Author: business

  • Matthew Lawrence reveals Robin Williams’ warning about substance abuse

    Matthew Lawrence reveals Robin Williams’ warning about substance abuse

    Matthew Lawrence received many pearls of wisdom from Robin Williams, and one shines bright even three decades later.

    The former child star, who costarred with Williams in the 1993 comedy “Mrs. Doubtfire,” reflected on his experience working with the iconic actor-comedian in an interview with Entertainment Weekly published April 17. Lawrence, who played Williams’ son Chris Hillard, was 13 at the time of the film’s release while Williams was 42.

    “Those six to eight months were the biggest learning curve anyone can get when it comes to making movies and being an entertainer,” Lawrence told the outlet. “And then on top of that, you get a chance to be around Robin Williams, and he takes an investment in you, as he does with people. But in particular, he really took an investment with me.”

    Aside from being “the most brilliant artist” Lawrence has “ever worked with,” Williams — who died in August 2014 at age 63 — was candid with the young actor about his struggles with substance abuse.

    “He really explained his life to me and really brought me in and taught me not just about in front of the camera, but a lot about the behind the camera as well, and how he felt that substances really further pushed his brain to not function properly,” Lawrence, now 45, said.

    “He really opened up with me, and I’ll never forget it. There were times he would just grab me, and he’d be like, ‘Don’t put that stuff in your body. If I could go back and tell myself, this is why I’m telling you, don’t put that stuff in your body.”

    Williams, who died by suicide following a battle with Lewy body dementia, also struggled with substance abuse for decades. The comedian’s 2006 relapse, which he tried unsuccessfully to hide from his wife Marsha Garces, led to the unraveling of his second marriage. He later took up a stint at the Hazelden Foundation center, a rehab facility in Oregon.

    Lawrence wasn’t the only “Mrs. Doubtfire” cast member who benefited from Williams’ candor. During a 2018 joint interview on the “Today” show, Lisa Jakub said Williams was “very open and honest with me talking about his issues with addiction (and) depression.”

    “That was so powerful to me at 14,” Jakub added. “I have struggled with anxiety my whole life.”

    Lawrence concluded: “It’s a real shame that he’s not with us. There’s not a day that goes by that I don’t hear his voice.”

    If you or someone you know needs help battling a substance abuse addiction, contact the Substance Abuse and Mental Health Service Administration’s National Helpline at 1-800-662-HELP (4357).  

    If you or someone you know needs mental health resources and support, please call, text or chat with the 988 Suicide & Crisis Lifeline or visit 988lifeline.org for 24/7 access to free and confidential services.

    Contributing: Maria Puente, Arienne Thompson, Elizabeth Weise, David Holahan and Sara M. Moniuszko, USA TODAY

  • ‘Matlock’ boss on Season 2: ‘Secrets will be revealed’

    ‘Matlock’ boss on Season 2: ‘Secrets will be revealed’

    play

    Spoiler alert! The following contains spoilers for the Season 1 finale of CBS’s “Matlock.”

    Madeline “Matty” Matlock (Kathy Bates) can go back to practicing law in her 70s, can win over juries and uncover injustice with her eyes closed. But can she survive losing a friend or opening up her family?

    Those are the big questions left hanging for CBS’ remake of “Matlock,” which aired its Season 1 finale April 17. All season long, Bates’ Matty has been infiltrating high-powered New York law firm Jacobson Moore, searching for who was responsible for suppressing evidence about the dangers of prescription opioid drugs – evidence that could have taken the drugs off the market before people like Matty’s daughter became addicted and overdosed.

    In the packed two-hour finale, Matty works uneasily with former close friend and current boss Olympia (Skye P. Marshall) to discover whether Olympia’s ex-husband Julian (Jason Ritter) was the guilty party. Olympia finds definitive proof her ex committed the egregious crime just as he shows up begging her to keep his secret. Meanwhile, an increasingly-stressed Matty waits for Olympia to come to her house for a debrief when the doorbell rings – and her grandson Alfie’s (Aaron D. Harris) long-lost father is on the other side of the door.

    With so much in chaos for our friends from Jacobson Moore, we talked to executive producer and series creator Jennie Snyder Urman, who also created CW’s “Jane the Virgin” and “Charmed” reboot, about all those finale twists, and what fans can expect this fall in Season 2.

