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  • Fox News pundit Camryn Kinsey faints live on ‘Fox News @ Night’

    Fox News pundit Camryn Kinsey faints live on ‘Fox News @ Night’

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    A Fox News broadcast took a frightful turn when a host collapsed live on air.

    During a “Fox News @ Night” segment May 8 discussing recent remarks from former President Joe Biden, political commentator Camryn Kinsey appeared to lose her train of thought before slipping from consciousness and falling from her chair.

    “This is about incompetency, it’s not about uh, uh, ideology,” she said, referencing recent comments made by Biden suggesting his successor Kamala Harris lost the 2024 election due to sexism in the Republican party.

    The “uhs” continued as she struggled to find her words, then she collapsed from her chair, falling to the studio floor.

    Host Jonathan Hunt reacted with surprise as crew members ran out to help, saying: “Oh my goodness, we’re just going to get some help here for Camryn.”

    He then attempted to throw the segment back to another commentator before, clearly flustered, deciding instead to go to commercial break.

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    While neither Kinsey nor Fox has yet revealed the cause of her fall, Hunt did assure viewers after the commercial break that she had regained consciousness.

    “We want to give you a quick update. Camryn is up and moving,” he told viewers. “We have paramedics checking her. We will keep you updated. We wish her all the best.”

    Fox echoed that sentiment in a statement shared with USA TODAY May 9.

    “After ‘Fox News @ Night’ guest Camryn Kinsey fainted during a live on-air appearance last night in our Los Angeles bureau, paramedics were called and she was treated and cleared,” a Fox News spokesperson wrote. “We are happy to hear she is now feeling much better and wish her a speedy recovery.”

    Kinsey, who appears sometimes as a political pundit on Fox, briefly served as the external relations director in the White House presidential personnel office under President Donald Trump.

    Serving for six months during Trump’s first term, she went on to work as a White House correspondent and reporter at One America News Network, a far-right political news channel.

  • Lainey Wilson, Miranda Lambert debut song ‘Trailblazer’

    Lainey Wilson, Miranda Lambert debut song ‘Trailblazer’

    The 60th annual Academy of Country Music Awards highlighted many generations of mainstream artists who have honored the tradition of extending the genre’s legacy of female superstardom, from Patsy Cline to Lainey Wilson.

    The most profound moment in this lineage could be represented by the song “Trailblazer,” a collaboration by Wilson – 2024 and 2025 ACM entertainer of the year – alongside the ACM’s most award-winning artist, Miranda Lambert, and the event’s 17-time host, Reba McEntire.

    The trio, introduced by Rita Wilson, took the stage wearing coordinating brown outfits adorned with turquoise accents. Wilson and Lambert were also in cowgirl hats.

    The song, penned by Lambert and Wilson alongside award-winning singer-songwriter Brandy Clark, debuted at Thursday evening’s ACM Awards broadcast on Prime Video.

    ‘We talk how we talk, and we are who we are’

    “It’s time to really do our heroes justice. We’re just trying to make Loretta, Patsy and everyone else proud,” Wilson said backstage, regarding the song.

    “We talk how we talk and we are who we are – that’s inspiring.”

    McEntire said Loretta Lynn and Dolly Parton have helped inspire and fuel the careers of her and many others.

    “I’ve been doing this for 50 years,” said the “Fancy” vocalist in a May 2025 Tennessean interview, part of the USA TODAY Network. “Family, fans and friends provide love and acceptance. Whether at home washing dishes or on stage in front of 70,000 people at the Houston Rodeo, it’s always important to be grateful and thankful for the love and acceptance of the people who helped and supported your dreams and career.”

    A song for all women: ‘Trailblazer’

    The lyrics of “Trailblazer” honor each performer’s career with particular notes highlighting Lambert’s 2005 hit “Kerosene,” plus McEntire and Wilson’s home states of Oklahoma and Louisiana.

    “We wanted to lean in pretty hard to paying tribute to each person. We had to do it strategically though, because we didn’t want it to be so blatant – but more like a secret thing that you would have to listen to it twice,” Lambert said to Billboard.

    Wilson added: “I remember thinking that this could be a song that a grandmother and a daughter and a grandchild could listen to. And not just about the history of country music … If we’re not thinking about the people we’re singing to then they’re not going to be able to relate.”

  • Jury to be finalized in rapper’s sex-crimes case

    Jury to be finalized in rapper’s sex-crimes case

    Final jury selections are expected to be made in Sean “Diddy” Combs’ ongoing criminal trial as opening statements near.

    After a brief recess in the high-profile legal proceeding, attorneys for the embattled hip-hop mogul and prosecutors returned to court on May 9 to select the jurors who will serve in Combs’ case. This comes after the jury pool was narrowed to 45 candidates across three days of intense questioning from the prosecution, defense and Judge Arun Subramanian.

    Six women and five men were given the green light on May 7 after lawyers and the judge interviewed 22 candidates.

    Their age bracket ranging from mid-20s to early 70s, the group represents a varied cross-section of society, with one juror working as a graphic designer and another in administration at the counterterrorism office of the United Nations.

    Attorneys on both sides are now tasked with whittling down the selected jury to 12 final jurors who will sit for the trial alongside six alternates. During the interview process, prospective jurors were repeatedly asked if they, a family member or a friend had been a victim of sexual assault, sexual harassment or domestic violence, and whether they or a loved one had been charged or accused of such crimes.

    Ahead of the trial’s kickoff on May 5, Combs, 55, confirmed he turned down a potential plea deal in the case during a final pretrial hearing on May 2.

    Combs could spend the rest of his life in prison if convicted.

    Diddy high school alumnus, ‘sleep-deprived’ Star Wars fan admitted to jury pool

    A potential juror who attended the same high school as Combs was moved into the approved pool on May 7 after being questioned about their social media habits. The individual and Combs graduated 30 years apart.

    Combs’ defense referenced a meme that implied the potential juror may have interacted with on social media, but the juror chalked this up to “doomscrolling” and “mindlessly swiping.” When the judge asked the juror if they had seen things while “doomscrolling” that might make them biased against Combs, they said no.

    Another potential juror, questioned for about 25 minutes, continually sighed and trailed off in his speech. Judge Subramanian noted that the man neglected to fill out all the questions on his juror questionnaire. The potential juror explained that he was tired and “lazy” after binge-watching the new Star Wars series “Andor.” 

