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  • Judge blocks release of photos of Gene Hackman, wife Betsy Arakawa

    Judge blocks release of photos of Gene Hackman, wife Betsy Arakawa

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    Photos from the death investigation of Gene Hackman and his wife Betsy Arakawa have been partially blocked from release, a New Mexico judge ruled on Monday.

    During a hearing in Santa Fe court, District Judge Matthew J. Wilson placed investigation records depicting Hackman and Arakawa’s bodies under seal from public view. The couple, who resided in Santa Fe, were found deceased in their home on Feb. 26.

    Hackman was 95, while Arakawa was 64.

    Such records include investigative photos, lapel footage gathered from police bodycams and photos from autopsy reports.

    However, Judge Wilson denied a previous preliminary injunction’s ban on the release of other media records from the death investigation, such as audio, autopsy records and videos that do not depict Hackman and Arakawa’s bodies.

    “Injunctions are a harsh and drastic remedy, which should issue only in extreme cases of pressing necessity,” Wilson said. “It is not enough that the party seeking injunctive relief merely claim irreparable harm.”

    The ruling comes after the First Judicial District Court in New Mexico issued a temporary restraining order against the Santa Fe County Sheriff’s Office and the Office of the Medical Investigator on March 17.

    The order temporarily barred the disclosure of photographs or videos showing Hackman or Arakawa’s bodies, the interior of their home and any lapel footage that includes their bodies or images of their deceased animals. Additionally, the order temporarily prevented the disclosure of autopsy reports or death investigation reports for Hackman and Arakawa.

    Julia Peters, a representative for the estate of Hackman and Arakawa, filed the petition for the order. Hackman and Arakawa’s children Christopher Hackman, Elizabeth Hackman and Leslie Allen were listed as intervenors in the case, according to a Friday motion, allowing them to file a complaint for declaratory judgment.

    Gene Hackman’s publicist talks potential impact of investigation photos, videos

    During Monday’s hearing, Hackman’s longtime publicist testified on the late actor’s reclusive public life.

    Susan Madore, co-CEO of Guttman Associates, reflected on Hackman and Arakawa’s reluctance to appear extensively in the media. Madore said the couple objected earlier this year to a proposed feature from “CBS News Sunday Morning,” which would have included commentary from individuals familiar with Hackman and Arakawa. CBS scrapped the piece after learning of Hackman and Arakawa’s opposition.

    “When I told Gene and Betsy about it, they were horrified,” Madore said. “They decided not to do the piece. They didn’t want to upset Gene and Betsy.”

    When asked about the possible release of death investigation records depicting Hackman and Arakawa, Madore said Hackman would have been against such exposure.

    “For anything like that to be out in the public, any entity can use it however they want in perpetuity,” Madore said. “He would have never agreed in his life for that to happen, so why would we think he would agree to it in his death?”

    Bodycam footage from Gene Hackman death investigation released

    Despite the restraining order, police bodycam footage from the death investigation was released earlier this month, according to records obtained by USA TODAY on March 25.

    Clips from the footage, which consists of over 20 videos, showed police speaking with witnesses about the state of Hackman and Arakawa’s home, as well as the account of a contractor who entered the couple’s residence and discovered Arakawa’s body.

    According to a search warrant affidavit, authorities found Hackman in a mudroom near his cane, appearing to have fallen, while his wife was found in an open bathroom near a space heater, with an open prescription bottle and pills scattered on the nearby countertop. A deputy observed Arakawa with “body decomposition, bloating in her face” and mummification of her hands and feet.

    A week after Hackman and Arakawa were found dead, the couple’s causes of death were revealed during a press conference held by the Santa Fe County Sheriff’s Office. New Mexico’s chief medical examiner, Dr. Heather Jarrell, said the office’s investigation found that Hackman died of natural causes. The Oscar-winning actor also had heart disease and complications caused by Alzheimer’s disease.

    Meanwhile, Arakawa, 64, died from Hantavirus pulmonary syndrome, a rare disease that is contracted by contact with mouse droppings.

    (This story has been updated to include additional information.)

