself while standing.

    “There are so many people I can’t even begin to thank them all,” he said from the stage. “I do want to especially thank one person whose been my best friend since I was 17 years old, my wife Denise out there. She’s loved me through the good, the bad, and the happy and the sad and has helped me keep my feet on the ground all these years. I wouldn’t be here without her.”

  • Christine Baranski reveals ‘Mamma Mia!’ costar ‘hated’ dance numbers

    Christine Baranski reveals ‘Mamma Mia!’ costar ‘hated’ dance numbers

    Not even the top-tapping tunes of ABBA can unleash the “Dancing Queen” in everyone.

    Christine Baranski, who starred in the ABBA-led movie musical “Mamma Mia!” and its 2018 sequel, revealed one of her costars despised the film’s elaborate dance numbers during a May 7 interview on “The Late Show with Stephen Colbert.”

    Baranski, 73, played Tanya Chesham-Leigh in the 2008 romantic comedy about a young woman (Amanda Seyfried) who schemes to meet her biological father at her wedding by inviting three men from her mother’s past to the ceremony.

    The trio of unwitting men — Sam Carmichael, Harry Bright and Bill Anderson — were portrayed by Pierce Brosnan, Colin Firth and Stellan Skarsgård, respectively.

    The film, which grossed $610 million worldwide, spawned the sequel “Mamma Mia! Here We Go Again.” And while all three actors were reluctant to show off their dance moves, Skarsgård had the least boogie spirit the second time around, according to Baranski.

    “Stellan hated it,” Baranski told host Stephen Colbert. “Pierce was game. He would skip down the hill multiple times … and I think Colin Firth meant all of his moves ironically.”

    When “we finally went down the hill in ‘Dancing Queen’ and landed on the dock, and then it was the end of the number, and the camera would move around, and it usually would avoid Stellan,” she added with a laugh.

    Baranski said not even the film’s director, Ol Parker, could persuade the “Dune” star, 73, to loosen up. “He let out a string of expletives,” she recalled. “It’s as though Ol had asked him to do Arabic poetry while jumping rope. He was like, ‘I can’t do that.’”

    Skarsgård reflected on his unlikely involvement in “Mamma Mia!” in a February 2024 interview with Vanity Fair. While the actor initially thought it “absurd” to sign onto the musical given his lack of theatrical chops, Brosnan and Firth’s participation warmed him up to the idea.

    “In a film that is produced by men and directed by men (and) with men in the lead, you have the bimbo. And we were the bimbos in this female(-led) production,” Skarsgård said. “We didn’t have to be anything but look cute and be silly.

    “There’s only one thing that was asked of us and that was have fun. Because if we don’t have fun, it won’t be a film.”

  • michelle obama mom marian robinson death

    michelle obama mom marian robinson death

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    Michelle Obama is revealing how husband Barack Obama helped her find a sense of humor in the wake of her mother’s death.

    The former first lady, 61, dedicated the May 7 episode of her “IMO” podcast, which she co-hosts with brother Craig Robinson, to having a frank conversation about how they have coped with their mother Marian Robinson’s death in May 2024.

    “That’s sort of the darned thing about being a grown-up. When you lose your parents, you’re next up,” Michelle Obama said as part of the siblings’ response to a listener’s question. “I guess if anything with mom’s loss, I thank God you’re my big brother and I have a husband who’s older.”

    She then recalled, “Because Barack was saying, ‘Well, you’re next up.’ And I was like, ‘I’m not really ready to be next up.’ I told him, ‘You’re next up. And Craig is next up.’”

    On a somber note, she related to the listener, whose father recently died, by relating to how a family structure changes along with the health of one’s parents.

    “That’s really when you become an adult, when your parents are not in that spot of managing and maintaining. But that’s going to happen at some point, where … we become the parent, we become the convener, we become the glue,” Obama said.

    She added, “There’s a comfort level in knowing that no matter how wise or experienced I am in the world, Mom always knew more. Even if that wasn’t true, it was just a good feeling, ‘Let me go talk to my mommy.’”

    Michelle Obama describes picking up nephews from school with secret service

    Later in the episode, Obama opened up about how she and her brother make an effort to stay close, despite her living in Washington, D.C, while he is in Milwaukee.

    She admitted that though “sometimes coming to (Robinson’s) house is a little bit of a hassle” due to the level of security she has as a former first lady, she still makes time for his family.

    “I even did pickup for the boys, and they were happy to see me in the motorcade,” she said. “When I told my detail, ‘We’re doing pickup. We’re gonna go to grammar school and pick up my nephews,’ they were like, ‘Yes ma’am.’ So off we went.”

    “Three SUVs later,” Robinson joked. Obama added, “And 12 guys with guns.”