    Although federal prosecutors said the man was “meandering” and were worried about his “own personal discipline” if he was selected for the trial, Subramanian said none of his answers warranted a dismissal. He did, though, call the juror “sleep deprived.”

    Potential juror who knows Diddy trial judge dismissed

    One potential juror had an obvious conflict of interest: he was friendly with Judge Subramanian after serving as his co-counsel in several cases, meaning they previously represented clients together. They have known each other for about 10 years.

    When the potential juror walked in, Subramanian amiably asked him: “What is your opinion of the judge in this case?” The prospective juror responded, “He is fair, he is gregarious and he is brilliant.”

    One of the prosecutors said she was worried he would have an “outsize influence on other jurors” because of his position. He was dismissed.

    Judge admonishes lawyer for racial remarks

    The judge overseeing Combs’ sex-trafficking trial admonished a lawyer close to the hip-hop mogul’s defense team for referring to the prosecutors in the case as a “six-pack of white women” in comments on a podcast.

    The lawyer, Mark Geragos, said in a May 2 episode of “Two Angry Men,” a podcast he co-hosts with TMZ founder Harvey Levin, that the racial and gender composition of the six-member prosecution team was “interesting.” Geragos said race may be an “undercurrent” at the trial but would not be a focus of Combs’ defense.

    “That’s something that you shouldn’t, that no one should be saying as an officer of the Court and a member of the bar,” Judge Subramanian told Geragos in a private conversation in his robing room on May 6 before jury selection resumed, according to a trial transcript.

    “Referring to the prosecution in this case as a six-pack of white women is outrageous,” said the judge, who is of South Asian descent.

    Is Mark Geragos one of Diddy’s lawyers?

    No, Mark Geragos, the famed attorney who has represented prominent people ranging from Michael Jackson to the Menendez brothers, isn’t officially part of Combs’ legal team.

    His daughter, Teny Geragos, is serving on Combs’ defense. Mark Geragos has been seen in the courtroom since jury selection started earlier in the week.

    Prosecutors called out his presence in a letter to Judge Subramanian, accusing Combs’ defense of trying to consult with the longtime lawyer and saying he should abide by the rules set for attorneys in the case if he’s working with Combs.

    Mark Geragos has denied his involvement, saying in a statement to CNN, “I’m here to support my daughter. (Combs) is a friend.”

    Lawyer representing multiple accusers weighs in on jury selection

    Lisa Bloom, an attorney representing two accusers in civil cases against Combs and one in his criminal case, pointed to the “sad” number of potential jurors who have told the court they or a loved one is a sexual assault survivor.

    Jurors have repeatedly been asked about sexual assault and harassment due to the nature of Combs’ case, and almost all have said they have some personal connection to the crimes. “It’s still quite a large number,” Bloom told NewsNation’s “Banfield.” “And if you break it down to the female jurors, even larger.”

    Bloom is representing Danity Kane member Dawn Richard, a prominent Combs collaborator who accused him of physical and sexual abuse in a 2024 lawsuit.

    Richard claimed the producer stole her work, withheld payment and subjected her to “inhumane” working conditions, which included assault, groping and false imprisonment, for nearly a decade. Combs’ attorney denied the allegations at the time the lawsuit was filed.

    Why is Diddy on trial?

    Combs is facing federal sex crimes and trafficking charges in a sprawling suit that has eroded his status as a power player and kingmaker in the entertainment industry.

    He was arrested in September and has been charged with racketeering, sex trafficking and transportation to engage in prostitution. He has pleaded not guilty to all five counts.

    His indictment emerged alongside dozens of separate civil suits suggesting a pattern of abusive behavior and exploitation spanning decades, including accusations of rape, sexual assault and physical violence.

    How long will Diddy’s trial be?

    Now that all parties have agreed on the 45-member jury pool, the prosecution and defense will spend May 8-9 finalizing the jury and preparing for opening statements, which begin May 12.

    Is Diddy in jail?

    Despite repeated attempts at bail, Combs was ordered to remain in custody at the Special Housing Unit in Brooklyn’s Metropolitan Detention Center ahead of trial — a ruling his legal team has challenged in the Second Circuit Court of Appeals. He’s been jailed since his arrest on Sept. 16, 2024.

    How can I watch Diddy’s trial?

    The trial will not be televised, as cameras are typically not allowed in federal criminal trial proceedings.

    USA TODAY will be reporting live from the courtroom.

    Gray hair, blue sweater worn by Diddy

    Cameras aren’t allowed in the courtroom where Combs is on trial for sweeping sex-crimes charges, but courtroom sketches are available of the one-time mogul.

    As his trial kicks off, Combs has been depicted with graying hair and often wearing a blue sweater over a white collared shirt.

    The outfits are intentional: Combs is allowed five shirts, five sweaters, five pairs of pants and two sets of laceless shoes to wear in the Manhattan federal courtroom, according to an order signed by Judge Subramanian on April 30.

    That means he doesn’t have to wear a jumpsuit assigned to him in the detention center where he has been held since his September 2024 arrest.

  • New movies on Netflix, Amazon, Peacock, Max, Hulu to stream now

    New movies on Netflix, Amazon, Peacock, Max, Hulu to stream now

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    Love movies? Live for TV? USA TODAY’s Watch Party newsletter has all the best recommendations, delivered right to your inbox. Sign up now and be one of the cool kids.

    Streaming movie fans are eating well this month. And we’re not just talking about the scrumptious-looking Italian vittles cooked up in “Nonnas,” a perfect movie for Mother’s Day weekend.

    The Vince Vaughn Netflix dramedy leads a bunch of new flicks in May that have arrived on your favorite streaming services, from Hulu and Amazon’s Prime Video to Peacock and Max. There are theatrical releases finally coming home, including a romantic slasher and a Ke Huy Quan action comedy, if you like to celebrate Valentine’s Day all year round. Don’t sleep on the original fare, though, such as an Anna Kendrick/Blake Lively sequel and a teen sex comedy starring “Saturday Night Live” regular Chloe Fineman.

    Here are 10 notable new movies you can stream right now:

    ‘Adult Best Friends’

    Director Delaney Buffett co-writes and co-stars with Katie Corwin in the indie comedy about two childhood best friends who have their codependence tested. When one gets engaged to her masseuse boyfriend (Mason Gooding), she plans on springing the news on the other during a nostalgic beach trip that goes cringingly off the rails.