    Contributing: Brendan Morrow, USA TODAY

  • Marvin Sapp receives threats after ‘close the doors’ clip resurfaces

    Marvin Sapp receives threats after ‘close the doors’ clip resurfaces

    Bishop Marvin Sapp says he has received death threats as a result of the resurfaced viral clip where he ordered ushers to close the doors at an international church convention while rallying for the congregation to donate $40,000.

    During an interview on “The Rickey Smiley Morning Show” on Monday, the Grammy-nominated gospel artist called the situation a “misunderstanding,” but said he was “little more assertive than I should have been” while raising funds for the convention. He added that the reaction to the video has led to safety concerns.

    “People have called my church and cussed me out. My staff are afraid because I’ve received death threats,” he said. “People have come to our campus. They have come to my church to try to cause problems, issues, (and) challenges.”

    Sapp serves as the Senior Pastor of The Chosen Vessel Church, which is based in Fort Worth, Texas. He explained that the threats have been a burden on his children.

    “I’m their only parent. I’m a widower. They’re afraid for my safety, so now we have to update and increase security,” he continued.

    ‘Close the doors’: A resurfaced clip from 2024 sparked social media discourse

    The controversy stems from a viral video in which Sapp speaks in front of the congregation at the 109th Pentecostal Assemblies for the World Convention in Baltimore, Maryland, last July.

    In the video, Sapp called on churchgoers in the building − and those watching online − to help raise $40,000 by giving $20 each.

    “Ushers close the doors,” the “Praise Him In Advance” singer said repeatedly. “There’s 1,000 of you tonight, and … it’s 1,000 watching online. This is a small seed.”

    Additionally, he asked preachers standing beside him to give a $100 contribution: “Giving is worship,” he said.

    It sparked plenty of interest online, with memes, parodies, and criticism abounding on social media. Some people argued that he held the congregation hostage.

    In a statement on his Facebook page last Wednesday, Sapp provided additional context behind his request for money. He said that as a minister, fundraising was part of his job at the international convention, calling it “stewardship” rather than “manipulation.”

    “Some have taken issue with a particular moment when I instructed the ushers, rather firmly, to close the doors during the offering,” Sapp wrote. “To those unfamiliar with the church context or who may not regularly attend worship gatherings this has been misinterpreted as holding people hostage as well as offensive. That was never my intent.”

    On “The Rickey Smiley Show,” Sapp shared his perspective on the now-viral request he made to ushers.

    “I never said lock the doors. I said shut the doors,” Sapp emphasized. “Shutting doors mean that people still have the ability to go in and out. They’ve taken issue with my tone and I can honestly say looking at the video maybe I was a little more assertive than I should have been. I can apologize for that. “

    Sapp said he didn’t receive ‘a dime’ of the money raised

    Sapp doubled down on his stance that the whole dilemma was a “misunderstanding” and clarified that although it is unclear how much money was raised for the Pentecostal Assemblies of the World, Inc., he didn’t receive any of it: “Not a dime of that money came to me,” he said.

    Sapp added, “This organization is a church organization I grew up in. These people gave me a platform, and the reason I’m known today is because of the opportunities that this organization gave me.”

    The Pentecostal Assemblies of the World, Inc. issued a statement Saturday apologizing “to those who may have been offended by the manner of receiving donations.”

    “It is never our intent for our proceedings to be an offense or hinderance for anyone,” the statement reads. “Fundraising is a critical component to the success of our non-profit organization, and the funds raised are utilized to support not just this event, but our extensive international missions work, auxiliary programming, educational endeavors and more.”

    The “Best In Me” singer called the ongoing discourse a “church hurting situation” and urged people to do more research.

    “I did something for the church, but I’m taking abuse because of it,” Sapp continued. “I just want people to understand that this is something that we shouldn’t do. Make sure you do your due diligence. Make sure you check out everything first. Make sure that you examine the information with clarity and context before you begin to share it.”

    Taylor Ardrey is a news reporter for USA TODAY. You can reach her at [email protected].

  • Taylor Swift may be able to shield flights under new FAA legislation

    Taylor Swift may be able to shield flights under new FAA legislation

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    • The FAA will now withhold private aircraft owners’ information from public view upon request, citing security concerns.
    • This decision comes after celebrities like Taylor Swift faced scrutiny for their private jet usage, tracked via publicly available FAA data.
    • The agency is considering making the withholding of personal information the default for private aircraft owners in the public registry.

