Blog

  • Why is Met Gala honoring Black men in fashion?

    Why is Met Gala honoring Black men in fashion?

    play

    The Met Gala honored Black men in fashion on Monday. The truth is far more complicated.

    For the 2025 fête, Vogue magazine editor-in-chief Anna Wintour and organizers chose to honor oft overlooked Black men in fashion as they raised funds for the Metropolitan Museum of Art’s Costume Institute on May 5.

    The event paid homage to the debonair flair of Black menswear and its evolution over the centuries as ateliers reimagined celebrities as the Black “dandy.”

    But the gala’s first nod to Black history omitted Wintour’s own complex relationship with race, best demonstrated in her fraught, decadeslong friendship with the late Vogue editor-at-large André Leon Talley.

    The show honored Talley, who died in 2022 at 73, but also left out racial missteps made by Vogue over the past decade.

    “He understood that, especially as a Black man, what you wore told a story about you, about your history, about self-respect,” Wintour wrote of Talley in an April tribute about this year’s theme. “And so, for André, getting dressed was an act of autobiography, and also mischief and fantasy, and so much else at once.”

    André and Anna: How fashion created iconic frenemies

    Wintour, a white Brit, and Talley, who grew up Black in North Carolina, became fast friends when the latter began working at Vogue in 1983.

    In 1988, when Wintour was named editor-in-chief, Talley became creative director, later serving as Vogue’s editor-at-large. Both broke respective ground in the ultra-gatekept American fashion industry.

    But later, tensions arose. The pair’s first falling out was in 1995 over creative differences. They made up and fell out again in 2018, when Wintour took away Talley’s hosting role on the Met Gala red carpet, replacing her longtime friend with YouTube sensation Liza Koshy.

    “I think she thought I was too fat and too old. … She just became bigger than life. She has no time for me,” Talley wrote in his 2020 memoir “The Chiffon Trenches.”

    In an interview that year, Talley got candid with “CBS This Morning” co-anchor Gayle King about the duo’s downfall.

    “This is a painful thing for me, but it is a love letter about the joys as well as the lows of my life. And the joys of my life have been with Anna Wintour,” he told King.

    “I owe to her the pioneering role that I had of a creative director of Vogue. I was the first Black man to ever be named such. I owe that to Anna Wintour. I owe her much. And I think, in turn, I think she owes me,” he continued.

    Despite Talley relationship, Wintour, Vogue have complicated history with race

    Wintour’s, at times, controversial relationship with Black celebrities extends beyond the inner workings of her Talley rift.

    This year’s event featured a first: an all-Black slate of male co-hosts including singer-songwriter and Louis Vuitton creative director Pharrell Williams, Oscar nominee Colman Domingo, Grammy-nominated rapper A$AP Rocky and British racecar driver Lewis Hamilton as well as Wintour.

    Pro basketball player LeBron James, regarded by some as the NBA’s greatest of all time, was named honorary co-chair. But on the first Monday of Maya announced online that he would miss the annual fundraiser over an injury.

    The Los Angeles Lakers star made history with Vogue in 2008 when he was the first Black man to land on the cover of the fashion magazine, alongside supermodel Gisele Bündchen for a spread that sparked widespread backlash for conjuring negative stereotypes of Black men.

    James was pictured in a suggestive gorilla-like pose, mouth open wide, as his right hand dribbled a ball with the other wrapped around Bundchen’s waist. Annie Leibovitz, the famed celebrity photographer and a Wintour favorite, shot the cover.

    Anna Wintour apologized in 2020 after death of George Floyd

    In the years that followed, Leibovitz and Vogue have frequently been criticized for their framing and lighting of Black cover stars including associate Supreme Court justice Ketanji Brown Jackson, Olympic gold medalist and gymnast Simone Biles and actress Zendaya.

    Vogue has also been criticized widely for its vast hiring of white staffers and its common usage of white cover stars, designers and models.

    Anna Wintour reportedly apologized and addressed racial disparities in the wake of roiling racial conversations in America following the respective May deaths of George Floyd in Minneapolis and Ahmaud Arbery in Georgia.