    Where to watch: Max

    ‘Another Simple Favor’

    In Paul Feig’s dark comedy mystery sequel, crime-solving mommy vlogger Stephanie (Anna Kendrick) is shocked when fresh-out-of-jail frenemy Emily (Blake Lively) invites her to be maid of honor at her wedding in Capri. Assorted shenanigans ensue involving Italian mob families, shady relatives, bloody murders and cold martinis.

    Where to watch: Prime Video

    ‘Black Bag’

    Steven Soderbergh’s whodunit twist on the spy thriller is a bit of a must-see. Michael Fassbender plays a British intelligence officer tasked with finding who leaked a top-secret software program and betrayed their country, and the list of five potentially traitorous suspects includes his own high-profile wife (Cate Blanchett).

    Where to watch: Peacock

    ‘The Damned’

    In the freaky psychological horror tale, a 19th-century widow (Odessa Young) heads up a remote fishing village in the Arctic. Her crew comes across a shipwreck and morally wrestles with saving the survivors or leaving them to die and conserve their own depleting supplies, and a dark folkloric creature rises in the aftermath.

    Where to watch: Hulu

    ‘The End’

    Need something strange? How about an ambitious post-apocalyptic musical? Tilda Swinton and Michael Shannon play the mom and dad of a wealthy family holed up in a posh bunker in a salt mine, George MacKay plays their son who yearns to know about the inhospitable outside world, and Moses Ingram is the stranger who changes everything.

    Where to watch: Hulu

    ‘Heart Eyes’

    The horror rom-com juggles the many tropes of both its genres, but this gory slasher romp also boasts an impressive mean streak, entertaining leads and an excellent hook. A masked psycho hits up a new big city to gut couples every Valentine’s Day, and this time targets Seattle co-workers (Olivia Holt and Mason Gooding) mistaken for lovers. 

    Where to watch: Netflix

    ‘Love Hurts’

    Oscar winner Ke Huy Quan snags his first leading role in the action comedy. He plays a good-natured realtor and ex-hitman whose past comes flying back in his face – as do a lot of punches – when the lawyer (Ariana DeBose) he was supposed to kill years ago returns to town. (He also harbors strong feelings for her, though she doesn’t know it.)

    Where to watch: Peacock

    ‘Nickel Boys’

    Director RaMell Ross’ innovative, Oscar-nominated drama tells its riveting tale from the first-person vantage of its two young protagonists. In 1960s Jim Crow Florida, Black teenager Elwood (Ethan Herisse) is unjustly convicted of car theft and sent to reform school, where he faces abuse and corruption alongside a fellow student (Brandon Wilson).

    Where to watch: Prime Video

    ‘Nonnas’

    Vince Vaughn trades the broad comedy for something sweeter and more heartfelt with this dramedy, based on a true story. He stars as a Brooklyn MTA worker who, after the death of his beloved mom, uses the life insurance money to open a restaurant in her honor where the chefs are Italian grandmas who can cook like a kitchen on fire.

    Where to watch: Netflix

    ‘Summer of 69’

    In Jillian Bell’s directorial debut, high school senior Abby (Sam Morelos) finds out that her crush (Matt Cornett) prefers a certain sexual position. To master it – even though she’s totally inexperienced – Abby enlists exotic dancer Santa Monica (Chloe Fineman) to be her “sexual fairy godmother” in the coming-of-age comedy.

    Where to watch: Hulu

  • ACM Awards full list of winners: Lainey Wilson, Ella Langley

    ACM Awards full list of winners: Lainey Wilson, Ella Langley

    Lainey Wilson and Ella Langley were big winners at the 60th annual Academy of Country Music Awards, which were broadcast live from Frisco, Texas, on May 8.

    Wilson took home entertainer of the year for the second year in a row, and Langley took home four awards. Old Dominion won group of the year for the eighth consecutive time — something no other group has done.

    We have the winners’ list below, with winners in each category listed in bold.

    The studio recording awards had not yet been announced as of 11 p.m. ET.

    Entertainer of the year

    • Kelsea Ballerini
    • Luke Combs
    • Cody Johnson
    • Jelly Roll
    • Chris Stapleton
    • Morgan Wallen
    •  Lainey Wilson

    Female artist of the year

    • Kelsea Ballerini
    • Ella Langley
    • Megan Moroney
    • Kacey Musgraves
    • Lainey Wilson

    Male artist of the year

    • Luke Combs
    • Cody Johnson
    • Jelly Roll
    • Chris Stapleton
    • Morgan Wallen

    Duo of the year

    • Brooks & Dunn 
    • Brothers Osborne 
    • Dan + Shay 
    • Muscadine Bloodline
    • The War and Treaty

    Group of the year

    • Flatland Cavalry
    • Little Big Town 
    • Old Dominion 
    • Rascal Flatts
    • The Red Clay Strays

    New female artist of the year

    • Kassi Ashton
    • Ashley Cooke
    • Dasha
    • Ella Langley
    • Jessie Murph

    New male artist of the year

    • Gavin Adcock
    • Shaboozey
    • Zach Top
    • Tucker Wetmore
    • Bailey Zimmerman

    New duo or group of the year

    • Restless Road
    • The Red Clay Strays
    • Treaty Oak Revival

    Album of the year

    Awarded to artist(s)/producer(s)/record company–label(s)

    • Am I Okay? (I’ll Be Fine) – Megan Moroney; producer: Kristian Bush; Columbia Records / Sony Music Nashville
    • Beautifully Broken – Jelly Roll; producers: BazeXX, Brock Berryhill, Zach Crowell, Devin Dawson, Charlie Handsome, Ben Johnson, mgk, The Monsters & Strangerz, Austin Nivarel, SlimXX, Ryan Tedder, Isaiah Tejada, Alysa Vanderheym; BBR Music Group / BMG Nashville / Republic Records
    • Cold Beer & Country Music – Zach Top; producer: Carson Chamberlain; Leo33
    • F-1 Trillion – Post Malone; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
    • Whirlwind – Lainey Wilson; producer: Jay Joyce; BBR Music Group / BMG Nashville

    Single of the year

    Awarded to artist(s)/producer(s)/record company–label(s)

    • “A Bar Song (Tipsy)” – Shaboozey; producers: Sean Cook, Nevin Sastry; American Dogwood / EMPIRE
    • “Dirt Cheap” – Cody Johnson; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
    • “I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
    • “White Horse” – Chris Stapleton; producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mercury Nashville
    • “you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records