    The Federal Aviation Administration (FAA) implemented legislation Friday making it harder to track private airplanes belonging to stars such as Taylor Swift.

    On May 16, 2024, the FAA Reauthorization Act of 2024 was signed into law by then-President Joe Biden. The 410-page document contains Section 803, which outlines data privacy.

    Private aircraft owners may submit an electronic request to the FAA asking to withhold registration numbers for non-commercial flights. The administration will also withhold personal information including names, addresses, phone numbers and emails from public view.

    Under the law, aircraft owners — who demonstrate a security need — can apply for a new aircraft identification code. The International Civil Aviation Organization (ICAO) assigns a 24-bit code used for identifying aircraft in global air traffic systems. The code is part of the automatic dependent surveillance-broadcast (ADS-B) system, which tracks aircraft in real-time.

    The FAA stated it will request feedback, including whether removing private information could impact stakeholders’ ability to carry out essential tasks like maintenance, safety inspections and ensuring regulatory compliance.

    The agency mentioned it is considering making the withholding of personally identifiable information for private aircraft owners and operators the default for the public aircraft registry, while also providing a way for owners to access and download their data when needed.

    Social media accounts have used the FAA registry to track private planes and fuel usage for well-known politicians and entertainers including Swift, Elon Musk, Mark Zuckerberg, Bill Gates, Michael Bloomberg, Harrison Ford, Kim Kardashian and Oprah Winfrey.

    Fly like a jet stream

    Swift became a lightning rod in the debate over carbon dioxide emissions in 2022 after a study published by the Yard, a content and public relations firm, put the Eras Tour singer at the top of a wasteful list.

    The Yard has since added a disclaimer that reads: “Following the release of our data, Rolling Stone contacted each of the celebrities’ representatives for comment. Taylor Swift’s representative said the following: ‘Taylor’s jet is loaned out regularly to other individuals. To attribute most or all of these trips to her is blatantly incorrect.’”

    A University of Central Florida student, Jack Sweeney, has tracked Swift’s jet for years. His account took off in 2023 when publications wanted to know whether the billionaire would attend NFL games. Swift’s legal team sent cease and desist letters to Sweeney, and Meta pulled the plug on his Instagram account. Swifties have fired back at Sweeney saying the tracking endangers her privacy.

    Sweeney hired a lawyer in response and released a public letter. He still tracks on X, Bluesky and Reddit.

    “Other people have done a similar type of thing where they’re posting about her planes,” Sweeney told USA TODAY in May 2024. “When she flew to Brazil, the news was livestreaming at the airport. If my tracking goes away, there’s still going to be stuff like that, and she travels with a security team. The airport is one of the most secure places.”

    A representative for Swift didn’t immediately respond to a request for comment Monday.

    Contributing: Reuters

    Don’t miss any Taylor Swift news; sign up for the free, weekly newsletter This Swift Beat.

    Follow Bryan West, the USA TODAY Network’s Taylor Swift reporter, on Instagram, TikTok and X as @BryanWestTV.

  • How to watch ‘The Chosen’ Season 5, everything we know about Season 6

    How to watch ‘The Chosen’ Season 5, everything we know about Season 6

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    “The Chosen” has been blessed with a box-office miracle.

    The first multi-season drama centering on the life of Jesus released Part 1 of “The Chosen: Last Supper” in theaters Friday, earning more than $11 million at the domestic box office. The turnout makes this the top-grossing theatrical installment for the series, which stars Jonathan Roumie as Jesus. Part 1, comprised of the first two of the season’s eight episodes, landed behind Jason Statham’s latest action flick “A Working Man” and Week 2 of Disney’s live-action “Snow White.”

    “The Chosen: Last Supper” resumes where Season 4 left off, with a crowd celebrating the arrival in Jerusalem of Jesus at the start of the week (known as Palm Sunday) and ending before Jesus’ arrest in the Garden of Gethsemane.

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    New trailer for ‘The Chosen’ shows events of Holy Week

    Season five of “The Chosen” will depict the events of Holy Week, including the last supper.