  • Pete and Alberta end ‘Ghosts’ Season 4 with a kiss: CBS show’s couples

    Pete and Alberta end ‘Ghosts’ Season 4 with a kiss: CBS show’s couples

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    Unlike last season, no spirit was “sucked off” into heaven during the May 8 “Ghost” Season 4 finale (now streaming on Paramount+).

    But the episode featured a majorly hot spiritual development: Former Pinecone Trooper Pete Martino (Richie Moriarty), the ghost with the fatal archery arrow still stuck through his neck, finally hit the lip target with fellow spirit Alberta Haynes (Danielle Pinnock), the 1920s Prohibition-era jazz singer and poisoning victim.

    Their long-awaited smooch was so otherworldly smoking that Alberta could only gasp, “Oh, my!”

    “It’s a kiss that’s been a long time in the making,” says executive producer Joe Wiseman, who writes the CBS hit comedy with fellow executive producer Joe Port. “Pete has always had a thing for Alberta. And during past seasons, we’ve chipped away at Alberta’s reluctance about Pete. It finally pays off in the finale.”

    Pete finally flexed his oboe-enhanced ‘lip strength’ in kissing Alberta

    Pete and Alberta have shown hints of couple chemistry since the 2021 premiere of the CBS comedy. In Season 2, Alberta gently rebuffed Pete’s amorous advance. And in the April 20 episode, Pete gently denied Alberta due to his outside ghost girlfriend, Donna.

    Yet Alberta has stayed in the game, attracted to Pete’s growing confidence (spurred by his newfound power of leaving the residence) and his scout shorts and knee-high socks wardrobe. So the power pucker finally prevails, despite Donna.

    “Lip strength,” Pete says silkily, post-kiss, as Alberta swoons. “That’s from my oboe days.”

    The latest ghost hookup is a big deal for haunted Woodstone Mansion, the family estate inherited by living ancestor Samantha (Rose McIver) and her husband Jay (Utkarsh Ambudkar). Except for Pete, the ghosts from different eras who died on the grounds cannot leave – even if the love doesn’t work out.

    “We have to put ourselves in the ghosts’ shoes,” says Port. “If you have tried to have a relationship with someone with whom you’ll be stuck forever in a house and it doesn’t work out, the stakes are very high. So we proceed cautiously when pairing people up.”

    Here’s who’s paired up on “Ghosts”:

    Joan helped Sasappis lose his 500-year-old virginity

    Sasappis (Román Zaragoza), the Native American ghost from the 16th century and a member of the Lenape tribe, had been a reluctant virgin for 500 years until the season’s penultimate episode. Sass and new ghost Joan (Taylor Ortega), a 1940s screenwriter, tapped out the happy conclusion to that saga.

    “We saw some kissing and then some disastrous foreplay,” says Port. “And then we left the rest of the imagination.”

    Thorfinn and Flower are powering on in ‘Ghosts’

    Stranded Viking Thorfinn (Devan Chandler Long), the oldest spirit haunting the mansion, died from a lightning strike. Thorfinn was struck again by ghost love with free-spirited 1960s hippie Flower (Sheila Carrasco) in Season 2. Despite significant cultural and personality differences, the two are still going strong.

    Hetty and pantsless Trevor are ‘not together’

    Onetime robber baroness Henrietta “Hetty” Woodstone (Rebecca Wisocky), Sam’s ancestor, somehow got together with cocky and pantsless former Wall Street broker Trevor Lefkowitz (Asher Grodman) in Season 2. The paranormal relationship has had ups and downs since. “But they are not together,” says Port.

    Nigel and Isaac had post-Revolutionary War love

    They were avowed enemies of war: American Revolutionary War veteran Isaac Higgintoot (Brandon Scott Jones) and British officer Nigel Chessum (John Hartman) found unlikely love in Season 2. In the Season 3 finale, Isaac was unable to wed Nigel, leaving his would-be spouse at the altar. The duo has had to work to salvage a friendship.

    What will happen to ‘Ghosts’ love?

    There is a non-romantic Season 4 finale cliffhanger involving Jay. The aspiring restaurateur accidentally sells his soul to the devil for a PR blitz that includes a foodie magazine cover story – and the devil’s emissary, Elias Woodstone (Matt Walsh), is trying to kill Jay to expedite the soul-collecting process.

    Jay’s eternal fate, along with the growing love connections – including Alberta and Pete’s – will have to wait until Season 5 next fall. There is one sure thing. Despite the heat, the “Ghosts” hookups won’t get racier.

    “That’s been suggested, but we’re never going to become ‘Cinemax After Dark’ or whatever,” says Port. “This is a CBS family show.”

  • The best photos from the ACM AwardsMusic

    The best photos from the ACM AwardsMusic

    The best photos from the ACM AwardsMusic