    Question: When Olympia discovers that Julian is the person who hid the incriminating opioid documents it wasn’t a huge surprise, because he’s been a suspect all season. But it was still really shocking in the emotional scene. How did you walk that line?

    Answer: We can suspect him, but seeing it (is different). Olympia sees that document and sees that everything that (Matty) was saying was true, it does feel like she has the weight of her world in that box right there. … You end up unmasking not the “supervillain” but this human who made this terrible, terrible choice. That makes it all the more complicated, emotional and difficult in terms of what is Olympia going to do next. Where do we go from here? He did it and there’s no doubt about that. 

    Is the bigger shocker of the episode when Alfie’s father shows up at Matty’s front door?

    I really wanted to leave the season with Matty not knowing what Olympia will do, so we didn’t want them to be meeting back up again. Everything comes back to Matty’s home, structurally and emotionally. This was about her daughter. This is about family. This is about her paying some imagined debt that she owes to her daughter for not saving her.

    We bring all of those pieces together where she’s waiting for Olympia. She believes in Olympia. She thinks Olympia is going to come through and they’re going to be working together. Then the father shows up and it just suddenly takes everything from a big scale to this very small human scale, and Matty’s whole world is shaken by this.

    How will all this change for Matty and Olympia affect Season 2?

    There’s so much that’s in the season premiere. I would just say that secrets are revealed and decisions are made that start spinning our show into the direction that it’s going to take for the second season.

    Everything has changed for Matty’s coworkers Sarah (Leah Lewis) and Billy (David Del Rio), too. Billy’s ex is pregnant and Sarah might lose her job. How will that affect the group?

    Know that there’s going to be a lot of drama and it’s going to be fresh drama next year. Everybody has changed over the course of the season and we’re going to be picking them up from those places and pushing them further. The problems are going to be different and challenging, and they’re going to have highs together and lows together, but they’re all going to be very different places at the at the start of the second season.

    Which friendship do you think fans are rooting for more, Olympia and Matty or Sarah and Billy?

    I mean, I think both. But I will say that Matty and Olympia are the love story of the show. It’s our epic love story.

    Is it fun to do a show about friendship instead of romantic relationships, like on “Jane”?

    Yes! It’s so fun because I think that they are unexplored and they are so life sustaining. I can only speak for myself about my own life, but my female friendships are the constant in my life since seventh grade. Exploring them and giving (them) the weight and respect that we normally give to romantic relationships is really interesting to me.

    Has the critical acclaim for the show and awards-season buzz for Kathy Bates surprised you?

    I’m always surprised. And then I also knew that Kathy’s performance was just incredible. So I I felt that she would be seen because she’s so wonderful. … I’m grateful, so grateful, and stressed because you just put more pressure on yourself and you want to keep doing good work. So that’s what I try to do.

  • ‘911’ new episode kills off major character in a ‘very painful’ way

    ‘911’ new episode kills off major character in a ‘very painful’ way

    play

    Spoiler alert! The following story contains major details about the April 17 episode of ABC’s “9-1-1.”

    He’s evaded pirates, snipers and killer bees.

    But the clock finally ran out for Los Angeles fire captain Bobby Nash (Peter Krause), who succumbed to a lethal virus in the April 17 episode of ABC’s “9-1-1” (Thursdays, 8 ET/PT). Station 118 was called to a research facility, which had been set on fire by a mad scientist named Moira (Bridget Regan). Moira created a hemorrhagic fever and stole the antidote in attempt to extort millions of dollars from biotech executives by threatening another global pandemic.

    Bobby manages to save his fellow firefighter, Chimney (Kenneth Choi), who falls ill and starts coughing up blood while responding to the lab blaze. But after waiting for the rest of the team to safely evacuate and unmask, Bobby realizes that there was a hole in his breathing apparatus. Knowing he has been infected and will soon die, he has one last conversation with his wife, Athena (Angela Bassett), who weeps as they touch hands with a glass partition between them.

    Before meeting Athena, Bobby killed dozens of people – including his wife and children – in an apartment fire that he inadvertently caused. The tragedy has been referred to repeatedly throughout the series, now in its eighth season. And by sacrificing himself for the 118, Bobby feels that he’s achieved “true redemption,” says executive producer Tim Minear. “It made sense for his arc.”

