Coachella campers crash out over long linesEntertainment
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What time does Lady Gaga perform at Coachella 2025? How to watch live
Lady Gaga will headline Coachella once again, coming back to the Empire Polo Club in Indio, California, on Friday night.
“Mother Monster” will be headlining the famous music festival for the first time since 2017, with her performance coming as she is about to embark on her worldwide Mayhem Ball tour.
The first weekend’s events will run from April 11-13, while the second weekend spans April 18-20.
Here is what you need to know about Lady Gaga’s performance at Coachella 2025, including her set time, how to watch from home and more.
When is Lady Gaga performing at Coachella?
Lady Gaga is set to make two performances at Coachella 2025; the first will be on Friday, April 11, and the second one scheduled for Friday, April 18.
She is scheduled to kick off her performance on the main Coachella stage at 11:10 p.m. local time for both this Friday and next Friday’s performance.
How to watch Lady Gaga’s Coachella performance live
Coachella performances will be available on YouTube. The streams are scheduled to start on April 11 at 7 p.m. ET/ 4 p.m. PT. Fans will be able to watch multiple stages from their couch simultaneously, while a vertical live stream option featuring DJ sets will also be available.
YouTube will also allow viewers to watch the show with content creators on their respective channels.
“New to the desert this year, Watch With allows creators to react to live events with commentary and real-time reactions, giving you the experience of watching Coachella alongside your favorite creator,” the video platform shared.
Coachella 2025 set times
A complete list of day-by-day set times can be found on Coachella’s website or in an Instagram post below:
Fernando Cervantes Jr. is a trending news reporter for USA TODAY. Reach him at [email protected] and follow him on X @fern_cerv_.
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Why it’s one of Netflix’s biggest shows ever
What the emojis in Netflix’s ‘Adolescence’ mean
Since its release, Netflix’s ‘Adolescence’ has sparked widespread discussion, offering a chilling look at the impact of the internet and social media on children.
unbranded – Entertainment
If you haven’t heard of Netflix’s “Adolescence” yet, it’s only a matter of time.
The blockbuster British limited series was released on the streaming service March 13 and has been a fixture in its top 10 list ever since. In fact, it has become Netflix’s fourth-most popular English-language TV show of all time, behind only “Dahmer – Monster: The Jeffrey Dahmer Story,” “Stranger Things” and “Wednesday.” The story of a 13-year-old boy who brutally murdered a female classmate has become a cultural hot topic, particularly in the U.K., where it is being made available to stream in schools and has even been discussed by Prime Minister Keir Starmer. Plan B Entertainment, the studio headed by Brad Pitt that produced “Adolescence,” is in talks for a sequel series, Deadline reports.
If you feel like this is British-accented déjà vu, you might remember that last year, Richard Gadd’s (allegedly) autobiographical “Baby Reindeer.” a little-known British miniseries, suddenly became a word-of-mouth sensation on Netflix. But “Adolescence” has gone far and above the success of “Reindeer,” not only surpassing it on the Netflix charts but also getting its warnings across about social media and toxic masculinity across with the awkward interference of real-life drama. You can’t browse online without tripping over everyone’s opinions about “Adolescence,” and some debate whether it is realistic or alarmist, and whether it should really be shown to kids.
But what all those differing viewpoints agree upon is that the series is effective, or else we wouldn’t still be talking about it. And here’s why we probably won’t stop discussing “Adolescence” anytime soon.
How ‘Adolescence’ affects you so much
So how did the series become such a phenomenon? Well, for one thing, it helps that it’s exquisitely made.
Each of the episodes is choreographed into one long, gripping shot, so the camera never cuts away from the story. That means we see every graphic, uncomfortable and upsetting detail, like when police break down the door of 13-year-old Jamie Miller’s (Owen Cooper) house to arrest him for murder in the first episode. We see his full car ride to the police station, the way he squirms while an intake officer asks him personal details, the horror on his father Eddie’s (Stephen Graham, who also co-wrote the series) face as Jamie is strip-searched and photographed for evidence. And then we see a very different kind of horror as interrogating police officers show Eddie and Jamie security-camera footage of Jamie viciously attacking and stabbing a young girl to death.
Each episode is equally unrelenting with this device. The second sees the lead detectives on the case (Ashley Walters and Faye Marsay) trying to get more information about Jamie and his victim at a chaotic middle school, the panning camera capturing apathetic teachers, kids glued to their phones and violent words and behavior.