    “I want to say plainly that I know Vogue has not found enough ways to elevate and give space to Black editors, writers, photographers, designers and other creators. We have made mistakes too, publishing images or stories that have been hurtful or intolerant. I take full responsibility for those mistakes,” Wintour wrote in an internal email, according to The New York Times and People.

    Black and gay actor Billy Porter, one of the world’s most famed dandies, is reportedly banned from the affair after racial criticism of Wintour.

    In 2023, he slammed the selection of Harry Styles as the first man to grace the cover of American Vogue solo, suggesting the Grammy winner landed the cover because he is “white and straight.”

    On the December 2020 cover, the “As It Was” singer wore a lace Gucci ballgown.

    During an interview with British outlet The Telegraph, Porter described a conversation with Wintour in the months leading up to Styles’ cover and referred to the editor-in-chief using an expletive.

    “(She) said to me at the end, ‘How can we do better?’ And I was so taken off guard that I didn’t say what I should have said,” Porter told the outlet, admitting he told Wintour to “use your power as Vogue to uplift the voices of the leaders of this de-gendering of fashion movement … Six months later, Harry Styles is the first man on the cover.”

    ‘He taught me to speak fearlessly and see from the heart’

    Months after Talley’s death, an old friend delivered a tribute to a fellow fashion icon during a memorial service in New York City.

    “Like all of us here today, I felt lucky to consider him part of my family,” Wintour told fellow mourners on April 29 that year. “He taught me to speak fearlessly and to see from the heart. I miss him in moments of sadness, but most of all, moments of joy.”

    Maybe after all their differences and disagreements, rifts and resolutions, that is what she owed him.

    “André never had an ounce of shame. I’ll be thinking of him on the night of the Met Gala, an evening made for him—and one I can scarcely believe he will miss,” Wintour wrote earlier this year.

    The first Monday in May might not be around always. Though some friendships, confusing and complicated, last forever.

    Contributing: Edward Segarra, Elise Brisco, Rasha Ali

  • Is Nate Bargatze really ready to move on from stand up?Entertain This!

    Is Nate Bargatze really ready to move on from stand up?Entertain This!

    Is Nate Bargatze really ready to move on from stand up?Entertain This!

  • Sergio Hudson dresses over a dozen attendees

    Sergio Hudson dresses over a dozen attendees

    “Yes,” Sergio Hudson planned for this.

    “I had a very good upbringing. My parents were very encouraging, and I decided I wanted to be a designer at around 6, 7 years old. I’ve never looked back.”

    The South Carolina native, curator of his eponymous collection, now helms one of America’s most famous emerging fashion brands.

    He famously dressed Vice President Kamala Harris and Michelle Obama for former President Joe Biden’s inauguration in January 2021. But at Monday’s Met Gala, which honored Black men in fashion, Hudson’s designs were center stage once again.

    On Met Monday, over a dozen gala guests donned his custom pieces — a staggering number for even luxury brands — while some stylists picked looks for their clients from his ready-to-wear line.

    Days ahead of the May 5 affair, Hudson opened up about his historic ascent – and the view from atop fashion’s Super Bowl, where A-list attendees strut up the steps of the Metropolitan Museum of Art in New York City.

    “Although I am a Black designer, it’s like ‘I’m just a designer,’” Hudson says. “And I think it does pigeonhole us, too, because even Black people, when you say Black in front of something, we tend to demoralize, water down or put it in second position.”

    “If we’re not walking around calling Brandon Maxwell a ‘white designer,’ I shouldn’t be called a ‘Black designer.’ That’s just my opinion.”

    Quinta Brunson, Rachel Brosnahan, New York Liberty players stun in Sergio Hudson

    Hudson dressed a roster of close collaborators for the gala, ranging from “The Marvelous Miss Maisel” star Rachel Brosnahan, whom he calls “my girl,” to “Abbott Elementary” creator Quinta Brunson, whom he has been trying to work together with “forever.”