    Jesus “never gets a moment to rejoice and enjoy too much of what’s happening in the week, even when people are worshipping him, because it’s bittersweet,” says series creator Dallas Jenkins. He’s “teaching his Apostles, he’s pouring into them, he’s giving them a ton of truth bombs, all the while knowing what’s coming, and it’s very devastating. How do we portray that? How do we portray their reaction to what he’s telling them is going to happen when they don’t understand it? It’s a key theme throughout the season.”

    Jenkins says he’ll start filming Season 6 in early April. The next chapter covers a 24-hour period during which Jesus was nailed to the cross, and the series is slated to end with Season 7, depicting the resurrection.

    When is “The Chosen” Season 5 in theaters, and when will it be available for streaming?

    Like Season 4, the new season is divided into three waves for its theatrical release: Part 1 arrived March 28, Part 2 is due April 4 and Part 3 on April 11. The entire season will be available to stream on Amazon Prime Video in June.

    “The Chosen” Season 6 covers Jesus’ crucifixion

    Roumie, 50, lost a bit of weight for the upcoming installment. Due to his promotional schedule for Season 5, he’s had to alter his mental preparation, which begins with prayer.

    “I wouldn’t be doing any interviews right now because I like to typically have at least a month ahead of time to do nothing else but just drop in and read the scripts and reread the scripts and that kind of thing,” he says. “I have to relate it to the fact that God prepares me in a certain way every season for whatever the season is asking. And this season, it’s maybe a little less prep than I would normally have.”

    Roumie says in his prayers, he’s often asking for “wisdom and discernment and knowing how to approach certain scenes.”

    “If I read a certain scene, and I’m not quite sure how to play it or what is really being asked of me in the subtext of a scene, I’ll pray about that,” he says. “For my career in general, I try to surrender to every obstacle and challenge that appears in the process of the production, in trying to figure out the doing of it all.”

  • 'The Chosen' trailer shows last supper scenesTV

    'The Chosen' trailer shows last supper scenesTV

    ‘The Chosen’ trailer shows last supper scenesTV

  • Kim Soo-hyun denies Kim Sae-ron underage dating allegations

    Kim Soo-hyun denies Kim Sae-ron underage dating allegations

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    South Korean actor Kim Soo-hyun on Monday denied allegations that he dated the actress Kim Sae-ron when she was underage, breaking down in tears as he said he could not “admit what is not true.”

    Brands including Prada have cut ties with the actor amid the controversy over his relationship with Kim Sae-ron, who was found dead in February in a suspected suicide. She was 24.

    The 37-year-old Kim said he dated Kim Sae-ron five years ago for about a year, but not when she was underage. He said a YouTube expose released earlier this month cited testimonies and evidence that were false, including screenshots of messages that could not be from the actress.

    Kim Sae-ron was born in July 2000. The age of consent in South Korea is 16.

    “I did not date the deceased when she was a minor. And it is also not true that the deceased made a tragic choice because of me turning a blind eye,” Kim told a press conference on Monday, alluding to claims that their relationship led to her suicide.

    Lawyers representing Kim Soo-hyun and his agency said on Monday they had sued people involved in the YouTube expose for a total of 12 billion won ($8.15 million) in damages, and reported them to the authorities for defamation and violation of the information protection act.

    A lawyer representing the relatives of Kim Sae-ron could not immediately be reached for comment.

    Kim Sae-ron was one of South Korea’s most promising actresses. She began her acting career at the age of 9, debuting in the 2009 movie “A Brand New Life.” The following year, Kim starred in “The Man from Nowhere.” The action-thriller became South Korea’s highest-grossing film of 2010, outperforming “Inception” and “Iron Man 2” in the country, according to Box Office Mojo.

    Kim was also known for movies like “I Am a Dad” and “A Girl at My Door,” the latter of which screened at Cannes Film Festival in 2014. On the television side, Kim starred in shows like “Hi! School: Love On” and “Secret Healer,” also known as “Mirror of the Witch,” and appeared in the Netflix series “Bloodhounds.”

    In 2022, her acting career took a hit after she was involved in a drunk driving incident. In a statement on Instagram at the time, Kim apologized for making a “big mistake in a drunken state,” according to a translation from the Korean entertainment website Soompi.