    Minear unpacks the episode and what’s in store for the rest of Season 8:

    Question: What was the impetus for killing Bobby? Did Peter ask to leave? Was this an edict from the network?

    Tim Minear: It was entirely my creative decision. On a show where we’re playing with such life-and-death stakes, if the result was always life and never death, then were they really stakes? I’ve been thinking about this for a long time, and as we were breaking this particular story, I saw an opportunity to do it in epic fashion.

    The emotional center of this episode is Bobby and Chimney. Why did you wish to hone in on their relationship?

    In a lot of ways, Chimney’s the original 118er; he’s been there longer than anyone. I was thinking back to the episode where Bobby was sharing his origin story with Chimney: how he had come to L.A. with a death wish, that he was going to achieve his atonement and then join his kids in the afterlife. Chimney had been keyed into Bobby’s lore earlier and more personally than any other character, so it just made sense.

    There are dozens of incidents that could’ve killed Bobby. Why a pre-pandemic-level virus?

    When you look at how many episodes we’ve done, you’re talking about three or four cases per episode, on top of these event episodes where it’s a natural disaster or a hacker or a blackout. But this is an area we hadn’t really visited before, and I was thinking a lot about Spock’s death in “The Wrath of Khan,” with the glass separating these two characters.

    Athena has already endured so much, between loss and divorce. Where does she go from here?

    It opens up story opportunities for every character, but certainly for Athena. At first, it leaves her shattered and unmoored, and she’s going to have to dig down and find the strength to go on. But also, her life’s not over and she’ll have to figure out what road to take.

    What was it like for Peter and Angela shooting Bobby’s death scene?

    It was not the last thing he got to film, and it’s not even his last appearance in this season. (Krause returns in flashbacks for three remaining episodes.) It’s been incredibly emotional for the last couple of months. Peter and I have known about it for a while – maybe for about a month before I even told the rest of the cast. I’ve been on shows for a long time and I’ve killed off a lot of characters, but I’ve never killed off a main character on this series.

    We were all startled by how much it was affecting us; it really felt like losing a friend. It was very painful to make this decision because we all love Peter. I called every cast member individually, and it took me 15 or 20 minutes to persuade some of them that I wasn’t joking.

    Chimney, in a way, feels responsible for Bobby’s death or that it should’ve been him instead. What can you tease about the rest of the season?

    Chimney will be front and center (these next few weeks). I didn’t want to do this as a season finale, because I felt that would be incredibly cruel to our audience if they missed the fallout for these characters. It was very important for me that I had at least three episodes after this event in order to process the loss and start to put the pieces back together.

  • Diddy requests ‘distorted’ Cassie videos not be shown at trial

    Diddy requests ‘distorted’ Cassie videos not be shown at trial

    play

    After months of reviewing videos of Sean “Diddy” Combs attacking his ex-girlfriend Cassie Ventura in 2016, his lawyers have presented their case for excluding the footage from the hip-hop mogul’s upcoming criminal trial.

    In court documents dated April 2 and filed on April 17, Combs’ defense team said a forensic analyst they’d hired as an expert confirmed none of the videos they were able to obtain “accurately depict the incident.” As such, his team argued, “There is simply no way to obtain or create an accurate version” of the footage, and the video evidence should not be presented to jurors.

    The assault footage, which became public when CNN released and aired it on May 17, 2024, was the result of the news organization editing “approximately ten-and-a-half-minutes of footage into a 48-second out-of-order clip,” Combs’ attorneys wrote. The clip “immediately and dramatically turned the tide of public opinion against Mr. Combs” and “painted Mr. Combs in the worst possible light,” they added.

    CNN has denied this characterization, with a spokesperson previously telling USA TODAY in a statement, “CNN never altered the video and did not destroy the original copy of the footage, which was retained by the source. CNN aired the story about the video several months before Combs was arrested.”

    Diddy on trial newsletter: Step inside the courtroom with USA TODAY as Sean ‘Diddy’ Combs faces sex crimes and trafficking charges. Subscribe to the newsletter. 

    The U.S. Attorney’s Office for the Southern District of New York declined to comment.