    Song of the year

    Awarded to songwriter(s)/publisher(s)/artist(s)

    • “4x4xU” – Lainey Wilson; songwriters: Jon Decious, Aaron Raitiere, Lainey Wilson; publishers: Louisiana Lady; One Tooth Productions; Reservoir 416; Songs of One Riot Music; Sony/ATV Accent
    • “The Architect” – Kacey Musgraves; songwriters: Shane McAnally, Kacey Musgraves, Josh Osborne; publishers: Songs for Indy and Owl; Sony/ATV Cross Keys Publishing
    • “Dirt Cheap” – Cody Johnson; songwriter: Josh Phillips; publishers: Warner-Tamerlane Publishing; Write or Die Music; Write the Lightning Publishing
    • “I Had Some Help” – Post Malone, Morgan Wallen; songwriters: Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters, Ryan Vojtesak; publishers: Bell Ear Publishing; Master of my Domain Music; Poppy’s Picks; Sony/ATV Cross Keys Publishing; Universal Music Corporation
    • “you look like you love me” – Ella Langley, Riley Green; songwriters: Riley Green, Ella Langley, Aaron Raitiere; publishers: Back 40 Publishing International; Langley Publishing; One Tooth Productions; Sony/ATV Tree; Warner-Tamerlane Publishing Corp

    Music event of the year

    Awarded to artist(s)/producer(s)/record company–label(s)

    • “Cowboys Cry Too” – Kelsea Ballerini, Noah Kahan; producers: Kelsea Ballerini, Noah Kahan, Alysa Vanderheym; Black River Entertainment
    • “I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
    • “I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
    • “we don’t fight anymore” – Carly Pearce, Chris Stapleton; producers: Shane McAnally, Josh Osborne, Carly Pearce; Big Machine Records
    • “you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records

    Visual media of the year

    Awarded to producer(s)/director(s)/artist(s)

    • “4x4xU” – Lainey Wilson; producer: Jennifer Ansell; director: Dano Cerny
    • “Dirt Cheap” – Cody Johnson; producer: Dustin Haney; director: Dustin Haney
    • “I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producers: Christen Pinkston, Wesley Stebbins-Perry; director: Dustin Haney
    • “Think I’m In Love With You” – Chris Stapleton; producers: Wes Edwards, Angie Lorenz, Jamie Stratakis; director: Running Bear (Stephen Kinigopoulos, Alexa Stone)
    • “you look like you love me” – Ella Langley, Riley Green; producer: Alex Pescosta; directors: Ella Langley, John Park, Wales Toney

    Artist-songwriter of the year

    • Luke Combs
    • ERNEST
    • HARDY
    • Morgan Wallen
    • Lainey Wilson

    Songwriter of the year

    • Jessi Alexander
    • Jessie Jo Dillon
    • Ashley Gorley
    • Chase McGill
    • Josh Osborne

    Producer of the year

    • Dave Cobb
    • Ian Fitchuk
    • Charlie Handsome
    • Jon Randall
    • Alysa Vanderheym

    Audio engineer of the year

    • Brandon Bell
    • Drew Bollman
    • Josh Ditty
    • Buckley Miller
    • F. Reid Shippen

    Bass player of the year

    • J.T. Cure
    • Mark Hill
    • Rachel Loy
    • Tony Lucido
    • Craig Young

    Drummer of the year

    • Fred Eltringham
    • Tommy Harden
    • Evan Hutchings
    • Aaron Sterling
    • Nir Z

    Acoustic guitar player of the year

    • Tim Galloway
    • Todd Lombardo
    • Mac McAnally
    • Bryan Sutton
    • Ilya Toshinskiy

    Piano/keyboards player of the year

    • Dave Cohen
    • Ian Fitchuk
    • Billy Justineau
    • Gordon Mote
    • Alex Wright

    Specialty instrument player of the year

    • Dan Dugmore
    • Jenee Fleenor
    • Josh Matheny
    • Justin Schipper
    • Kristin Wilkinson

    Electric guitar player of the year

    • Kris Donegan
    • Jedd Hughes
    • Brent Mason
    • Sol Philcox-Littlefield
    • Derek Wells

    Casino of the year – theater

    • Deadwood Mountain Grand – Deadwood, S.D.
    • Foxwoods Resort Casino – Mashantucket, Conn.
    • Harrah’s Cherokee Casino Resort – Cherokee, N.C.
    • The Theater at Virgin Hotels – Las Vegas, Nev.
    • Yaamava’ Theater – Highland, Calif.

    Casino of the year – arena

    • Golden Nugget Lake Charles – Lake Charles, La.
    • Hard Rock Live at Etess Arena – Atlantic City, N.J.
    • Harveys Lake Tahoe – Stateline, Nev.
    • Mystic Lake Casino Showroom – Prior Lake, Minn.
    • Turning Stone Resort Casino – Verona, N.Y.

    Festival of the year

    • C2C Country to Country – London
    • CMC Rocks – Ipswich, Queensland
    • Stagecoach Festival – Indio, Calif.
    • Two Step Inn – Georgetown, Tex.
    • Windy City Smokeout – Chicago

    Fair/rodeo of the year

    • Calgary Stampede – Calgary, Alberta
    • California Mid-State Fair – Paso Robles, Calif.
    • Cheyenne Frontier Days – Cheyenne, Wy.
    • Minnesota State Fair – Falcon Heights, Minn.
    • Houston Livestock Show and Rodeo – Houston

    Club of the year

    • Billy Bob’s Texas – Fort Worth, Tex.
    • Brooklyn Bowl – Nashville
    • Cain’s Ballroom – Tulsa, Okla.
    • Georgia Theatre – Athens, Ga.
    • Joe’s on Weed St. – Chicago

    Theater of the year

    • The Caverns – Pelham, Tenn.
    • MGM Music Hall at Fenway – Boston
    • The Met Philadelphia – Philadelphia
    •  The Rave/Eagles Club – Milwaukee, Wisc.
    • Tennessee Theatre – Knoxville, Tenn.

    Outdoor venue of the year

    • BankNH Pavilion – Gilford, N.H.
    • CMAC – Constellation Brands Marvin Sands Performing Arts Center – Canandaigua, N.Y.
    • Saint Augustine Amphitheatre – St. Augustine, Fla.
    • The Wharf Amphitheater – Orange Beach, Ala.
    • Whitewater Amphitheater – New Braunfels, Tex.