    Kim Soo-hyun rose to fame in South Korea and China over his role in hit South Korean drama series “My Love from the Star” and “Queen of Tears.”

    Suicide Lifeline: If you or someone you know may be struggling with suicidal thoughts, you can call the U.S. National Suicide Prevention Lifeline at 988 any time, day or night, or chat online.

    Contributing: Brendan Morrow, USA TODAY; Ju-min Park, Reuters

  • Laurie may have had a trans child, Carrie Coon says

    Laurie may have had a trans child, Carrie Coon says

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    Turns out there’s more to Laurie’s character in “The White Lotus” than what meets the eye.

    Carrie Coon, who plays the New York-based corporate lawyer on the hit HBO series, said in a recent interview that the show’s creators decided to drop some details on her backstory following President Donald Trump’s re-election last December.

    According to Coon, Laurie had a nonbinary, or possibly transgender child and the scene which featured her mentioning them was not included in the final cut.

    “There was a bit more context to her home life,” Coon said in a Harper’s Bazaar interview published Friday. “You originally found out that her daughter was actually non-binary, maybe trans, and going by they/them.”

    “You see Laurie struggling to explain it to her friends, struggling to use they/them pronouns, struggling with the language, which was all interesting,” she continued. “It was only a short scene, but for me, it did make the question (in Episode 3) of whether Kate voted for Trump so much more provocative and personally offensive to Laurie, considering who her child is in the world.”

    We’ve got room on the couch: Sign up for USA TODAY’s Watch Party newsletter for all TV and film news.

    ‘White Lotus’ creator thought topic was too big for a ‘scene so small’

    Coon added the season was written prior to the election and the show’s creator, Mike White (also of “Survivor” fame), felt the scene was too “small” to handle a “topic so big” following Trump’s win and his administration’s attacks against the transgender community, which explains why it might have been cut from the episode that aired.

    “The season was written before the election,” Coon said in the interview. “And considering the way the Trump administration has weaponized the cultural war against transgender people even more since then, when the time came to cut the episode down, Mike felt that the scene was so small and the topic so big that it wasn’t the right way to engage in that conversation.”

    ‘Fun to watch Mike’s characters’

    Season 3 of “The White Lotus” is set in Thailand, where Laurie, a recent divorcée, is vacationing with her longtime girlfriends Kate (Leslie Bibb) and Jaclyn (Michelle Monaghan) with tensions brewing between the three from the minute they arrived at the all-inclusive resort. In Episode 3, Leslie, a Texas housewife, reveals that she goes to church and married a Republican who voted for Trump (the show was written in 2022 and filmed last year) setting the stage for an awkward dinner.

    Elaborating further on the buzzy scene, Coon praised White for not shying away from “challenging cultural conversations.”

    “That’s why it’s fun to watch Mike’s characters,” Coon told Harper’s Bazaar. “They’re not just one thing.”

    Coon credited “The White Lotus’” creator’s upbringing and childhood for his complex characters.

    “Mike White grew up in the evangelical church,” Coon said. “He grew up in some pretty specific communities, some of which were maybe not as welcoming to him, ultimately. His father wrote a very influential book about what it was like to come out as a gay man himself in the evangelical church as an adult, which a lot of young men have read and was a very meaningful text for them in their own journeys. So Mike doesn’t shy away from challenging cultural conversations, and I really appreciate that about his work.”

    ‘White Lotus’ Season 3 ending is ‘very unexpected’

    Reflecting on the now-infamous scene and the relationship between their characters, Monaghan, in an interview with USA TODAY, said “people are having these very valid conversations and we’re constantly learning about one another,” in real time.

    “What’s unique about this relationship, and I think (what) so many of us understand, it’s like we can be lifelong friends and we have shared history,” Monaghan said. “Just because we have that shared history doesn’t mean that we don’t go on to have different life experiences and be impacted in different ways that might change our values. And how all of those things impact conversations and political views is very relevant.”

    In her interview with USA TODAY, Monaghan also teased the season’s ending “is very unexpected.”

    “There’s drama all the way to the end, so I think you’re not going to be disappointed in terms of the way that is resolved or if it will be resolved,” Monaghan said. “True to Mike White fashion, the ending is very unexpected and it’s deeply emotional. It’ll be a very satisfying ending.”

