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O’Brien, 61, who will return as Oscars host next year, unveiled the premiere of the six-episode season at the raucous, sold-out opening night of the “This Is Not a Fiction” documentary festival on Wednesday.

Among the new adventures, the Spain trip features a tour of Madrid from famed resident Javier Bardem. Bardem’s wife, Penélope Cruz, should be warned: there are scenes of O’Brien and Bardem sleeping together in a hotel bed (in several positions) after an exhausting day of sightseeing. The crashed duo share a bed in matching pajamas.

Speaking after the screening, O’Brien compared his bed interlude with Bardem to a kiss with Ryan Reynolds for a spoof of “The Notebook.”

After escaping Gilead, June (Elisabeth Moss) finally finds peace in Alaska where she is reunited with her mother Holly (Cherry Jones). However, her peace is short-lived, and she returns to No Man’s Land to successfully help husband Luke (O-T Fagbenle), and best friend Moira (Samira Wiley) escape a Mayday mission gone bad. On the other hand, Commander Lawrence (Bradley Whitford) is attempting to build New Bethlehem, Gilead’s new, reformed community where refugees are welcomed back.

According to Hulu, June will fight to take down Gilead with Luke and Moira joining the resistance in the final season of Emmy-winning drama series. Serena, meanwhile, “tries to reform Gilead while Commander Lawrence and Aunt Lydia (Ann Dowd) reckon with what they have wrought, and Nick (Max Minghella) faces challenging tests of character.”

“This final chapter of June’s journey highlights the importance of hope, courage, solidarity, and resilience in the pursuit of justice and freedom,” the season’s synopsis says.

A California jury found Soulja Boy, 34, liable in his civil case for claims of sexual battery, assault, false imprisonment and more, and the anonymous assistant was awarded more than $4 million in compensatory damages, according to a release from her attorney.

The outcome concludes a trial in Santa Monica, California, which saw the rapper, whose real name is DeAndre Cortez Way, accused of physical and sexual violence. The “Crank That (Soulja Boy)” emcee has previously denied any wrongdoing.

“We’re happy our client was vindicated, and the jury believed her claims of physical and sexual assault,” said Ron Zambrano, an attorney for the Jane Doe plaintiff. “We’re looking forward to moving on to the punitive damages phase of the case.”

Guitarist and composer Yasmin Williams took to Instagram Wednesday to share a thread between her and Richard Grenell, the temporary head of the cultural institution. In a series of screenshots, Williams showed an increasingly hostile exchange between her and Grenell after she asked several questions about changes to the programming under President Donald Trump.

USA TODAY has reached out to reps for Williams and the Kennedy Center for comment.

The Kennedy Center just got a big shake up. What to know.

“I hope posting this email thread illuminates the terrible folks who are now leading the Kennedy Center,” Williams wrote in a caption alongside the photos. “I’ve had so many amazing career and life highlights at the Kennedy Center and I hate to think that the establishment could be run down permanently by this man.”

The same could be said about his character in “The Amateur,” a new spy thriller led by the least obvious choice to be an action hero: a nerdy, socially awkward CIA analyst who would normally spend an entire movie behind a computer telling Jason Bourne or Ethan Hunt where to go.

When Malek, 43, was asked what he wanted to do next after “Bohemian Rhapsody,” he surprised even himself with his response. “I said, ‘I can’t believe I’m saying this, but I want to do an action film,’ ” the actor recalls. “Because I never thought you’d see a guy of my stature, my complexion, someone who wasn’t the obvious choice, in that position.”

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Based on the Robert Littell novel, “The Amateur” stars Malek as CIA decoder Charlie Heller, whose wife, Sarah (Rachel Brosnahan), is killed in a terrorist attack. When it becomes clear the CIA has no intention of pursuing justice, Charlie takes matters into his own hands, blackmailing the agency into training him so he can go after the killers himself.

That comes courtesy of Laurence Fishburne’s Colonel Henderson, who is assigned the role of Charlie’s teacher. After being introduced to Charlie, Henderson is “not impressed,” the “Matrix” star notes. “He’s almost like, ‘What is this, a punishment?’” Fishburne, 63, says, laughing. “Why have I been punished with teaching this clearly inept guy? He’s not going to be able to hurt anybody.”

But Henderson soon discovers he has drastically underestimated Charlie. The idea that someone who the world has placed in a box could prove they’re capable of more than anyone expected resonated with Fishburne. “Throughout my life, people have underestimated me, or tried to pigeonhole me and had a preconceived notion of who I am based on a character I play,” he says.

‘I may well be going to jail’: Rami Malek recalls alleged racial profiling incident

Malek, too, reflects that he has felt like he had to “constantly prove” himself since he was a kid. He sees a link between his role in “The Amateur” and his previous characters, particularly his Emmy-winning turn as socially awkward hacker Elliot on “Mr. Robot.”

“It’s been a theme in my work: feeling underestimated and finding characters who are alienated or feel disenfranchised and overlooked, and who go on to do some pretty extraordinary things,” he says.