    Arena of the year

    • Dickies Arena – Fort Worth, Tex.
    • Moody Center – Austin, Tex.
    • TD Garden – Boston
    • Thompson-Boling Arena at Food City Center – Knoxville, Tenn.
    • Van Andel Arena – Grand Rapids, Mich.

    Don Romeo talent buyer of the year

    • Deana Baker
    • Bobby Clay
    • Gil Cunningham
    • Weston Hebert
    • Stacy Vee
    • Taylor Williamson

    Promoter of the year

    • Brent Fedrizzi
    • Alex Maxwell
    • Patrick McDill
    • Anna-Sophie Mertens
    • Rich Schaefer
    • Aaron Spalding
  • Crossword Blog & Answers for May 9, 2025 by Sally Hoelscher

    Crossword Blog & Answers for May 9, 2025 by Sally Hoelscher

    There are spoilers ahead. You might want to solve today’s puzzle before reading further! Cart Out

    Constructor: Mark Valdez

    Editor: Amanda Rafkin

    What I Learned from Today’s Puzzle

    • STOOP (13A: “___ kid’s afraid to leave his ___!” (Chant in a “Hey Arnold!” episode)) Hey Arnold! (1996-2004) is an animated TV series about a fourth grader named Arnold who lives with his grandparents. I knew about this show (from having written about it before) but STOOP Kid is new to me. On the show, STOOP Kid is a teenage boy who lives on a STOOP, and rarely leaves it. In an episode titled “STOOP Kid,” Arnold convinces him to have the courage to leave his STOOP.
    • TOPSY (63A: “___ Turvy” (“The Hunchback of Notre Dame” song)) “TOPSY Turvy” is a song in Disney’s 1996 animated movie The Hunchback of Notre Dame (which is loosely based on Victor Hugo’s 1831 novel of the same name). Although I wasn’t familiar with the song, the answer here was inferable because I’m familiar with “TOPSY turvy” as a phrase.
    • CUPCAKES (21D: Desserts made at Sprinkles) Sprinkles is a bakery specializing in CUPCAKES. The first Sprinkles opened in Beverly Hills, California in 2005. There are now Sprinkles locations in Arizona, Florida, Nevada, Texas, Utah, and Washington D.C., in addition to California. I see that they do have nationwide shipping…
    • ONE (28D: Number of Tonys won by Joaquina Kalukango) Paradise Square is a musical that opened on Broadway in 2022. It is set in New York City during the Civil War and tells the story of conflict between Irish Americans and Black Americans. Joaquina Kalukango played the role of Nelly O’Brian on Broadway (and during the pre-Broadway run in Chicago). For this role, she won her ONE Tony to-date, for Best Actress in a Musical.

    Random Thoughts & Interesting Things

    • ASTRO (1A: Prefix with “turf” or “physics”) It’s true that ASTROturf and ASTROphysics share a prefix. This clue made me chuckle as I thought about the differences between these two things.
    • CRAN (17A: Vodka ___ (tart drink)) Vodka CRAN, as one might guess from the name, is a cocktail of vodka and cranberry juice. A vodka CRAN is also known by the name Cape Codder.
    • ALTO (18A: Patsy Cline’s vocal range) Patsy Cline (1932-1963) was one of the first country music artists to successfully cross over into pop music. Although her recording career lasted only eight years, Patsy Cline is considered one of the most influential vocalists of the 20th century. Patsy Cline died in a plane crash in 1963, which was before I was born, but my parents were fans, so I grew up listening to her ALTO voice singing songs such as “I Fall to Pieces” and “Crazy.”
    • BYE (22A: “___ ___ ___” (NSYNC song with the lyrics “I just want to tell you that I’ve had enough”)) I like the triple blank in this fill-in-the-blank clue. NSYNC released “BYE BYE BYE” in 2001. The song won an MTV Video Music Award for Best Pop Video.
    • UNDO (24A: Ctrl+Z function) I know I’ve said it before, but it bears repeating that UNDO is my favorite computer shortcut. It has saved me from so many, “Ack! I didn’t mean to do that!” moments.
    • KOREA (37A: Jeju Island’s region) KOREA is a region in East Asia that consists of the Korean Peninsula, Jeju Island, and several smaller islands. Since 1945, KOREA has been divided into the two distinct sovereign states of North KOREA and South KOREA. Jeju island is part of South KOREA.
    • YES AND (44A: Improv comedy’s two-word tenet) The improv comedy tenet, “YES, AND…” is the idea that a participant accepts what someone else has said – YES – before expanding on that line of thinking – AND.
    • CONCEPT ART (50A: Visual prototype for a piece of media) CONCEPT ART is basically just what it sounds like, ART (sketches, 3D models, etc) that conveys a CONCEPT. It is used in the areas of film, animation, comic books, TV shows, and video games.
    • PUMAS (56A: Mountain lions) My cat, Willow, is happy to see her big cat cousins in the puzzle. At least, I assume she is … I didn’t actually wake her up to ask her.