    How to watch ‘The White Lotus’ Season 3 finale

    “The White Lotus” Season 3 finale, titled “Amor Fati,” is scheduled to air on HBO on Sunday, April 6 and will be available to stream on Max at 9 p.m. EST/PST.

    Watch The White Lotus Season 3 with Sling + Max

    We occasionally recommend interesting products and services. If you make a purchase by clicking one of the links, we may earn an affiliate fee. USA TODAY Network newsrooms operate independently, and this doesn’t influence our coverage.

    Contributing: Mary Walrath-Holdridge, Julia Gomez, USA TODAY

    Saman Shafiq is a trending news reporter for USA TODAY. Reach her at [email protected] and follow her on X and Instagram @saman_shafiq7.

  • Selena Quintanilla-Pérez’s husband speaks out on death anniversary

    Selena Quintanilla-Pérez’s husband speaks out on death anniversary

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    Thirty years after the death of beloved Tejano star Selena Quintanilla-Pérez, her husband is still trying to make sense of the tragedy.

    In an interview with the Los Angeles Times published Monday, the anniversary of her killing, her husband Chis Pérez opened up about the late star’s posthumous success, and his image as a forever widower.

    “When everything happened, I was so dead inside,” he told the outlet. “It took all my energy to get back to a certain level.”

    “I finally allowed myself the freedom to move forward,” he said. “It’s not about forgetting, but moving forward.”

    Selena was just 23 when she was gunned down by her fan club founder Yolanda Saldívar, whom the singer had confronted over allegations of embezzlement. Pérez, who wed Selena in 1992, was 25 at the time of her death.

    “We were married, the records were kicking (butt) and crowds were getting bigger,” Pérez told the L.A. Times. “Then the unfathomable happened.”

    In March of 1995, Saldívar fatally injured Selena at a Days Inn motel room in her native Corpus Christi, Texas. Saldívar was later convicted of first-degree murder has spent decades in prison. That won’t soon change, as she was denied parole Thursday following an attempt at release.

    The death shocked fans for whom Selena represented an industry first: a vibrant young Tejano star with real cross-over appeal. She was in the midst of recording her first English-language album when she was killed.

    When asked about the court’s decision, Pérez remained fairly mum but did tell the L.A. Times: “Justice was served.”

    Two years after her death, Jennifer Lopez played the Quintanilla-Pérez in a now beloved biopic. John Seda played Pérez.

    “There was real melancholy,” Pérez said of the years that followed her death. In the decades since, he has released his own Grammy-winning music, launched a record label, had children and been remarried and divorced.

    “Now there’s a feeling of joy in remembering those days,” said Pérez, who played alongside Selena’s family in her band. “Selena and I accomplished many things and there were many good times.”

    He’s also tighter than ever with her family − with whom he collaborated on a new documentary “Selena y Los Dinos,” which premiered at the Sundance Film Festival in January.

    “Selena and I went against the current,” Pérez said. “We did all we wanted to do and we did it all for the love that we have for each other.”

  • Venice to host Lauren Sanchez nuptials, city says

    Venice to host Lauren Sanchez nuptials, city says

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    Wedding bells are ringing for Jeff Bezos and Lauren Sánchez − and they’re coming from an ocean away.

    The billionaire Amazon founder and his fiancée of several years will tie the knot in Venice, Italy, a statement from the city confirmed.

    The union between tech mogul Bezos and Sánchez, a former television journalist, will likely be one of the most star-studded events of the year.

    “The many speculations and fake news circulating about Jeff Bezos’ wedding are completely unfounded,” the city wrote in a statement Saturday. “Only two hundred guests will have been invited and therefore it will be easy for Venice to accommodate such an event, without any disruption whatsoever to the city, its residents and visitors.”

    The announcement comes amid speculation that the small Italian hamlet, built atop a grouping of islands off the country’s mainland, would be overburdened by what is expected to be a lavish celebration.

    “Our city has much experience in international events much larger than this,” the city’s statement continued. “Venice is accustomed to being the stage for events and shows every week, without significant impacts, such as the G20 Economy, G7 Justice, state bilateral meetings, Art, Architecture, and Cinema Biennales, as well as private events, like large conferences, corporate meetings, fashion shows, parties, and VIP weddings.”