    Shortly after CNN made the video public last year, Combs posted a video taking “full responsibility” for the attack. The post is no longer available on his Instagram account.

    “My behavior on that video is inexcusable,” he said. “I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, (and) I’m disgusted now.”

    Diddy’s team claims all existing assault footage is ‘distorted’

    Combs’ team said in total, they received the following: two iPhone videos from prosecutors showing what someone recorded of the hotel surveillance footage while watching it, the “compilation” CNN released to its audience and “three videos with footage obtained by CNN from three single cameras in the Intercontinental Hotel.”

    The iPhone videos “distort the events,” the defense claimed in their filing, while CNN’s videos were allegedly “significantly sped up (and) not accurately represent human movement as a result of being converted from one file type to another.”

    In their filing, defense attorneys also alleged “CNN paid their source” for the video files, made copies and destroyed the original files they’d received.

    Combs’ team has previously cast doubt on the hotel video as evidence of what U.S. attorneys allege was a widespread sex trafficking enterprise spearheaded by the rapper. In November, his team accused prosecutors of presenting an “altered” video of him attacking Ventura to convince a judge he should not remain detained.

    The rapper’s lawyers at one point accused government agents of leaking the footage to CNN, but the judge rejected the claim.

    play

    The controversial legacy of Sean ‘Diddy’ Combs. Here’s what we know

    Sean ‘Diddy’ Combs faces federal sex crime charges. Here’s what we know about his controversial legacy.

    If the judge does not agree to the request to exclude the footage, Combs’ team is asking for a pretrial hearing in which their forensic analyst could share his findings about the various videos.

    Combs is currently in jail after being denied bond multiple times.

    He now faces two counts of sex trafficking, two counts of transportation to engage in prostitution and one count of racketeering ahead of his May 5 trial. He has pleaded not guilty to all charges and maintained his innocence in response to dozens of sexual assault lawsuits, which detail alleged events dating back to the 1990s, that have been filed over the past 1½ years.

    What is shown in CNN’s video of Diddy and Cassie?

    The hotel surveillance video, reportedly from March 5, 2016, compiled clips from multiple camera angles. The incident matched an allegation levied in Ventura’s November sex trafficking, rape and physical abuse lawsuit against the hip hop mogul. The two settled the civil suit one day after it was filed.

    In the video, Ventura is seen in a black sweater with the hood up and a duffle bag in hand, calling an elevator. From a different camera angle, Diddy is seen in a bath towel running down the hotel hallway.

    He catches up with Ventura before the elevator comes, striking and yanking Ventura by the hair and throwing her to the ground. Combs then kicks Ventura twice while she lies on the ground, picking up her bag and dragging her back toward the hotel rooms.

    He then lets her go, appearing to say something to her as he walks back to a hotel room with her bag.

    Diddy’s lawyers have said Cassie video shows ‘domestic dispute,’ not trafficking

    Combs and his lawyers have repeatedly pushed back on prosecutors’ claims that the 2016 video is evidence of Combs’ alleged sex trafficking and so-called “freak offs.” Rather, his attorneys say, the footage shows a “domestic dispute” and “a sad glimpse into a decade-long consensual relationship.”

    In a TMZ documentary released last year, Combs’ lead attorney Marc Agnifilo argued the attack footage was not relevant to his client’s criminal case.

    “Their difficulties did not stem from their intimate time together. Their difficulties stemmed from the fact that she was cheating on him and he was cheating on her,” he said. “And what we see in that video is terrible. It’s unforgivable, and we don’t seek to forgive it. But it’s not related to the charge.”

    Contributing: Taijuan Moorman, USA TODAY

    If you or someone you know has experienced sexual violence, RAINN’s National Sexual Assault Hotline offers free, confidential, 24/7 support to survivors and their loved ones in English and Spanish at: 800.656.HOPE (4673) and Hotline.RAINN.org and en Español RAINN.org/es.

  • Anne Hathaway joins Ralph Lauren front rowEntertain This!

    Anne Hathaway joins Ralph Lauren front rowEntertain This!

    Anne Hathaway joins Ralph Lauren front rowEntertain This!