So while “The Amateur” is Malek’s first lead role in an action film, it felt like a natural extension of his work on the USA Network series.

“I remember being on ‘Mr. Robot’ for so many years thinking, he is an action hero, to a degree,” Malek says. “Instead of donning a cape, he puts on his hoodie. The premise (of ‘The Amateur’) was, ‘How do I take somebody like that, that flies under the radar, and put him on the big screen?’ “

‘The Amateur’: See Rami Malek go from CIA nerd to assassin

Rami Malek stars as a CIA decoder who doles out vengeance when his wife is killed by terrorists in “The Amateur.”

But Malek and director James Hawes tried to be realistic about how someone like Charlie would act in the field after a career behind a desk. In one scene, he begins walking away from an explosion, but rather than looking unmoved, Charlie can’t help but flinch.

“We all see these movies where people walk away from explosions in slow motion,” Malek says. “I’ve seen actors desperately trying to keep their eyes open and not blinking. It’s impossible! You hear a gunshot and you are going to flinch. You are going to blink.”

How Rami Malek found Freddie Mercury: His immigrant upbringing (and fake teeth) helped

While filming another sequence, Malek, worn out from running for 15 consecutive takes, fell over. But this being “The Amateur,” the blooper fit right in.

“That was the most natural moment we had, and we decided to keep it in the film. I look exhausted because I was. I fell because I naturally tripped.”

“The Amateur” also explores what loss can drive a person to do, and Malek paid close attention to where Charlie was in the stages of grief.

“I love to do the homework on what somebody like that is feeling, what grief actually feels like and how you could possibly weaponize that,” he says.

“The Amateur” was new territory for Malek in another way: It was his first time producing a movie. He saw this as a logical progression, because on past films like “No Time to Die” and “Bohemian Rhapsody,” he offered feedback on minute details like the choice of camera lens.

“I’m a little sneaky, I must admit,” he jokes of his tendency to provide his input behind the scenes while avoiding stepping on any toes. Becoming a producer allowed Malek to get hands-on “without having to navigate those waters so delicately.”

Though “The Amateur” came from Malek being asked to consider his next steps after “Bohemian Rhapsody,” six years after his Academy Award for best actor, he remembers trying to take in that achievement without immediately thinking about the future.

“It’s one of those things that will probably never happen again. I don’t know if I ever need it to. But I wasn’t necessarily thinking about, ‘How do I capitalize on this?’ I just wanted to appreciate it. I do to this day, and I always will.”

For nearly four years since the first ticket sold for $28 million through an online auction, billionaire Jeff Bezos’ space technology company has been offering regular trips to space to people who either have deep pockets or recognizable names.

The brief voyage takes civilian passengers on a trip above the Kármán Line – the 62-mile-high internationally recognized boundary of space – where they can experience a few minutes of weightlessness. Blue Origin’s New Shepard rocket, which takes off from the company’s Launch Site One in rural west Texas, also comes with a crew capsule outfitted with large windows for them to enjoy the stunning view of Earth.

Pop music artist Perry and King, co-host of “CBS Mornings,” were announced last month as being among the next humans due to launch on the trip. Joining them is civil rights activist Amanda Nguyen, former NASA rocket scientist Aisha Bowe, filmmaker Kerianne Flynn and Bezos’ fiancée Lauren Sánchez.

Chelsea O’Donnell, 27, the oldest daughter of the comedian, filed to change her name in January, according to Wisconsin Circuit Court records viewed by USA TODAY Thursday. The Daily Mail was first to report the news.

A rep for Rosie O’Donnell declined to comment. On Sunday, the former talk-show host shared a lengthy, heartfelt note about the breakdown of her and Chelsea’s relationship and the media attention surrounding Chelsea’s legal trouble on Substack.

The former “The View” host said she got her daughter’s permission to post it, and confirmed Chelsea’s request for a name change. “she wishes to change her last name / to her birth moms maiden name,” the poetic note read. “doesn’t make sense to me / I am not her.”

He reinvigorated the boxing drama with “Creed.” He put a signature stamp (twice) on the superhero film with his “Black Panther” outings. So it’s not a surprise that the writer and director does the same with “Sinners” (★★★½ out of four; rated R; in theaters April 18), making vampire movies, gangster flicks and even musical spectaculars his own.

Add in a double dose of Michael B. Jordan, a fabulous debut from Miles Caton, plus sex and gore, and Coogler’s got something devilishly special.

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In 1930s Mississippi, twin brothers Smoke and Stack (both Jordan) have returned home from Chicago to buy a sawmill and set up their own juke joint, wanting to fill it with whiskey and Irish beer, paying customers, and plenty of blues. For the latter, they recruit their young cousin Sammie (Caton), sharecropping son of a local preacher, to grab the exquisite resonator guitar they gifted him and entertain the masses. Yet even Stack – the sly and cunning counterpart to the more stoic and serious Smoke – is gobsmacked at just how good Sammie is.