    Hudson also designed looks for the Met Gala debuts of WNBA players Sabrina Ionescu, Jonquel Jones and Brianna Stewart from the championship-winning New York Liberty.

    Other custom clients included legendary musician Stevie Wonder, his wife Tomeeka Robyn Bracy, Usher’s wife Jennifer Goicoechea, SpreeAI CEO John Imah, political strategist Huma Abedin and her future-sister-in-law Met Museum trustee Jamie Soros.

    Celebrity attendees and high-fashion ateliers like Hudson were tasked with reimagining the Black “dandy” for their gala attire.

    “I’m dressing all the people that I know, and I love. It’s nobody that’s outside of the Sergio Hudson world that I’m dressing,” Hudson says, pointing out that “the theme is pretty much who I am as a designer, translating men’s fashion into womenswear and making a beautiful statement is what Sergio Hudson is all about, so the theme is really perfect for my brand.”

    Defined as a “man unduly devoted to style,” a previous release from the Met stated that “dandyism offered Black people an opportunity to use clothing, gesture, irony, and wit to transform their given identities and imagine new ways of embodying political and social possibilities.” Hudson, who uses elements from traditional menswear and attaches them to his signature structured womenswear, calls the opportunity to dress for dandyism as an “honor.”

    “It’s definitely an honor to connect to something so easily and wholly, but I do feel like, in the back of my brain, it’s like, ‘Oh, wow. Are we every going to get an opportunity like this again.’” Heading into May’s first Monday, Hudson had another person on his mind: the late, former Vogue magazine editor-at-large André Leon Talley.

    “I think the unfortunate part about it all is that he’s not here to see it because, of course, as a Black man who’s been obsessed with fashion since probably the day he was born, I looked up to André Leon Talley,” Hudson says. “And he was really the only person that I saw on those front rows that looked like me in those days.

    “So, to look at him and see how he dressed and, you know, his personality, he was a dandy at heart. You can’t help but know that this came from his inspiration.”

    Sergio Hudson hopes Met Gala is ‘turning point’ for fashion brand

    Despite the one-night-only theme, Hudson hopes it is a “turning point” for his brand in the “gatekept” fashion world.

    “(Fashion) is very gatekept. And I mean, it’s not just that it’s gatekept, it’s like you get through one gate and then there are three more to go through,” Hudson says, adding later that he is hoping “that people stand up and take notice, that this (brand) is not just a blip in time.”

    “It’s not a trend and Sergio Hudson as a designer – Sergio Hudson as a brand – is here to stay and that is something that you can invest in, should invest in,” Hudson continues. “My goal is to open doors for people that wouldn’t normally have access in this industry. In order for me to do that, I have to grow. So, I’m praying for growth after this.”

    There are “all these gates until you get to Valentino status,” Hudson continues. Does he aspire to reach Valentino heights? “I would say Ralph Lauren status,” Hudson replies. Lauren’s brand, though, only dressed a few celebrities for Met Monday.

    As celebrities walked up the gilded steps in his designs, Hudson opened more gates. In Talley’s honor, for kids who love fashion in South Carolina. All a part of his plan.

    “I just want to be known as a great American sportswear designer.”

    Contributing: Edward Segarra

  • ACL lineup boasts The Strokes, Sabrina Carpenter: How to get tickets

    ACL lineup boasts The Strokes, Sabrina Carpenter: How to get tickets

    play

    Festival season remains in full swing as the weather heats up and concertgoers eagerly flock to outdoor venues for the chance to see a host of headliners for the price of one.

    With many of the California desert classics (read: Stagecoach, Coachella) in the rearview, it’s time for the South and the Midwest to shine, starting with Austin City Limits.

    ACL announced a star-studded lineup on May 6, including Sabrina Carpenter, Hozier, Luke Combs and an array of other acts that represent the hottest trends in music today.

    A blend of country, pop, and alternative, the festival lineup promises a varied and boot-stomping musical affair.

    Who is headlining ACL?

    The 2025 Austin City Limits headliners are:

    When is Austin City Limits?

