USA TODAY TV critic Kelly Lawler shares her top 5 TV shows she is most excited for this year
“Étoile,” a new dance-centered series by the creators of “The Marvelous Mrs. Maisel” and “Gilmore Girls,” is set to premiere this week with some familiar faces among the cast.
Set in New York City and Paris and described by Amazon MGM Studios as a “dance-world comedy,” the series follows the dancers and artistic staff of two world-renowned ballet companies on an “ambitious gambit” to save their institutions by swapping their most talented stars.
Created by Amy Sherman-Palladino and Daniel Palladino and executive produced by the couple alongside Dhana Rivera Gilbert, the cast includes several members who worked on previous projects of the Palladinos’, including Luke Kirby of “The Marvelous Mrs. Maisel” and Yanic Truesdale of “Gilmore Girls.”
When does ‘Étoile’ Season 1 premiere?
“Étoile” Season 1 premieres on Prime Video on Thursday, April 24. All eight episodes of the season will drop at the same time for your binge-watching pleasure.
How to watch ‘Étoile’ Season 1
“Étoile” is a Prime original that members of Prime Video can stream for free. Non-prime members can sign up for one week of Prime for just $1.99 to watch
Prime membership, which includes free shipping and some “Included with Prime” video titles, currently runs $14.99 per month or $139 per year. A Prime Video membership is $8.99 per month.
Watch “Étoile”: Get Prime Video
‘Étoile’ Season 1 cast
Luke Kirby as Jack McMillan
Yanic Truesdale as Raphaël Marchand
Gideon Glick as Tobias Bell
Charlotte Gainsbourg as Geneviève Lavigne
LaMay Zhang as Susu Li
Simon Callow as Crispin Shamblee
Lou de Laâge as Cheyenne Toussaint
David Alvarez as Gael Rodriguez
Kelly Bishop as Clara McMillan
Ivan du Pontavice as Gabin Roux
Taïs Vinolo as Mishi Duplessis
David Haig as Nicholas Leutwylek
Lala Cholous as Pianiste
Tiler Peck as Eva Cullman
Watch ‘Étoile’ Season 1 trailer
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Carlo Ratti is posing next to a marble statue of a semi-naked Venus in the Ca’ Giustinian, one of the last gothic palaces to be built in Venice in the late 15th century. Next he’s outside the fancy Hotel Monaco, charming a gondolier into shot for our photographer. Ratti, the curator of this year’s architecture biennale, the 19th to be held in Venice, seems more than happy to indulge in the clichés of the city for a fun portrait.
“You could say it’s one of the first geoengineering projects ever,” says Ratti of the patchwork of land-spattered lagoon that human ingenuity formed into a city, as we settle on the terrace of the Hotel Monaco with an espresso. “This wasn’t meant for human living.” It is also an example of a place that has dealt with the damaging consequences of that human occupation — the ruinous effects of fishing and transport that have hollowed out the lagoon and threatened its marine and plantlife alongside the frequent invasion of acqua alta that floods its streets, squares and homes. “The Mose [Modulo Sperimentale Elettromeccanico] has been built — a huge piece of engineering that works as a flood barrier — and it works and everyone is happy. People can occupy the ground floors of their buildings again.”
You could say Venice is one of the first geoengineering projects ever. This wasn’t meant for human living
This is exactly the type of project Ratti is referring to when he talks about adaptation, which he does frequently. He is promising a biennale that will look at some of the crises to hand — climate change and depopulation — and how architecture can offer solutions by adapting itself to offset or accommodate these conditions. Historically, the architecture Biennale has had a tendency to reflect upon the state we’re in; Ratti wants to offer ways to move forward in the face of intractable problems.
“Usually when people talk about climate change, they talk about mitigating harm in travel, industry, construction,” he says. “But now it’s too late for that. The ecological movement thought that adaptation was like surrender, and I understand that. But now it’s inevitable. As things become more extreme, we need a new approach, a new level of thinking.”
Ratti speaks fast, in perfect English, though he grew up in Turin, the son of an engineer father. He is 53 but has an indefinable agelessness — his eyes keenly focused behind metal-rimmed glasses, his mind quick, theoretically and scientifically driven.
He studied engineering and architecture at the Politecnico di Torino and the fancy Ecole Nationale des Ponts et Chaussées — one of those Paris institutions for the crème de la crème de la crème. He was swept off to Cambridge to complete an MPhil and then a PhD which he finished at MIT. It was at Cambridge, where he attended the Martin Centre, a research institution focused on sustainable buildings and cities, that he became aware of the value of integrating architecture, biology and just about everything else. “Cambridge inspires inter-disciplinarity, because of the college system,” he says. “You end up being with people from any subject but your own. It breaks the bubble.”