  • Did Taylor Swift announce 2026 tour? A gala posts tickets in auction

    Did Taylor Swift announce 2026 tour? A gala posts tickets in auction

    Louisville, Kentucky, event organizers are finding out how viral an auction announcement can go after mentioning 2026 tour tickets to see Taylor Swift as a potential prize. The only issue is a 2026 tour hasn’t been announced.

    The Galt House will host the 12th Unbridled Eve Derby Gala on May 2 and feature celebrities, entertainers and athletes. A table of 10 goes for $12,000 and up.

    On April 12, the Fox-affiliate station in Louisville posted a web story with a list of auction prizes. The headline read, “Unbridled Eve Derby Gala returns with big names, bigger auction — and a Taylor Swift surprise.”

    The surprise was “Taylor Swift Package: Signed guitar by Taylor Swift and two concert tickets for a concert during her next tour.”

    The Swift fandom spiraled across TikTok and X excited about the possibility of a leak about an upcoming tour.

    “This is news to me,” Swiftie influncer @eurosweetheart posted.

    Tammy York Day is one of the co-founders of the event. Day sent out a correction to a previous news release with the statement: “In the most recent Unbridled Eve press release, it inadvertently listed one of our auction items as a ‘Signed guitar by Taylor Swift and two concert tickets during her upcoming 2026 tour.’ Our deepest apologies for getting the Swiftie Nation excited, but it should have said ‘Guitar signed by Taylor Swift and two tickets for a concert during her next tour.’ We have no knowledge whatsoever of when that tour will be.”

    Swift makes most announcements either exclusively on a broadcast platform or over social media. On Nov. 1, 2022, she told “Good Morning America” about the Eras Tour, saying the tour was a journey through all the musical eras of her career.

    The singer’s team did not reply to a request for comment.

    Don’t miss any Taylor Swift news; sign up for the free, weekly newsletter This Swift Beat.

    Follow Bryan West, the USA TODAY Network’s Taylor Swift reporter, on Instagram, TikTok and X as @BryanWestTV.

  • Netflix’s ‘Stranger Things’ play is ‘essential’ viewing for Season 5

    Netflix’s ‘Stranger Things’ play is ‘essential’ viewing for Season 5

    play

    NEW YORK — Move over, Norma Desmond.

    Broadway has a colossal new star in the Mind Flayer, a fearsome spider-like monster that towers over the Marquis Theatre stage in a bone-crunching, spine-tingling sequence of “Stranger Things: The First Shadow.” During a recent tech rehearsal for the play, the wide-eyed cast has huddled in the mezzanine to catch a glimpse of the creature in action, unfurling its gnarly tentacles in a maelstrom of billowing smoke and flashing red lights. The gruesome spectacle that follows earns raucous cheers and applause from the slack-jawed onlookers.

    “A bunch of us came up here to watch,” says cast member Eric Wiegand, who portrays a teenage Alan Munson in Netflix’s theatrical prequel. “That’s insane. That was my first time seeing it.”

    The play was co-conceived by “Stranger Things” creators Mark and Ross Duffer, telling a dark origin story of the mysterious Henry Creel (Louis McCartney), who’s better known as Vecna, Season 4’s big bad. The ambitious, effects-heavy production premiered in London in 2023, and officially opens on Broadway April 22.

    “It’s magic,” says playwright Kate Trefry, who’s also a writer on the Netflix series. “There are certain moments in every show where I can’t believe they still work on me.”

    Part of the reason it’s so thrilling, McCartney posits, is because “you can see yourselves in these characters. Sure, we’ve got Demogorgons and Mind Flayers.” But at its core, “it’s people fighting for their lives, and that’s what’s really exciting about our show.”

    Broadway’s ‘Stranger Things: The First Shadow’ connects to Season 5

    Directed by Stephen Daldry (“Billy Elliot”), “First Shadow” is set in 1959 Hawkins, Indiana, where Henry and his family have moved after a violent incident with his ex-classmate. Henry is quickly befriended by fellow outsider Patty Newby (Gabrielle Nevaeh), who tries to help him temper his horrific visions and convulsive fits of rage.

    Meanwhile, a spunky group of familiar faces – Joyce Maldonado (Alison Jaye), Jim Hopper (Burke Swanson) and Bob Newby (Juan Carlos) – are investigating a grisly series of murdered pets across the town, which in classic “Stranger Things” fashion, may be linked to a larger supernatural threat.