The third episode consists entirely of an interview between a cocksure Jamie, imprisoned in a youth psychiatric institution pending trial, and a child psychologist (Erin Doherty, “The Crown”), attempting an assessment. It’s here that Jamie’s temper and potential for violence comes out as the diminutive figure of this skinny teen is threatening enough that a grown woman flinches and the camera drops below his rage-filled face.
This story is heavy and nuanced, and it is enhanced both by the one-shot device and by a phenomenal cast, particularly Cooper and Graham (a household name in the U.K.). The tragedy of the story ― the death of an innocent young girl, the loss of the innocence of her killer, the guilt his parents will carry forever ― bleeds through every scene. It is breathtaking and miserable to behold, a true can’t-look-away trainwreck of sorrow.
Parents around the world are worried about their kids online. ‘Adolescence’ has struck a nerve.
“Adolescence” deals with an extraordinary and unfathomable event. Yet parents can’t help but relate to the struggle of the Millers. They’re dealing with unique and desperate challenges, all thanks to those little smartphones so many kids are carrying around in their pockets. From worrying about how much TV little kids can watch to what social media is doing to the mental health of teens, parenting has turned into a constant battle against the ills of the screen.
“Adolescence” highlights the horror of children getting radicalized online, as young as age 13. Boys can be especially vulnerable to woman-hating “incel” culture (a portmanteau of “involuntarily celibate”). Early adolescence is a period that can feel “confusing” and “extremely isolating” for teenage boys as they develop a stronger sense of identity, Dr. Caroline Fenkel, the chief clinical officer with Charlie Health, a virtual mental health platform, told USA TODAY. “Without strong emotional support systems, they’re more likely to seek out anything – people, content or behaviors – that gives them a temporary sense of relief, power or belonging.”
But you don’t have to have a teenage boy to have fear struck into your heart while watching this series. The risks associated with children and teens’ unfettered access to the internet are manifold: Cyber bullying, sexual violence, sextortion, phone addiction, mental-health decline, poor academic performance and so much more. The message of “Adolescence” is clear: Hang on tight to your children. But even as Jamie’s parents take responsibility for letting him drift too far into the online world, they are left wondering how much they really could have controlled it in our tumultuous world. That fear of lacking control is one every parent shares.
Contributing: Rachel Hale
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OK Go are known as the ‘treadmill dudes.’ They’re fine with it.
OK Go embraces the ‘treadmill dudes’ moniker, talks new music video
Damian Kulash and Tim Nordwind of OK Go chat with USA TODAY’s Ralphie Aversa about the band’s trademark single-shot music videos and their impact.
NEW YORK – Babies, movies and a pandemic. Life came at the band OK Go pretty quickly.
“The next thing we knew, it had been like 8 years since our last record and we got to work making one,” lead singer Damian Kulash tells USA TODAY, as he recounts the reasons why the group went over 10 years between albums. “But we never thought we were taking a hiatus. We just were busy.”
Busy may be an understatement. That period included Kulash and his wife Kristin Gore having twins. The couple also co-directed the 2023 comedy-drama movie “The Beanie Bubble.” Musician Andy Ross also welcomed kids. Bassist Tim Nordwind took on a few acting roles, although he adds the band “had been writing on and off during that time period.” Drummer Dan Konopka flexed his producer muscles, working on various productions for other artists by producing, mixing and mastering.
Now OK Go returns with its first full length LP in over a decade, “And the Adjacent Possible.” It’s the group’s fifth studio album and first since 2014’s “Hungry Ghosts.” A music video for the single “Love,” shot in the band’s familiar single-shot fashion, also drops with the album’s release.
“It’s all actually about these very simple mirror tricks,” Kulash describes of the video, which features a number of kaleidoscope-like visuals, set to the background of an empty train station in Budapest. “By using robots, we can access them in a much more precise and careful way. And so when early adoption of tech allows us to get at a new level of human connection, that was what makes us really excited.”
OK Go is no stranger to the early adopter game. Most notably, the band filmed a single-shot music video for the single “Here It Goes Again” in 2006 that executed an intricately choreographed routine on eight separate treadmills. The video showcased the power of YouTube in an age where more traditional outlets like MTV were abandoning music videos for reality television. It also won the Grammy for best music video in 2007.