    The music festival, which runs for two weekends in Austin, Texas’ Zilker Park, will take place from Oct. 3-5 and Oct. 10-12.

    Who else is on the ACL lineup?

    Aside from the top-billed performers, Austin City Limits promises a robust set of acts, including groups like Cage the Elephant, Rainbow Kitten Surprise and Modest Mouse − all alternative bands that frequent the festival circuit.

    Marren Morris will also infuse a little country into the festival, and T-Pain will no doubt bring some crowd-pleasing classics.

    Other highlights from the list include Polo & Pan, Japanese Breakfast, King Princess and The Backseat Lovers.

    See the full lineup here.

    Austin City Limits tickets

    Three-day passes for both weekends will be available starting May 6 at 1 p.m. ET on the official ACL website. 

    General admission tickets begin at $360 while GA+ tickets, which offer extra amenities like a private bar and spaces to rest and cool down are priced at $750.

    Single-day tickets will go on sale at a later date.

  • Zendaya, Anna Sawai outfits at 2025 Met Gala are almost the same

    Zendaya, Anna Sawai outfits at 2025 Met Gala are almost the same

    play

    No, a clone of Zendaya didn’t walk the 2025 Met Gala red carpet. That was just Anna Sawai, dressed in a remarkably similar outfit.

    The “Euphoria” actress, 28, and the “Shōgun” star, 32, stepped out on fashion’s biggest night wearing stylish, and almost identical, white suits, a look they each completed with a matching wide-brimmed hat.

    Zendaya’s look was Louis Vuitton, while Sawai was wearing Dior. Unlike Zendaya, Sawai added white gloves, which she carried on the carpet.

    “Great minds @luxurylaw,” Sawai’s stylist Karla Welch wrote in an Instagram story, tagging Zendaya’s stylist, Law Roach.

    On X, one fan joked that Sawai made “history as the first celebrity to accidentally have an identical fit as zendaya in the same event.”

    In an interview with The New York Times, Sawai said she felt “so good” in her Met Gala suit and explained that she opted for a different look than she has been known for at awards shows like the Emmys and the Golden Globes.

    “I feel like every carpet, I’ve only worn dresses,” Sawai told the Times. “This is going to be the first time that I’m getting to kind of channel my androgynous side. And I’m really excited to pay respect to Black dandyism.”

    The dress code for this year’s Met Gala, held on May 5, was “Tailored for You.” The event marked the Met Gala debut for Sawai, who is coming off a series of best actress wins at the Golden Globes, Emmys and Screen Actors Guild Awards for her role on the acclaimed drama series “Shōgun.”

    Zendaya, meanwhile, has become a staple of the Met Gala. She previously turned heads at the event in 2024 with not one, but two different looks. This year, the “Spider-Man” star was also spotted wearing her engagement ring from Tom Holland.

  • André 3000 shocks after Met Gala with surprise album drop

    André 3000 shocks after Met Gala with surprise album drop

    play

    André 3000’s newest project might just be back-breaking work.

    When the former OutKast member arrived at the Met Gala steps Monday night, his look, which featured a small piano strapped literally onto the back of his suit coat jacket, may have seemed like just another over-the-top sartorial choice — part and parcel of an evening built on experimental design. 

    But fans of the rapper were soon made hip to something different — the piano was an intentional choice, a preview of the 7-track surprise album he would drop that same evening. 

    Entitled aptly “7 piano sketches,” the project features several wordless songs played on the instrument. 

    The album is just the latest installment in a series of moves that represent a departure from André 3000’s signature sound. 

    The musician, who rose to fame on the arm of quick-witted bars, released back-to-back flute albums in 2023, surprising fans and critics alike who were impressed by his skills as a flautist. 

    His Met Gala look, which paired the baby grand on his back with a navy jumpsuit and red beret, caught fans’ attention, doing double duty as both a buzzy moment and advertisement for “7 piano sketches.” 

    The album is as enigmatic as the musician behind it, featuring one track entitled “when you’re a ant and you wake up in an awesome mood, about to drive your son to school, only to discover that you left the lights on in the car last night so your battery is drained,” and another called simply “hotel lobby pianos.” 