    The play asks big questions about nature versus nurture, but also “how these events could’ve been formative for these characters,” Trefry says. “This is the scar they all carry; how they reacted to that damage is what made them the adults you know in the series.”

    “First Shadow” is littered with Easter eggs from the TV show, with nods to Christmas lights, rainbow-painted science labs and the now-iconic theme song. We’re also introduced to Eleven’s twisted father figure, Dr. Brenner (Alex Breaux, taking on Matthew Modine’s role from the series). But the trick was to ensure that the play would be equally accessible for theatergoers who may be walking in blind.

    “It’s canon, so it has to work with everything that has come before and everything that’s coming in Season 5,” Trefry says. “It also has to be something you can watch having no knowledge of the show. But ultimately, all I’m really interested in is telling a great story. There may be things that pass people by, and others that super-fans go crazy for.”

    Trefry knows it’s impossible for every “Stranger Things” enthusiast to come see the production. Still, she teases that it’s an “essential” key to unlocking the fifth and final season, which is expected to release later this year and promises yet another epic showdown with Vecna.

    “I’m really excited for Season 5 to finally come out because it’s in such conversation with the play,” Trefry says. “Once people are finally able to consume the series and the play as a whole, they’ll be able to appreciate how connected it all is. It’s a singular piece of work.”  

    How Louis McCartney becomes the troubled Henry Creel, aka Vecna

    “First Shadow” hinges on McCartney’s fiercely committed performance as Henry, who oscillates between incredibly funny and charming at times, but also tempestuous and terrifying.

    “He’s this kid who’s savagely loyal and desperate for connection,” McCartney says. “He’s battling with the spirit of the boy he once was and the shadow over him.”

    McCartney, 21, did ample research into the work of “Confessions of a Sociopath” author M.E. Thomas. He also spoke at length with actor Jamie Campbell Bower, who inhabits both Henry and Vecna in the Netflix series.

    “I steal things from him shamelessly because he’s so good,” McCartney says. “I love the way he uses his eyes and I try to emulate that.”

    In his dressing room, the good-humored actor has an eclectic playlist to get into Henry’s headspace: primarily classical music, but some “dark and moody” jams as well. At one point, his favorite warmup tune was “Mortal Projections” by Djo, the artist moniker of Joe Keery (aka Steve Harrington on “Stranger Things”).

    “The song’s all about astral projection and dream-walking, and that’s sort of like the Upside Down,” McCartney says. “I found that fun and it’s got a great synth beat to it.”

    The son of a medium and a screenwriter, McCartney has always been drawn to projects that push him to his limits. At 14, he made his screen acting debut in an episode of HBO’s “Game of Thrones,” portraying a King’s Landing denizen who gets burnt alive by a dragon. (“I just love ruining myself,” he jokes.)

    Bringing “First Shadow” to Broadway, McCartney has enjoyed getting to meet the series’ “super-crafty” fans, some of whom make bracelets for the cast or come dressed as their favorite characters. (At a recent preview performance, he spotted one young woman in a Demogorgon onesie.) The theater has been renovated to resemble the Creel family’s house, offering audiences an immersive experience that they can’t get bingeing Netflix on their couches.

    “It’s live actors with live special effects, and it’s our job to really pull you into this world,” McCartney says, grinning. “It’s super exciting! People fly and there’s so much blood. It gets everywhere, like ‘Carrie.’ I love it.”

    “Stranger Things: The First Shadow” is now playing at the Marquis Theatre (210 W. 46th Street) in New York.

  • Bill Maher calls himself a ‘hero’ for Trump meeting: ‘Truth to power’

    Bill Maher calls himself a ‘hero’ for Trump meeting: ‘Truth to power’

    play

    Bill Maher has some words for those who didn’t like what he had to say about his White House dinner with Pres. Donald Trump.

    TMZ founder Harvey Levin invited his “dear friend” Maher on the 2 Angry Men podcast, which Levin hosts with criminal defense attorney Mark Geragos, for the April 17 episode. The three opened the show by asking the “Real Time with Bill Maher” host for his thoughts on criticism he’s received – including from Washington Post columnist Josh Rogin, who’d said on “Real Time” that Trump was using Maher as “a prop in a PR stunt.”