    A hot spot for celebrity nuptials, George and Amal Clooney also wed in Venice in 2014, as did Salma Hayek and her billionaire husband François-Henri Pinault in 2009.

    Venice is known for its romantic architecture and mid-city canals, where tourists can ride gondolas to take in the surrounding sights.

    “The organization (Bezos and guests) have categorically not booked large amounts of gondolas or excessive numbers of water taxis,” the city’s statement said. “It is their utmost priority to make sure the city functions as normal, for all, with no abnormal disruption to anyone.”

    Because the city is surrounded by water, gondolas and water taxis represent a primary mode of transportation.

    “From the beginning, we are mutually working and supporting the organizers, to ensure that the event will be absolutely respectful of the fragility and uniqueness of the city,” Mayor Luigi Brugnaro said in his own statement. “For this reason, we will work together for best result. Whoever loves Venice will always be welcome.”

    When will Jeff Bezos, fiancee Lauren Sanchez get married?

    Sánchez and Bezos, who went public with their relationship in 2019 and got engaged in 2023, have not yet publicly shared when they will tie the knot.

  • Mumford & Sons reunite, rediscover creative spirit with ‘Rushmere’

    Mumford & Sons reunite, rediscover creative spirit with ‘Rushmere’


    Folk rockers Mumford & Sons discuss how their newly released album “Rushmere” highlights an era of creative, spiritual revival.

    To describe Grammy-winning folk-rock trio Mumford & Sons members as anything less than well-rested would be missing much of the point of their reunion.

    The reunion was inspired by the trio’s presence at an encore featuring Dwane, Lovett, Brandi Carlile and Jerry Douglas at Marcus Mumford’s solo gig at the Mother Church of Country Music, Nashville’s Ryman Auditorium on Oct. 22, 2022.

    It was there that Marcus Mumford, Ben Lovett, and Ted Dwane played music together live in public for the first time in nearly three years. By the time they closed with a cover of Old Crow Medicine Show’s “Wagon Wheel,” they’d committed, in essence, to releasing their first new music since their chart-topping 2018 release “Delta.”

    “When these boys popped up there for support and we sang together, what’s contained in the Ryman Auditorium’s walls (allowed for) something magical to happen when we physically saw each other for the first time in years,” says Mumford, in an interview alongside his bandmates.

    The band released its fifth studio album, “Rushmere,” March 25. More than an album, it’s a representation of their personal and professional journey.

    They discovered the connective ties between youthful nights in southwest London and being older and wiser while standing in the shadows of folk music’s progression on Nashville’s Lower Broadway. This personal growth yielded a new album’s worth of material inspired by the curiosity that spawned how far they have traveled as artists and people.

    “We’re now more self-aware, self-controlled and (even)-tempered as people, too,” Lovett says. “That allows the energy we give to our performing and songwriting to feel more relaxed. Learning to slow down was important because playing and touring almost non-stop for a decade forced us to not do so well at managing our (bodies and lives), which led to us all burning ourselves out. Being well-rested allows us to be more honest with ourselves and our music.”

    Mumford & Sons guided by a rested, renewed and creative spirit

    “Rushmere” showcases Mumford & Sons as not the driving stadium act they became by 2020, but rather their best and most recovered selves. They’re at their best when crafting thoughtful, acoustic melodies and rhythms.

    This appoach showcases what rest, reflection and refocusing your spirit can occur from an unflinchingly honest mindset.

    Four years have elapsed since the group’s former banjo player, Winston Marshall, left the band because he believed his conservative political beliefs were too potentially “controversial” to continue without his ideals personally and professionally affecting his bandmates.

    Meanwhile, lead vocalist Mumford in a 2022 solo album revealed that he was sexually abused as a child in “Cannibal,” its lead single.

    “I can still taste you and I hate it / That wasn’t a choice in the mind of a child and you knew it / You took the first slice of me and you ate it raw / Ripped it in with your teeth and your lips like a cannibal / You [expletive] animal,” he sings.

    Emotionally devastating moments followed the frenetic pace of spending much more time performing and recording music than relaxing and enjoying the spoils of success. This makes asking about the group’s current mental health an essential framing for the conversation.