    The cover art is a fine line sketch of André 3000 in his Met Gala outfit. 

  • Was this the Fyre Festival of books?Books

    Was this the Fyre Festival of books?Books

    Was this the Fyre Festival of books?Books

  • Jennifer Aniston: Her life and career in photosCelebrities

    Jennifer Aniston: Her life and career in photosCelebrities

    Jennifer Aniston: Her life and career in photosCelebrities

  • Fredrik Backman talks new book ‘My Friends,’ writing struggles

    Fredrik Backman talks new book ‘My Friends,’ writing struggles

    When I call Fredrik Backman from halfway across the world – he in his Stockholm apartment, me in my New York one – he says something I don’t expect. 

    The “Anxious People” author is soft-spoken, even giving me a preemptive apology in case he needs to argue in Swedish with his barking dog, whose real name is kept secret but whom fans know as “The Donkey.” Backman is notoriously private, especially about his family, averse to the fame that comes with having several international bestsellers, including one that was made into a Tom Hanks movie (“A Man Called Otto”). Interviews and public appearances make him anxious. He expressed as much in a viral video from Simon & Schuster’s Centennial last year.

    “Maybe this is the last thing I’ll ever publish,” he tells me when I ask about his inspiration for his latest novel, “My Friends,” out now from Simon & Schuster. If that ends up being the case, he says, he wants to say something that leaves a mark and inspires young people.

    I think about objecting, placating, trying to convince him that the world needs more Backman books, now more than ever. But I stop, because Backman isn’t saying this in search of any sort of praise or compliment. He’s saying it because it’s real – human – which is exactly how his books read anyway. 

    Fredrik Backman struggles with ‘the machine of the industry’

    When he showed the first draft of “My Friends” to his close circle, the reaction was lukewarm. The story was dark, too dark, his wife told him. It reflected two years of confidence and writing troubles.

    “I had a really long period where I thought ‘I’m going to retire from writing,’” Backman says. “But I’m not going to retire from writing. I’m going to retire from publishing books, because I just felt that this is taking a little bit too much out of me. I’m not handling the pressure of it.”

    I ask him if he still feels that way, now that “My Friends” has turned into something deeper (and more hopeful) than he originally wrote. He says he grapples with it every day, struggles with being caught in “the machine of the industry.” 

    Backman isn’t the only author who feels this way. After the worldwide success of “Fourth Wing,” romantasy author Rebecca Yarros told Elle Magazine she was taking a break because writing, publishing and marketing the series “drove (her) body to a place that was untenable.” Colleen Hoover, the author behind the BookTok bestseller “It Ends With Us,” had to cancel her book tour because of stress-related health issues. 

    In 2021, Backman inked a four-book deal with Simon & Schuster UK for his English-language books: his Beartown series closer “The Winners” and three standalone novels, one of which presumably is “My Friends.” 

    “I’ve always struggled with this part of it, the being interviewed, going on tour, being somewhat –  in the smallest form of the word – a celebrity,” he says. “I’ve always struggled with being a public figure and people having expectations of you and having preconceived notions of you. I’ve always struggled with that. I am not good with crowds; I’m not good with strangers. I don’t give a good first impression to people. I’m comfortable with maybe seven people.”

    Backman knows he’s privileged to write fulltime, telling me about “proper jobs” he’s had operating forklifts for 10-12 hours a day, waking up so sore he couldn’t extend his fingers. He’s telling me this, he says, not to garner sympathy but because he wants the industry to be careful with how they treat young writers. Writers are highly sensitive by nature.

    “You’re not supposed to be a balanced, high-functioning individual because that’s not what makes you a great writer,” Backman says. “People expect you to be able to shut that off and say ‘Yeah, but now we need you to think about marketing, meeting about marketing, thinking about your brand.’

    “It’s fine when you put that pressure on someone like me, who is 44 years old and I have kids, and I have a life and I have a good support system around me and I’ve been doing this for 15 years. But when that pressure starts mounting up on someone in their 20s, I think that’s a lot to ask of someone who makes their living off of talking to imaginary friends.”