    • IDES (59A: “Beware the ___ of March!”) In the Roman calendar, IDES referred to a day near the middle of the month – the 15th of March, May, July, or October, and the 13th of any other month. March 15 is the IDES of March. In 44 BC, Julius Caesar was assassinated on the IDES of March, making the date notorious. Any mention of the IDES of March reminds me of my ninth grade English teacher, Mrs. Horton, for it was in her class that I first read William Shakespeare’s play, Julius Caesar, which features the line, “Beware the IDES of March!”
    • STARK (60A: “Kinky Boots” actor Sands) Cyndi Lauper wrote the songs for the musical Kinky Boots, which tells the story of Charlie Price. Charlie inherited a shoe factory from his father, and ends up in a partnership with a drag queen named Lola. STARK Sands originated the role of Charlie Price on Broadway in 2013. Just last week, we saw BILLY PORTER, who originated the role of Lola, as a theme answer.
    • MOCHI (6D: Chewy rice cakes) MOCHI is pounded sticky rice that is molded into cakes. It often has a sweet filling.
    • SCAR (8D: “Be Prepared” singer in “The Lion King”) SCAR, the evil villain of Disney’s The Lion King, sings “Be Prepared” to the hyenas as he makes plans to murder Mufasa and Simba. The song was written by Elton John and Tim Rice.
    • HAHN (15D: “Agatha All Along” actor Kathryn) In the Disney+ TV series, Agatha All Along, Kathryn HAHN portrays the title character, Agatha Harkness, a character she first played in the Marvel miniseries WandaVision. Agatha is part of a coven of witches who are following the Witches’ Road. 
    • CAN (20D: “I ___ Do It With a Broken Heart” (Taylor Swift song)) “I CAN Do It With a Broken Heart” is a song from Taylor Swift’s 2024 album, The Tortured Poets Department. “I cry a lot but I am so productive, it’s an art…”
    • MANTRA (42D: “I am enough” or “You can do hard things”) This clue reminds me of the May 1st puzzle, which had the word AFFIRMATION clued as [“I am enough,” e.g.]. The AFFIRMATION “I am enough” would make a great MANTRA to repeat to one’s self as needed. “You can do hard things” is also a great MANTRA, and it reminds me of a Carrie Newcomer song, “You Can Do This Hard Thing.”
    • PHIL (51D: “Modern Family” dad Dunphy) Modern Family is a mockumentary TV series that follows the lives of three families. It originally aired for 11 seasons from 2009-2020. PHIL Dunphy, played by Ty Burrell, is the dad of one of the families. Ty Burrell won multiple Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series for his portrayal of PHIL.
    • SKY (57D: “Giants in the ___” (“Into the Woods” song)) Into the Woods is a 1987 musical by Stephen Sondheim that intertwines the plots of several fairy tales. “Giants in the SKY” is sung by the character of Jack, who describes his adventure of climbing a beanstalk.

    Crossword Puzzle Theme Synopsis

    • CHORD CHART (20A: Guitar student’s guide)
    • CROSS MY HEART (32A: “I promise!”)
    • CONCEPT ART (50A: Visual prototype for a piece of media)

    CART OUT: The word CART is found at the OUTside edges of each theme answer: CHORD CHART, CROSS MY HEART, and CONCEPT ART.

    The word OUT in today’s title immediately let me know to pay attention to the edges of the theme answers. This is a nice example of this classic USA Today theme type. I appreciate that the split of the word C/ART is consistent in each theme answer. Thank you, Mark, for this enjoyable puzzle.

    For more on USA TODAY’s Crossword Puzzles

  • A look at Diddy lawyer’s strategy in eerily similar ‘sex cult’ trial

    A look at Diddy lawyer’s strategy in eerily similar ‘sex cult’ trial

    play

    NEW YORK ― A charismatic man coerced women into sex and silence. His inner circle transported victims, reaping financial rewards. Sleep deprivation abounded.

    Those are all allegations against Sean “Diddy” Combs, whose sex-trafficking trial heads to opening statements on Monday, May 12. But they are also similar to the charges in a 2019 sex-trafficking trial against self-help guru Keith Raniere, the so-called NXIVM “sex cult” leader. And the similarities could offer an early window into Combs’ defense.

    After all, the two men went to trial with the same lawyer: Marc Agnifilo.

    As a federal prosecutor in the 2000s, Agnifilo helped expand the government’s use of a 1970 law designed to take down the mafia, the Racketeer Influenced and Corrupt Organizations Act or “RICO.” Agnifilo helped broaden the use of RICO to also tackle street gangs.

    However, as a defense lawyer Agnifilo argued that using that law against Raniere was a bridge too far.

    The law is now being used against Combs to allege he ran a criminal enterprise that involved kidnapping, forced labor, and sex trafficking.

    Agnifilo, who lost Raniere’s case, didn’t respond to USA TODAY’s request for comment on how he will be approaching Combs’ defense and whether his strategy will mirror that defense. But Season 2 of HBO’s “The Vow,” in which Agnifilo let a documentary team follow him through the trial, offers clues to what the defense could look like.

    The prominent New York defense lawyer is also representing accused UnitedHealthcare CEO-killer Luigi Mangione along with his wife, Karen Agnifilo, who is leading that defense team. Marc Agnifilo also represented former pharmaceutical CEO Martin Shkreli and ex-International Monetary Fund chief Dominique Strauss-Kahn in high-profile cases.

    Humanizing Diddy: Painting a story of good intentions

    To prove their sex-trafficking charges against Combs, prosecutors will have to show that Combs knew his alleged victims were participating in “freak off” parties that involved sexual activities as a result of force, fraud, and coercion.

    It’s an element of the charges that’s not just about whether the parties happened, but also about Combs’ intent and whether he believed the women had freely consented.

    When Raniere faced similar sex-trafficking charges, Agnifilo approached that issue head-on, portraying Raniere as a man who lived an atypical sexual lifestyle, but who always had good intentions.

    “I don’t have to defend everything to win this case, but one thing I am going to defend is his intentions,” Agnifilo said in his opening statement at Raniere’s trial. “I’m going to defend his good faith.”

    Agnifilo has already dropped hints that he will pursue a similar strategy in Combs’ case. At an April 25 pre-trial hearing, Agnifilo said he plans to tell jurors that there is a certain alternative sexual lifestyle – “call it swingers” – that Combs belonged to. He said being able to describe that lifestyle to jurors will be crucial to showing Combs didn’t have the necessary intent to be guilty.

    More broadly, Agnifilo tried to humanize Raniere throughout his trial.

    “Keith undoubtedly believes that his work with NXIVM is good, and I think it’s helped a lot of people,” Agnifilo said at the time.

    It’s a strategy that’s in line with Agnifilo’s general style, according to Mitchell Epner, a long-time litigator who worked in the New Jersey federal prosecuting office at the same time as Agnifilo.

    “His style is to make the jury believe that he is investing his personality in the defendant,” Epner said.

    Epner described it in the following way: “I’m likable. You like me. I’m a charismatic guy. I like my client. I’m standing behind him, I’m putting my hands on his shoulders. I am investing whatever halo effect I have on my client. And therefore, you should think good things about my client.”

    Disputing evidence that’s hard to get past: The Cassie video

    In Raniere’s trial, Agnifilo appeared to conclude that the defense’s Achilles’ heel was evidence that practically any juror would see as morally abhorrent.

    That included sexual images of someone the jury concluded was a minor. Even though that evidence spoke directly only to charges that Raniere sexually exploited a child and possessed child sexual-abuse material, Agnifilo believed it damned the entire defense.

    “After Keith’s sentencing I said, ‘You know, Keith, this was a fascinating debate, and maybe even a debate that we win until you have allegations of, you know, underage sex and pornography,’” Agnifilo said in the documentary. “Then you don’t get to be a participant in the debate anymore, and no one’s going to listen to your viewpoint the same way.”