    “Because we’re no longer as rushed as we used to be, the creativity of ‘Rushmere’ comes from us carving out more space for our (best) artistic selves,” Mumford said. “Having the time to explore our emotions and dive into how they inspired our creativity (developed) songs that feel like they’re doing as much breathing and (engaging in as much) freedom as we are as a band.”

    Recording ‘Rushmere’ with Dave Cobb

    Being artistically refocused married incredibly well with the production ethos often used by the producer of “Rushmere,” Grammy-winning new Universal Nashville co-chief, Dave Cobb.

    Alongside work done in Marcus Mumford’s UK-based studio in Devon, the album was completed at RCA Studio A in Nashville and at Cobb’s Savannah, Georgia home. Cobb’s the producer-in-residence at Studio A and has built a home studio amongst his hometown’s Spanish moss-draped oak trees a half hour’s drive from the Atlantic Ocean.

    Cobb’s a soul reclamationist whose songs are driven by discovering how an artist’s heart interacts with silence-draped ambiance.

    Revived via a magical Nashville moment, the group then set upon recorded demos highlighting how they had rediscovered the folk stylings that governed their initial dives into indie rock grooves. Like the trio, Cobb dialed in on focusing on the band as more an intimate, thoughtful unit as opposed to the group that, after only five years together, had sold over 10 million albums worldwide, including songs like their anthemic 2012 single “I Will Wait.”

    The success of that song led to the band headlining the Glastonbury Festival in front of 80,000 people in 2013.

    Recording at Cobb’s Savannah home often reduced the size of the audience, band and producer included, to a factor much smaller.

    “Once we arrived at Dave’s house in Savannah, we began recording in his living room,” Mumford said. “From there, we played five songs at first. That (empowered us to) step out in the faith that if we continued to play the chords and sing the songs we’d written, more would come.”

    “We (revived) the intangible excitement that happens when we come together,” Dwane said. “By having us record in an intimate, domestic setting, Dave simplified our creativity and inspirations.

    “His steady and safe pair of hands created the spontaneous alchemy (reflected in) the energy in the room that we needed at this point in our careers. Dave’s animated spirit encouraged us to chase down the truth about how we played and wrote.”

    Mumford & Sons ‘Rushmere’

    Dive into the songwriting on “Rushmere” and alongside the title track, songs like “Malibu” and album closer “Carry On” reflect notes of redemptive salvation governing the band’s mindset.

    “I’m still afraid / I said too much / Or not enough,” Mumford sings on “Malibu.” “Don’t you miss / The breathlessness / The wildness in the eye?”

    When the album hits “Carry On,” he sings, “I will take this darkness / Over any light you cast / You and all your original sin.”

    Being saved isn’t being healed but reflects a step along that path.

    “Songs are opportunities to express your deepest feelings in a way you can’t articulate with words in a conversation,” Mumford said. “I’m excited that every creative act I take is me walking along a path to redemption, I suppose.”

    He adds that his picking and playing through “Monochrome” reflects how plugging into reflection alongside his creativity yielded a new, soulful path along his artistic journey.

    “Then, when we’re singing together, you’re honestly hearing what sounds like the three of us healing as a band and human beings.”

    Rediscovering ‘the collaborative spirit’

    Lovett describes Mumford & Sons as a band that, by 2019, was virtually driven to delirium by exhaustion caused by rising expectations.

    “Every time we wanted to set down the reigns, something incredible would happen,” he said.

    The keyboard player describes a process where the mental and physical work required to collaborate, create and perform at a level commensurate to five consecutive years of award victories, world tours, a platinum album and pair of platinum-selling singles eventually wore the ties that bound Mumford & Sons together too thin to allow for them to continue to soldier forth.

    “Time has allowed us to discover the beauty that comes from checking out and surrendering (to that pressure),” Lovett said. “Because we rested, the sun rose again (on Mumford & Sons).”

    Mumford said this recording process allowed the band to rediscover their most creative selves.

    “(Rediscovering) the collaborative spirit that guides this band celebrates how, at the heart of what we do, our friendship is driven by storytellers (who succeeded) at creating songs that welcomed the world into the beauty of our intimate, personal creative process,” Mumford said.