“We’re fully aware that our gravestones will probably say, ‘Those treadmill dudes,’” Kulash, 49, jokes while reflecting on the early days of “going viral.” The album “Oh No,” which featured “Here It Goes Again,” turns 20 in August. “It was amazing what (the video) did in terms of opening up our ideas about creativity, not just in filmmaking, but in music making.
“We realized very clearly that we should only do the things that were unique to us. The whole purpose of most creative industries is to funnel people towards what is successful. If you want to make money for a year or two, that’s probably the best path. But if what you care about is making art and having people respond to it, the only thing that will ever work for anything longer than this season is what you do. Having the treadmill thing explode like that was really big eye opener to be like, ‘Write the song that only you can write.’”
That applies to “And the Adjacent Possible,” a title taken from a theory biologist Stuart Kauffman created under the idea that current conditions create the potential for future occurrences.
“We seem to be at that moment as a society in terms of tech, AI (and) possibly in terms of our politics, that there’s so many massive changes and it’s so unpredictable what’s on the other side of them,” Kulash says. “For us making this record, it honestly felt like we might be among the last people who had to make a record this way. From now on, a band might choose to make a record, but you also might choose to just press the AI button right?”
OK Go addresses this on the album opener, “Impulse Purchase,” which Kulash says is “written somewhat tongue-in-cheek” as a poem to AI and the algorithm that decides who consumes what. But he also sings about more human interactions, such as on the aforementioned track “Love,” a song inspired by the birth of his twins.
“You always hear people say, ‘Seeing the world through the eyes of my kids has made it all fresh to me,’ ” he says, admitting that’s true while also realizing that things he had become jaded or accustomed to suddenly faded away. “My barriers came down again. My understanding of the world around me feels fresher and more immediate. I couldn’t be more thankful for that. It is an expansion of love.”
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'Smash' cast sings iconic 'Let Me Be Your Star' on BroadwayMusic
‘Smash’ cast sings iconic ‘Let Me Be Your Star’ on BroadwayMusic
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OK Go talks 'Love,' music videos and treadmillsEntertain This!
OK Go talks ‘Love,’ music videos and treadmillsEntertain This!
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Azealia Banks walks off stage after incidentEntertainment
Azealia Banks walks off stage after incidentEntertainment
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Coachella car campers complain about long waits
Lady Gaga is headlining the festival. The ‘Bad Romance’ singer is scheduled to come on after 11 p.m. PST.
Lady Gaga, Green Day and Post Malone headline Coachella 2025
Coachella has announced that Lady Gaga, Post Malone and Green Day will be the three weekend headliners for the festival in 2025.
unbranded – Entertainment
As music lovers descend on Indio, California for the Coachella Valley Music and Arts Festival beginning Friday, several attendees took to social media to talk about massive wait times.
Some people partaking in car camping said they waited upwards of 12 hours to enter the festival grounds and find a spot to set up.
Weekend one of Coachella officially kicks off on Friday with gates opening at 1 p.m. Lady Gaga is headlining the festival; she is scheduled to come on after 11 p.m. PST.
The second weekend of performances will be from April 18-20.
Take a look at the chaos and long lines campers are enduring to attend one of America’s biggest music festivals.
Photos show long lines for Coachella car camping
One TikTok user by the name of @notliss described being stuck in line for nearly 10 hours in her post on April 10. In her TikTok video, which has garnered more than 43 thousand likes and over 700 comments, notliss said they hadn’t gone through security yet.
“People have literally been using the bathroom behind bushes like animals and they paid like over $600 to be here,” the TikTok user said about car campers waiting in the long lines. “This whole experience has been so disappointing and it’s been extremely dehumanizing.”
Several posts under the Coachella Reddit page describe long waits for festivalgoers doing car camping, with one user asking: “Is there any way to get gasoline to your campsite? Been stuck in line for well over 8 hours and running low.”
Another post on Reddit said car campers need either a partial or full refund, saying they’ve waited over nine hours to get inside the festival grounds. A Reddit user in the same thread said it took them 13 hours to get in.
Social media users have criticized the organizers of Coachella, Goldenvoice, a Los Angeles-based concert promoter, for the lengthy traffic.
USA TODAY contacted Goldenvoice on Friday but has not received a response.