    “I would say to them, as opposed to what? I had the opportunity to go to the White House and talk to the president and not give up my principles. It seems like nobody noticed that,” Maher told Levin and Geragos. “I didn’t go MAGA. I had the opportunity to talk to Donald Trump and say things to him that maybe he never hears, literally to speak truth to power. I shouldn’t take that opportunity? Again, don’t do that? OK.”

    Bill Maher says he should be considered a ‘hero’ for going ‘inside the inner sanctum’ of Trump

    Maher, a longtime Trump critic, later doubled down on defending the meeting, saying, “I’m not the villain here.”

    “I should be a hero for being one of the people who got inside the inner sanctum and was able to say to this person – who knows how much he ever hears anything that’s not coming from the cult? – and say those things and stick to my guns,” Maher said.

    Trump has gone after Maher multiple times over the years, frequently targeting him in social media posts that claimed the ratings for “Real Time,” now in its 23rd season, were suffering. Trump also filed a lawsuit against Maher in 2013 — then later dropped the case — after the TV host joked that Trump was “the spawn of his mother having sex with an orangutan.”

    However, Maher also insisted he was one of Trump’s earliest political critics and maintained that “A lot of the things he’s doing are just crazy. Threatening to send home-grown Americans to foreign prisons is just outrageous. … The cutting off of the aid to the people who are starving and dying of diseases around the world.”

    What did Bill Maher say about his Trump meeting?

    In the April 11 episode of “Real Time,” Maher opened the show with a 13-minute monologue detailing his meeting with Trump and Kid Rock, who’d coordinated the visit, as well as UFC CEO Dana White.

    In his monologue, Maher conceded Trump is “much more self-aware than he lets on in public” but acknowledged, “It doesn’t matter who he is at a private dinner with a comedian; it matters who he is on the world stage.” He later added, “Why can’t we get the guy I met to be the public guy?”

    Though the March 31 meeting went well, Maher – who had derided the president’s tariff flip-flopping earlier in the monologue – maintained he will continue to hold the Trump administration to account.

    “He ended his report by saying, “Trump was gracious and measured, and why he isn’t that in other settings, I don’t know. And I can’t answer, and it’s not my place to answer. I’m just telling you what I saw.”

  • Anne Hathaway, Sadie Sink sit front row at fashion show

    Anne Hathaway, Sadie Sink sit front row at fashion show

    play

    NEW YORK — Ralph Lauren is going romantic.

    And in true fashion, the designer’s runway show in downtown Manhattan Thursday afternoon brought out all the biggest celebs, from actresses Anne Hathaway and Sadie Sink to country music star Kacey Musgraves.

    The fall/winter 2025 collection, the designer’s first outing since his starry and extravagant Hamptons showcase just before New York Fashion Week’s September kickoff, was an off-calendar show that packed just as much star power as its predecessor.

    A cast of leading ladies sat front row, including Oscar winner Ariana DeBose, Emmy-winning comedian Julia Louis-Dreyfus, “White Lotus” star Sarah Catherine Hook and actresses Naomi Watts, Michelle Williams and Eiza González. Ryan Destiny, Chase Sui Wonders, actress-singer Andra Day and more were in attendance.

    Hathaway donned a tan trench coat and coordinating bejeweled tan denim, topped with a high ponytail. The blonde bobs of Watts and top Vogue editor Anna Wintour popped up just seats away from one another in the front row, while Ralph Lauren darling Musgraves opted for a white cowboy hat and Western-themed belt. González and DeBose dazzled in classic suiting, while Day paired springtime whites with a gem-encrusted top.

    “I loved the show. I love the mixing of the themes, I think that’s something that’s really intrinsic to me when it comes to fashion,” Day tells USA TODAY. “I love exploring different worlds. I think they do classic very well, but they’re innovative with classic.”

    She recalls her most memorable Ralph purchase, a vintage coverall with a vintage scarf. “I love it so much I had a friend of mine wear it to last year’s fashion show,” she says with a laugh. “I knew I was being dressed (by the brand), but I was like ‘Oh wear this, I love this!’”

    Hook, fresh off her role as Piper in Season 3 of “The White Lotus,” thought the show was “so gorgeous.”