Ratti is applying this interdisciplinary approach to his Biennale, which is titled Intelligens. Natural. Artificial. Collective. “I thought about calling it NI — Natural Intelligence,” he says. “But then I decided that we need to learn from all three types of intelligence.” The exhibition will fill 7,000 sq m of the Arsenale, Venice’s former shipyards and armouries. Ratti is also keen that the national pavilions will fall under his spell as well. These are dotted through Venice’s Giardini, like a 19th-century view of the western world in miniature, while newer arrivals (which this year include Oman and Togo) are to be found in the further reaches of the Arsenale and around the city. “I met with the national participants four times,” says Ratti, who has clearly worked exhaustively on the project with his small team.
“The national pavilions are often good, but a hodgepodge,” he continues. He was part of the 2014 Biennale curated by the Dutch architect Rem Koolhaas, who famously forced countries to march to the beat of his thematic drum: Absorbing Modernity. It seems unlikely that Ratti will be able to orchestrate similar conformity. Many teams had embarked on their projects before his own theme emerged. Britain had already teamed up with Kenya, to focus on how to reverse the destruction brought about by the geological extraction exacted by colonial systems. The pavilion of the Nordic countries (Finland, Norway, Sweden) is looking at architecture through the lens of the trans body. Still, his subject — in the face of recent fires in LA and floods in Valencia and Bangladesh — will be on many participants’ minds.
Ratti was appointed to the directorship in December 2023, and the fact that he is the first Italian for years to take the role (the last was Massimiliano Fuksas, who directed with his wife Doriana in 2000) has been seen by some as the rightwing government’s determination to Make the Biennale Italian Again and neutralise the event’s perceived leftism. “Ratti doesn’t talk about politics,” says Dario Pappalardo, an editor at the left-leaning La Repubblica. “But his approach is technical, smart, new. It can seem cold in a way. But he’s the most interesting of his generation coming from Italy, and he has an international career.”
In fact, Ratti’s range is vast. As well as heading up MIT’s Senseable City Lab which he founded in 2004, he runs a busy architectural practice with offices in Turin, New York and London. He has worked on large buildings, introducing lush tropical nature to a 280m tower in Singapore designed with the Danish architects Big, while one of his personal hits is the Makr Shakr, a robotic cocktail dispenser which is a star turn on cruise ships. A project for Helsinki aims to help decarbonise the city’s heating system by 2030 thanks to large floating islands that function as thermal batteries.
When it comes to the Biennale, though, he has some tough acts to follow. Alejandro Aravena, a Chilean architect with movie star looks and a fuzzy humanist agenda, created a highly empathetic show in 2016; and Lesley Lokko, a Ghanaian-Scottish architect, educator and novelist, delivered an intriguing and emotional edition in 2023 that turned the (western) world upside down and brought in protagonists from many previously unrepresented countries, particularly African ones.
Ratti is unperturbed. “Inclusion has many dimensions,” he says. “We have many different generations and disciplines involved; maybe the most female participants ever. [American architect] Jeanne Gang is even looking at animals, creating an architecture for them in and outside the Arsenale in which they can thrive.”
Perhaps unsurprisingly in his hands, even AI is given a positive role: ChatGPT is being used to create a series of imaginary conversations between living and historical figures that will be published in the Biennale’s catalogue. “In one, the head of AI at MIT asks Isaac Asimov how we can be sure that robots won’t hurt us,” Ratti says gleefully.
There’s a switched-on quality to Ratti’s wired but tidy mind. His own research underlines the value of real-time data and how it can improve city life. “Even 20 years ago, we didn’t have access to this level of real-time information,” Ratti says. “Data allows us to understand the urban environment better and create real-time loops, real responses. It can turn a city into a living organism.” And then he’s off: Bologna, Paris, London, Milan and — after that — Osaka, where his firm has co-designed the French pavilion at Expo 25. He doesn’t get jet lag, he says: “It’s easy enough not to sleep.”
Pope Francis’ procession will be held on Wednesday, and his funeral service will take place Saturday April 26.
The royal family is paying its respects to the late Pope Francis.
Prince William, son of King Charles III, will attend the pope’s funeral in St. Peter’s Square at the Vatican on his father’s behalf, Kensington Palace announced on April 22. Pope Francis died on April 21, Easter Monday, at age 88 due to a stroke and irreversible heart failure.
The April 26 funeral is expected to be attended by world leaders, with President Donald Trump having already announced that he would fly to Rome with his wife Melania for the service.