    Combs is also going to be up against evidence that no juror is likely to countenance: a video that appears to show Combs dragging and kicking his ex-girlfriend, Cassie Ventura, in a hotel hallway. Judge Arun Subramanian ruled April 25 that prosecutors will be able to show the video at trial, despite the defense’s objections.

    Agnifilo’s experience in Raniere’s trial may cause him to think especially hard about how to challenge the evidence Combs faces. In court filings ahead of trial, the defense has suggested the video may have been doctored.

    CNN, which made the video public in its broadcast, has denied the allegations.

    Agnifilo’s experience with the Raniere case could also give him food for thought when it comes to picking a jury that is going to see morally troubling evidence.

    Robert Hirschhorn, a lawyer and jury consultant, told USA TODAY ahead of jury selection that, if he were on the defense team, he might argue Combs is guilty of domestic violence, but he was overcharged with sex trafficking. Hirschhorn would test whether potential jurors could set aside the video by asking if they could work through and compartmentalize a significant other cheating.

    “Everybody that says, ‘compartmentalize,’ I don’t care what else they say – Unless they say, ‘I already think Diddy’s guilty,’ I’m putting them on the jury every day,” Hirschhorn said.

    Using alleged victims’ words against them

    Another of Agnifilo’s tactics to try to combat the case against Raniere was to use the words of his victims against them.

    “These women who are saying that they’re victims, yet see, how do they speak to Keith?” Agnifilo asked rhetorically ahead of witness testimony. “That’s when the jury’s gonna start seeing what this case is really about, when we actually get to the evidence.”

    It was a strategy he employed over and over as prosecutors put women on the stand who testified that Raniere coerced them.

    With one witness who testified that, at Raniere’s direction, she started sending him nude images and entered into a “master-slave” relationship with him, Agnifilo pointed to her text messages to cast doubt on her claims of coercion.

    “You were asking to see Keith on a pretty regular basis?” Agnifilo asked. “I was just following the instructions of my master,” the woman responded.

    “Have you told my client that you love him?” Agnifilo asked. “I tried to be the best slave I could be so that things would work out for me,” the woman responded.

    When another woman, a Mexican citizen, testified that Raniere forced her to stay in a room for two years after she kissed another man, Agnifilo again pointed to what she wrote.

    “What you write here is, ‘From my love for you and what is unfinished between us, I gathered the strength to go against my own momentum and be honest with myself,’” he said.

    “This is a very complex situation,” she replied. “I have no money, no papers, and I was threatened with both being sent back to Mexico, and also threatened with being completely cut off from everyone I knew,” she said.

    Agnifilo has experience with just how impactful an alleged victims’ own statements can be. New York prosecutors dropped a sexual assault case against his client, former French politician Strauss-Kahn, based on statements they believed called her story into question.

    Just as with that woman in Raniere’s case, prosecutors in Combs’ case say he leaned on other members of his alleged enterprise to help him monitor women and keep them from leaving. They plan to introduce testimony from a psychologist on why victims might stay in abusive or violent relationships.

    Positive stories about Combs?

    In Raniere’s case, Agnifilo also wanted to bring in witnesses who could testify to participating in an organization within NXIVM, “DOS,” that prosecutors alleged was used to traffic women.

    “The only way to rectify it is to hear from these DOS women firsthand and set the record straight and say, ‘Listen, I joined DOS for my own reasons,’” Agnifilo said as he was preparing for trial. “Even the power and might of the great federal government hasn’t shaken these women from that belief.”

    In practice, that strategy didn’t work out for him. When it came time for the defense to present witnesses, nobody wanted to do it.

    “We went to several different countries and interviewed hundreds of people to be witnesses in this case, and we got what I think was good information,” he said after the trial. “But when it came time to actually, you know, travel to Brooklyn, enter that courtroom, sit in the witness chair, not a lot of people wanted to do that.”

    Agnifilo will likely be hoping witnesses for Combs will stay the course even as prosecutors present testimony and evidence over several weeks that could likewise paint Combs in a highly-negative light. In court filings ahead of the trial, the defense team and prosecutors have been arguing over whether Combs should be able to present that kind of testimony.

    Ultimately, Agnifilo’s defense didn’t work out for Raniere, who was found guilty on every charge he faced.

    Still, a recent development – Combs’ decision to reject a plea offer – may indicate Agnifilo is optimistic for a better outcome this time. (The details of the offer – or what Agnifilo advised – weren’t publicly revealed.)

    When Raniere was headed to trial, Agnifilo said, “If your client’s guilty and the government can prove it, cut a deal and call it a day.”

    Raniere was sentenced to 120 years in prison. His appeal is ongoing.

    Aysha Bagchi covers the Department of Justice for USA TODAY. She is an attorney, Harvard Law graduate, and Rhodes Scholar. You can follow her on X and Bluesky at @AyshaBagchi.

  • Watch Jelly Roll, Shaboozey perform ‘Heart of Stone’ song

    Watch Jelly Roll, Shaboozey perform ‘Heart of Stone’ song

    At the 60th annual Academy of Country Music Awards on May 8, Jelly Roll and Shaboozey delivered an energetic performance of their duet “Amen” alongside a dancing choir.

    At a ceremony broadcast live from the Ford Center at The Star in Frisco, Texas, and hosted by Reba McEntire, the pair hit the stage after Jelly Roll performed his 2024 song “Heart of Stone.”

    Donning all white, Shaboozey appeared on a circular secondary stage to kick off the pair’s new song, which was released on April 24. A choir appeared behind the pair as they danced and harmonized simultaneously with Shaboozey joyfully belting the gospel-country track.

    “Somebody say a prayer for me / ‘Cause the pills ran out and I still can’t sleep,” Shaboozey sang, with Jelly Roll joining him on stage.

    “Somebody send a word upstairs / ‘Cause the bar’s shut down and I’m God knows where / So should knock on Heaven’s door / ‘Cause mine ain’t working anymore.”

    And though the lyrics to the tune may have been tinged with sadness, Shaboozey and Jelly Roll delivered hardy and powerful vocals.

    At the end, Jelly Roll began preaching to the audience with power in his voice and his hand raised in the air.

    Who is Shaboozey?

    Shaboozey, born Collins Obinna Chibueze, is a 29-year-old singer-songwriter and rapper whose music combines country, hip-hop and rap elements.