How to watch Coachella 2025 on livestream
Coachella performances will be available on YouTube. The streams are scheduled to start on April 11 at 7 p.m. ET/ 4 p.m. PT. Fans will be able to watch multiple stages from their couch simultaneously, while a vertical livestream option featuring DJ sets will also be available.
Coachella 2025 set times: When is Lady Gaga performing?
A complete list of day-by-day set times can be found on Coachella’s website, or the festival’s Instagram.
Kinsey Crowley is a trending news reporter at USA TODAY. Reach her at [email protected]. Follow her on X and TikTok @kinseycrowley or Bluesky at @kinseycrowley.bsky.social.
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Justin Bieber is ‘crashing out’ according to fans. What does that mean?
Justin Bieber’s dancers recreate ‘Children’ nearly 10 years later
Former children back up dancers recreate Justin Bieber routine they did for his song “Children” during his Purpose World Tour.
Justin Bieber has been making headlines — from cryptic Instagram posts on imposter syndrome in March, to a confrontation with paparazzi on Wednesday.
The pop star, who is currently in Palm Springs, California, to attend Coachella 2025, was filmed on a coffee run with friends. He shielded his face from the cameras before being greeted with a “good morning,” which prompted his response.
“No. Not good morning,” he said, approaching the photographers.
“Get out of here,” he continued. “You just want money… You don’t care about people.”
The photographers didn’t respond but continued filming until Bieber entered the store with his friends.
While some headlines call the interaction a “heated exchange” and Bieber’s behavior “unprovoked,” fans have come to his defense — even if the singer is, as they put it, “crashing out.”
“He is well in his rights to speak like that towards the paparazzi, they invade his personal space and life way too much,” wrote one X user. “His crash out is valid, these ppl have been following him since his teenage years and will prbably follow him til he gets old,” another user echoed. “He ain’t crashing out. He’s being real, & all people do is use him,” a third user argued.
Fans can only speculate what is going on with Bieber’s behavior, and it’s not a celebrity’s responsibility to disclose private details. But for those confused, here’s what “crashing out” is actually all about.
What does ‘crashing out’ mean?
You ran into your ex on the street with his new girlfriend. He looks happier than ever. You lost your job on a random Wednesday. You were already on the brink of a breakdown, and then you got hit with the most devastating news.
It’s enough to make you lose your mind — or rather, “crash out.”
When you feel almost overwhelmed, but you’re not quite there yet, you might use the expression, “The crash out is imminent.”
So what does “crashing out” look like? You’re so mad or upset that you start a fight unprovoked, break no-contact with your ex, or engage in other self-destructive behaviors.
This use of the expression was popularized among Gen Z in 2024, but slang like “crash out,” such as “it’s giving,” “tea” and “period,” often derive from African American Vernacular English (AAVE), a dialect of English commonly spoken by Black Americans.
“Crash out” is likely no different, and some argue that it originates in Baton Rouge, Louisiana. Urban Dictionary posts with this use of the expression date back to 2016, but several online sources, including The Independent and Know Your Meme, trace “crash out” back to Baton Rouge-based rapper YoungBoy Never Broke Again, who released the song, “Stepped On” in 2017, featuring the lyric, “Crash out if I’m nervous.”
We owe celebrities their privacy
We’ve likely all experienced a “crash out,” even if we don’t label it as such. But most of us don’t have our most stressful moments filmed for millions to judge.
Bieber is not the first celebrity to ask for privacy. Gigi Hadid asked paparazzi, media and fan social media accounts not to share any photos of her and Zayn Malik’s daughter. Chappell Roan snapped back at a photographer on the MTV red carpet and has continuously asked fans to respect her boundaries. When “Good Morning America” host Michael Strahan’s daughter Isabella was diagnosed with a brain tumor, fans on social media gossiped about his “mysterious” absence.
It’s easy to ignore others’ boundaries. “In the age of social media, the general public has become trained to share not only their most private moments, but to also expect others to do the same,” psychologist Reneé Carr previously told USA TODAY.
Whatever Bieber is going through, it’s not our business to speculate.
“Public figures need privacy to cope, heal, and develop a strategy to move forward just like everyone else,” Amy Morin, psychotherapist, author of “13 Things Mentally Strong People Don’t Do” and the host of a podcast, previously told USA TODAY. “Working through issues privately can give them space to manage their emotions and strategize how to move forward without the distraction of outside opinions.”
Contributing: David Oliver