Hours before he fell into a coma and his subsequent death, Pope Francis had dazzled an Easter Sunday crowd in St. Peter’s Square by blessing them from a balcony and then rolling among them in his popemobile to raucous cheers.
In an April 21 statement on social media, Charles said he and wife Queen Camilla were “deeply saddened” by the pope’s death, but their “heavy hearts were somewhat eased” knowing “His Holiness was able to share an Easter greeting with the Church and the world he served with such devotion throughout his life and ministry.”
“His Holiness will be remembered for his compassion, his concern for the unity of the Church and for his tireless commitment to the common causes of all people of faith, and to those of goodwill who work for the benefit of others,” Charles added. “His belief that care for Creation is an existential expression of faith in God resounded with so many across the world.”
Pope Francis live updates: The pope’s final hours, last words revealed
Charles’ tribute came just two weeks after he and Camilla visited Italy for a four-day state visit the week of April 7. The engagement marked the monarch’s 17th official visit to Italy and his first overseas trip of 2025 as he continues to undergo treatment for an unspecified form of cancer.
“Through his work and care for both people and planet, he profoundly touched the lives of so many,” said Charles of Pope Francis. “The Queen and I remember with particular affection our meetings with His Holiness over the years, and we were greatly moved to have been able to visit him earlier this month.”
Charles, 76, whose workload must be managed carefully amid his cancer recovery, wrote privately to the pope when Francis was taken ill, a source previously told Reuters. The pair met during Charles’ visits to Rome in 2017 and 2019 before he became king.
It’s a ‘devastating loss’: Pope Francis’ death mourned by King Charles
As British monarch, Charles heads the Church of England, which split from the Catholic Church in 1534. A palace spokesperson said at the time that his and Camilla’s trip would symbolize a significant step forward in relations between the two and mark celebrations for the 2025 Catholic Holy Year.
“We send our most heartfelt condolences and profound sympathy to the Church he served with such resolve,” Charles wrote in the ending to his statement, “and to the countless people around the world who, inspired by his life, will be mourning the devastating loss of this faithful father of Jesus Christ.”
Contributing: Muvija M and Michael Holden, Reuters; Anna Kaufman, Taijuan Moorman, John Bacon, Thao Nguyen and Jorge L. Ortiz, USA TODAY
‘The Wedding Banquet’ 2025 trailer: Bowen Yang stars in new movie
A gay man (Han Gi-Chan) and his lesbian friend (Kelly Marie Tran) hatch a plan for a green card marriage in this remake of Ang Lee’s 1993 movie.
An Emily Henry novel reads like a classic rom-com in the making.
How apt, then, that the romance author has optioned several of her beloved titles to be made into movies or TV series. Classic beachside love affairs, five of Henry’s novels are currently slated for adaptation: “People We Meet on Vacation”; “Beach Read”; “Book Lovers”; “Happy Place” and “Funny Story.”
But how does Henry feel about letting go of the characters on her pages and allowing them to be interpreted for the screen?
“It can be a battle,” she told USA TODAY in a recent interview ahead of the release of her latest book “Great Big Beautiful Life.”
Her role, she says, is “to be the person who is shouting ‘the readers won’t like that’ or ‘they’ll love that.’” She’s looking forward to letting the projects unfold.
Emily Henry reveals what love means to her as ‘Great Big Beautiful Life’ hits bookstores
‘People We Meet on Vacation’ movie and more Emily Henry adaptations to come
“I’m so, so glad that it’s happening and I’m really excited for readers and that is ultimately why I have enabled myself to let go enough for this to happen is for the readers,” Henry says.
Book-to-screen adaptations can land a beloved book’s story in tumultuous waters. Plot points can be cut or changed. Fans can object to casting choices. Then there’s the media circus and gossip that can follow, most recently seen in actor drama tied to BookTok favorite “It Ends With Us.”
“It is so hard and weird and painful and it’s humbling in ways that are really beautiful and ways that are really horrible,” Henry says. “When you are working on an adaptation and you’re the author of the original thing, you are the least important person in every room if you’re even in the room.
“That can be hard and painful to loosen your grip that much,” she admits. “It can be a battle because as the original writer, you know, the audience very well, and you’re attuned to what they love and what they don’t like.”
That’s just part of the deal, though, she concedes, pointing out that “you can’t make a movie as one person,” so to see her characters on the big screen, she’ll have to loosen a bit to allow for competing visions of the love stories that have made her famous.
What’s next for Emily Henry?
Yulin Kuang, who is adapting “People We Meet on Vacation,” will also adapt “Beach Read” for film. “Happy Place” is being developed into a Netflix series with Jennifer Lopez’s production company, Nuyorican. And Henry herself is writing the script for the “Funny Story” movie.