    “And so different from what I was expecting! It was really quite dark and edgy, but had this really gorgeous, romantic feel to it,” Hook says, “but still maintained the timeless look that Ralph Lauren always achieves.”

    Dubbed “the modern romantics,” the designer played with texture, moody colors and silhouette for the April 17 runway.

    “This collection is a study in beautiful contrasts – feminine flourishes juxtaposed against menswear motifs,” Lauren, 85, says in an exclusive statement to USA TODAY. “Romantic ruffles paired with masculine tailoring, sleek leather skirts topped with feminine bustiers. Each look tells a story of duality celebrating the confidence of a woman’s personal style.”

    Glamorous gowns swished down the stairs of the former Gilded Age palazzo-turned-art gallery in Tribeca’s Clock Tower Building, as ruffled ascots romanticized more traditional tailoring and crushed velvet in deep purples appeared alongside lacy frocks.

    Lauren, whose ethos and clothes have become part of the underpinning of stylishly seminal Black people for decades, looked to “subvert the classic dandy trope” with the collection ahead of the 2025 Met Gala. Only weeks away from the first Monday in May and its “Superfine: Tailoring Black Style” theme, focused on the Black dandy and tailored wares, the runway show looked to highlight “precise tailoring” while “upending previousness with daring, while revealing an underlying sensuality,” according to the show notes.

    Grammy-winning singer Day says she’ll be in attendance at annual Costume Institute fête, though she can’t tease much before her appearance on the famed steps of the Metropolitan Museum of Art.

    “It will be a good time, it will be a dandy time and it will definitely be a statement,” she says with a coy smile.

  • Drake claims Kendrick Lamar performance damaged his image

    Drake claims Kendrick Lamar performance damaged his image

    play

    NEW YORK — Drake expanded his defamation lawsuit against Universal Music Group, saying more people were duped into believing he was a pedophile after rapper Kendrick Lamar performed “Not Like Us” during the Super Bowl halftime show.

    In an amended complaint filed April 16 against his record label, Drake, 38, said the performances introduced millions of new listeners to Lamar’s smash hit and have led to more threats against the Canadian rapper, born Aubrey Drake Graham, and his family.

    Drake said this occurred though Lamar omitted the word “pedophile” from his Super Bowl performance, seen by more than 133.5 million people, ostensibly because “nearly everyone understands” it was defamatory.

    “It was the first, and will hopefully be the last, Super Bowl halftime show orchestrated to assassinate the character of another artist,” Drake said.

    “Not Like Us” also includes the lyric “Drake, I hear you like ’em young,” which Lamar sang at the Super Bowl.

    In a statement on Thursday, UMG called Drake’s accusations baseless and his lawsuit an affront to creative expression.

    “Drake, unquestionably one of the world’s most accomplished artists and with whom we’ve enjoyed a 16-year successful relationship, is being misled by his legal representatives into taking one absurd legal step after another,” UMG said.

    UMG had sought to dismiss Drake’s original lawsuit, which was filed on Jan. 15 in Manhattan federal court, and will have a chance to dismiss the amended lawsuit. In response to the music conglomerate’s statement on the ongoing litigation, a spokesperson for Drake said UMG is attempting to “spin the narrative and deflect from the truth.”

    “UMG claims to stand for creativity but in fact exploits it, and the artist community knows that,” the spokesperson said. “Drake joins a growing chorus of artists raising questions about UMG’s leadership. … UMG said, ‘Be careful what you ask for.’ Drake knows exactly what he asked for: the truth and accountability.”

    Drake is seeking unspecified damages, saying UMG tried to boost profit and make him a pariah by promoting Lamar. “UMG will be held accountable for the consequences of its ill-conceived decisions,” said Drake’s lawyer Michael Gottlieb in a statement.

    Drake and Lamar have feuded for about a decade, including through a series of competing diss tracks.

    “Not Like Us” was released on May 4, 2024, one day after Drake’s “Family Matters” appeared to accuse Lamar of physical abuse and infidelity and questioned the parentage of one of his children.

    Lamar’s song won Grammy Awards for record and song of the year and topped Billboard’s Hot 100 for three weeks. He also won the 2018 Pulitzer Prize for Music.