    To some degree, intense marketing is a necessary evil under capitalism. Books need to sell to keep publishers and authors afloat, and a good campaign can be the difference between putting food on the table or not. The landscape is also shifting. As social media, namely BookTok, continues to drive sales, there’s an increasing push for authors themselves to be a brand, rather than their work alone. We have access to authors’ personal lives in a way we never have before. 

    Some authors thrive through marketing, touring, speaking and signing. But not all.

    “These people that you’re dealing with are very sensitive creatures, and you can break them if you push them too hard,” Backman says. 

    Fredrik Backman wrote ‘My Friends’ for the young dreamers

    If “My Friends” was his last book, Backman tells me, what would he want to say? 

    The story is told in two alternating timelines. The past perspective is about four childhood friends and one transformative summer. Their bond inspires a painting that eventually becomes, decades later, the most famous painting in the world. In the present, a teenager clings tightly to a postcard of the painting. It’s her most cherished possession in the world. Then she finds herself in unexpected ownership of the original. Her cross-country journey to learn how the artwork came to be connects surprising roads in her own life and the painting’s subjects. 

    If our discussion about publishing is a critique of the capitalistic churn of people as commodities, “My Friends” says the same thing about art. Backman, whose wife is an art buff, frequents museums with his family. He loathes that art is hidden away and sold as capital. He wants to teach young people that it belongs to them. 

    Young people are a driving force in Backman’s work. In “A Man Called Ove,” a grieving, depressed elderly man finds reason to live after he encounters a young family next door. The heart of “My Grandmother Asked Me to Tell You She’s Sorry” is a lovable 7-year-old. Even the books with adult characters show that we’re all just big kids on the inside, figuring it out as we go.  

    I ask him if hope is something he wants to share with his readers. That’s how I always feel when I close a Backman book. He looks for a different feeling instead. 

    “At the end of the night (when) you’re just exhausted and someone in your life who loves you and cares about you just turns around and looks at you and says, ‘You did good. You did good. I can see that you struggled, and I can see that you did your best,’” Backman says. “That’s what I’m looking for in my books, and maybe that’s interpreted by some people as hope, and maybe it’s redemption and maybe it’s something else. But I’m looking for that. I’m looking for you to close the book at the final page and feel like it’s OK.”

    Clare Mulroy is USA TODAY’s Books Reporter, where she covers buzzy releases, chats with authors and dives into the culture of reading. Find her on Instagram, subscribe to our weekly Books newsletter or tell her what you’re reading at [email protected]

  • Rob Thomas announces new album ‘All Night Days’, tour: Ticket info

    Rob Thomas announces new album ‘All Night Days’, tour: Ticket info

    play

    Rob Thomas might be a member of the “slacker generation,” but he’s better defined as a workaholic.

    As the frontman for Matchbox Twenty, which has sold more than 40 million albums in a nearly 30-year span, and the architect of a triumphant solo career that moved about 18 million more with earworms including “Lonely No More” and “Her Diamonds,” Thomas has rarely deviated from the cycle of write-record-release-tour.

    In 2023, Matchbox Twenty released “Where the Light Goes,” its first album in more than a decade that was paired with the lengthy Slow Dream Tour. Next year, the band will celebrate the 30th anniversary of its Diamond-certified debut, “Yourself or Someone Like You,” which spawned the ubiquitous “Real World,” “3AM” and “Push.”

    But before he returns to ringmaster duties, Thomas, 53, will release his sixth solo album, “All Night Days,” this summer and follow it with a 25-date tour from Aug. 1 in Atlanta through Sept. 6 in Los Angeles, hitting cities including Nashville, Boston, Indianapolis, Detroit, Houston and Las Vegas.

    Presale tickets for the run, which also features The Lucky and A Great Big World on certain dates, are available from 10 a.m. May 7 through 10 p.m. May 8 with the general on sale at 10 a.m. May 9 at robthomasmusic.com (all are local time).