    The Virginia native is best known for his hit “A Bar Song (Tipsy),” which spent 27 weeks at the top of the Billboard Radio Songs chart, becoming the longest-running No. 1 song in the chart’s history.

    In May 2024, Shaboozey released his record “Where I’ve Been, Isn’t Where I’m Going.” In April, he released a complete edition of the record.

    Recently, Shaboozey received five Grammy nominations, performed at Coachella and Stagecoach Festival and made his Met Gala debut on May 5.

    Who is Jelly Roll?

    Jelly Roll, born Jason DeFord, is a 40-year-old country music singer whose career continues to skyrocket. A Nashville native, Jelly Roll broke into the scene in 2020 and 2021 with hits “Save Me” and “Son of a Sinner.”

    Now, he’s a four-time Grammy Award nominee and CMT and CMA Award winner, best known for his hits “Need a Favor” and “I Am Not Okay.”

    This year, Jelly Roll debuted his gospel track, “Hard Fought Hallelujah,” with Brandon Lake, at the Grand Ole Opry and headlined at Stagecoach Festival in April.

    Jelly Roll, who was formerly incarcerated due to robbery and drug charges, has also been in the headlines recently as the Tennessee Board of Parole recommended a pardon, which would clear his criminal record.

    Now, Jelly Roll is a vocal proponent for prison reform and an advocate for incarcerated youth. Later this month, Jelly Roll will hit the stage at the Music City Rodeo.

  • Singer receives lifetime achievement award

    Singer receives lifetime achievement award

    Country music legend Alan Jackson got a standing ovation during the opening monologue at the 60th annual Academy of Country Music Awards just because his name was mentioned.

    That explained why the ACM’s new lifetime achievement award is named after Jackson, who is also its first recipient.

    After a simple and sweet performance of his hit “Remember When,” Jackson took to the mic during the May 8 ceremony and thanked everyone for the special honor.

    “Usually one of my fans tells me they named their dog after me, and I thought that was really something,” Jackson quipped. “I came to Nashville with a paper sack full of songs and a crazy dream and that all these years later I’m standing here receiving such an honor is mind blowing.

    “I thank God all the time for all the people that have been a part of my life and career and maintain this all this time.”

    Alan Jackson’s legacy previously honored by country industry

    Jackson is no stranger to lifetime achievement awards.

    In 2022 and 2024, his extensive body of work was honored by the Country Music Association and Nashville Songwriters Association International.

    At the 2022 CMA Awards, Jackson was presented with the association’s Willie Nelson Lifetime Achievement Award following an all-star tribute performance by Dierks Bentley, Jon Pardi, Carrie Underwood and Lainey Wilson.

    “The very first concert I ever went to was an Alan Jackson concert,” Underwood said. “Seeing him perform helped inspire me to pursue my dreams.”

    She added: “It’s been said that country music is three chords and the truth. And in every one of Alan Jackson’s songs, there is truth, for his powerful voice speaks to us about hope and heartache, about fun and friendship, about tragedy and triumph. About life, and a little about love.”

    Alan Jackson receives ACM Poets Award

    At the 2024 ACM Honors ceremony, Jackson received the Poets Award recognizing his songwriting prowess.

    The event’s hosts, Jordan Davis and Carly Pearce, honored Jackson by performing “Chattahoochee” and “Don’t Rock the Jukebox.” Eric Church also performed a take on Jackson’s 1990 hit “Chasin’ That Neon Rainbow.”

    “Alan Jackson is an institution and an American treasure. It’s my honor to be here and play for him,” Church said.

    Jackson’s appearance was particularly noteworthy in that it’s one of the few he’s made in public since his 2021 announcement that he had Charcot–Marie–Tooth disease, which has profoundly impacted his ability to balance himself while standing.

    “There are so many people I can’t even begin to thank them all,” he said from the stage. “I do want to especially thank one person whose been my best friend since I was 17 years old, my wife Denise out there. She’s loved me through the good, the bad, and the happy and the sad and has helped me keep my feet on the ground all these years. I wouldn’t be here without her.”

  • Christine Baranski reveals ‘Mamma Mia!’ costar ‘hated’ dance numbers

    Christine Baranski reveals ‘Mamma Mia!’ costar ‘hated’ dance numbers

    Not even the top-tapping tunes of ABBA can unleash the “Dancing Queen” in everyone.

    Christine Baranski, who starred in the ABBA-led movie musical “Mamma Mia!” and its 2018 sequel, revealed one of her costars despised the film’s elaborate dance numbers during a May 7 interview on “The Late Show with Stephen Colbert.”

    Baranski, 73, played Tanya Chesham-Leigh in the 2008 romantic comedy about a young woman (Amanda Seyfried) who schemes to meet her biological father at her wedding by inviting three men from her mother’s past to the ceremony.

    The trio of unwitting men — Sam Carmichael, Harry Bright and Bill Anderson — were portrayed by Pierce Brosnan, Colin Firth and Stellan Skarsgård, respectively.

    The film, which grossed $610 million worldwide, spawned the sequel “Mamma Mia! Here We Go Again.” And while all three actors were reluctant to show off their dance moves, Skarsgård had the least boogie spirit the second time around, according to Baranski.

    “Stellan hated it,” Baranski told host Stephen Colbert. “Pierce was game. He would skip down the hill multiple times … and I think Colin Firth meant all of his moves ironically.”

    When “we finally went down the hill in ‘Dancing Queen’ and landed on the dock, and then it was the end of the number, and the camera would move around, and it usually would avoid Stellan,” she added with a laugh.

    Baranski said not even the film’s director, Ol Parker, could persuade the “Dune” star, 73, to loosen up. “He let out a string of expletives,” she recalled. “It’s as though Ol had asked him to do Arabic poetry while jumping rope. He was like, ‘I can’t do that.’”

    Skarsgård reflected on his unlikely involvement in “Mamma Mia!” in a February 2024 interview with Vanity Fair. While the actor initially thought it “absurd” to sign onto the musical given his lack of theatrical chops, Brosnan and Firth’s participation warmed him up to the idea.

    “In a film that is produced by men and directed by men (and) with men in the lead, you have the bimbo. And we were the bimbos in this female(-led) production,” Skarsgård said. “We didn’t have to be anything but look cute and be silly.

    “There’s only one thing that was asked of us and that was have fun. Because if we don’t have fun, it won’t be a film.”