    Chatting from his home of 20 years in idyllic Bedford, New York, Thomas shared the story behind the name of his new album, his excitement about his son playing guitar on tour and his commitment to rescuing animals.

    Question: We spoke almost exactly two years ago when Matchbox Twenty was preparing for a summer tour. Did that go so well that you couldn’t wait to get out there again?

    Answer: It’s funny, with Matchbox Twenty, every year we get closer and better at what we do. Next year will be the 30th anniversary of Matchbox Twenty so I thought, if I don’t get out there now and play solo, I’ll miss that window.

    What do you remember from that time when “ … Something to Be” came out? The band had huge success with “More Than You Think You Are” (in 2002) and you were about six years past the huge solo breakout with “Smooth” (with Carlos Santana).

    It was the perfect time. “Smooth” happened before the second record (“Mad Season”) came out in 2000 and the whole video for “Bent” was the rest of the band beating me up. That was the joke. We wanted to have them beating me up in an alley with a Grammy and you can’t do that with a Grammy. We had someone call to check! We were really feeling so creative to do “More Than You Think You Are” when we really felt we hit our stride. But we had been going since 1996 and (after that album) the band purposely took a break and then it was like, if I’m going to do something solo, this is the time.

    You’ve really had a prolific career.

    It’s not lost on me how lucky I am that I’ve been able to go back and forth and have fans be generous and come to both shows. The band, I won’t say they love (my solo career), but (Matchbox Twenty drummer) Paul (Doucette) said, “I can’t tell my best friend not to do something that makes him happy because it’s inconvenient to me.”

    With the new album and tour, where did the title “All Night Days” come from?

    It stemmed from a conversation I was having about when we used to stay out all night and I said, “I thought my all night days were over.” I Googled the title because with most great things there’s probably another song or book with that title and there wasn’t. It felt fortuitous that I stumbled on (a phrase) and made it unique.

    The first single “Hard to Be Happy” is this jaunty tune, but lyrically, there’s a lot of rumination going on.

    It’s a good thing that we’re in a time where it’s OK to talk about not being OK. You know those commercials for mood inhibitors and people are out there with that fake smiley mask? The music is the fake mask and inside is what people are feeling. No matter where we are with having a mental health conversation, we feel this need to be performative in some way, to try not to burden other people with all of the things distressing you … But it was very intentional to musically have this kind of Harry Nilsson, “Coconut” kind of vibe.

    For the tour, what are you planning production-wise?

    We’re getting the staging designs together now, but at the end of the day it’s about me and the players. Most of the guys in my (eight-piece) solo band have been with me 20 years and on this tour, my lead guitarist is my son Mason.

    That has to be a proud moment for you. Has he played with you before?

    We’ve done some charity and private gigs so he’s gotten the songs down and he’s really ready for the tour. He came to Australia for the Matchbox Twenty tour last year and that was fun because he was just hanging with me and the band.

    When we last spoke, I asked how you stay fit on tour and you joked that I should ask you that at the end of it. So now several months since the end of it, how are you feeling?

    My left knee and back, I don’t notice anything in the moment, but I do in the aftermath. From a practical standpoint, I miss being on the road because within a week you are in super shape because I’m working out every day and doing a two-hour show every night. You can regiment your meals better. The hard thing now is when you get off the road.

    How have things been going with your Sidewalk Angels Foundation?

    When my wife (Marisol Maldonado) and I started it, it was important for us to realize we had this vehicle that we could use this platform to help no-kill animals shelters … We just lost our dog, Ollie, last week after 16 years. He was the first mass rescue from The Sato Project and it was us and a few organizations getting dogs from this area called Dead Dog Beach in Puerto Rico. It was putting the dogs on a plane to America and finding no-kill shelters and homes they could go to and we continued to be part of those rescues and other organizations’ mission statement. It’s been 20 years and millions of dollars raised and we barely let it sit on the shelves, ever.

    Do you have any other pets?

    Ollie was our last one for a while, but I know one day we’re going to be driving down the road and be like, yep, we’ve got a dog now.