Her newest novel, “Great Big Beautiful Life,” at over 400 pages, was a heavy lift − so the first thing on Henry’s docket is to take a “breather,” she jokes.
Then she may pivot back to another classic rom-com novel, a format her latest book strayed from slightly, and she’s looking forward to fans getting their eyes on an adaptation soon. No official release dates for any of the projects have been revealed, but Henry promises one will be ready soon.
“Hopefully we’ll have an adaptation out to view very soon, so that’s something I’m looking forward to,” she says.
Here’s why Diego Luna feels ‘Andor’ is so relevant today
“Andor” star Diego Luna tells USA TODAY’s Brian Truitt why he feels this series is so relevant today.
May the Force − and a Xanax − be with you.
The first season of the Emmy-nominated Disney+ series “Andor” featured Diego Luna reprising his role as Rebel spy Cassian Andor from the 2016 “Star Wars” movie “Rogue One” and showing how he hooked up with the galactic good guys. A prequel to a prequel (since that film was a backstory to the original 1977 “Star Wars”), “Andor” Season 2 (first three episodes streaming April 22 at 9 ET/6 PT, then three more each Tuesday) sets up the events of “Rogue One” while also upping the action and the anxiety − for its characters and the audience.
As the Empire rules the galaxy with an iron hand (and builds a secret weapon of mass destruction), pockets of resistance are growing, and everybody’s stressed out. That psychological aspect is “the beauty of the season,” Luna says, and explores “how difficult a revolution is. There’s all these factions, and yes, there’s a moment where everyone can aim to the same target, but then you are there, left together, and all those differences become an issue.”
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In Season 1, Cassian was part of a massive prison break and an insurrection against Imperial forces in his home of Ferrix. Twelve new episodes ratchet up the stakes, as he steals a TIE Fighter, goes undercover on the planet Ghorman − where the Empire’s up to no good and there’s a scrappy group of resistance fighters − and is recruited for a high-profile rescue mission.
But all the various personalities around him are tested as well. His girlfriend, Bix (Adria Arjona), has PTSD after being tortured by the Empire. Senator Mon Mothma (Genevieve O’Reilly) risks her personal and political life for the nascent Rebel Alliance, while the more hardcore guys in the resistance, including Luthen Rael (Stellan Skarsgard) and extremist Saw Gerrera (Forest Whitaker), are a bit more morally dubious in their actions. Even Imperial folks are feeling palpable unease, including ambitious couple Dedra Meero (Denise Gough) and Syril Karn (Kyle Soller).
Showing this sort of universal galactic anxiety was important to “Andor” creator Tony Gilroy. “That’s how I fed my family for 30-plus years. I’m in the behavior empathy business,” says the Oscar-nominated director of “Michael Clayton” and writer on “Dolores Claiborne,” “The Devil’s Advocate” and four “Bourne” movies. “The better my ability to inhabit every character, the better the storytelling will be. That’s the game.
“In this show, everybody’s confronted with epic decisions of great importance all the time, organically. It’s just my job to make them as real as I possibly can.”
‘Andor’: Diego Luna sparks a rebellion in ‘Star Wars’ series
Cassian Andor (Diego Luna) and other Rebels scramble to revolt against the Empire in the second season of Disney+’s “Star Wars” series “Andor.”
Gilroy doesn’t tell stories about “good and bad” people, Luna adds. “There’s just people surviving a galaxy that’s turning darker and darker on them. It’s why this show is so relevant today, and it’ll be relevant in years, because it’s about the complexity of community work.”
Gough compares “Andor” to “Angels in America,” which she starred in on Broadway in 2018. “You have essentially six leading characters across eight hours of the most intense journeys for each of them,” the Irish actress says. “They never cross each other enough to help each other out of whatever. They are all on their own mission. And when I was watching (‘Andor’), I was like, ‘God, you’re sort of alone together.’ ”
The appearance of Ben Mendelsohn’s villainous Orson Krennic, the primary antagonist of “Rogue One,” was one example of a “Star Wars” personality where showing vulnerability and “realness” might demystify him in a way.
“All roads lead to the Death Star, and I had to get him in there to start the fuse on that,” Gilroy says. “Some characters really benefit from learning their DNA and their provenance, and it might diminish his. I’m not sure I want to watch him make coffee in the morning.”
Luna calls “Andor” a “beautiful excuse” to explore the political and social climate of a revolutionary period. Besides a commitment to actual emotions, there’s also an emphasis on bringing more relatability and less fantasy to the “Star Wars” landscape, from mass media to wedding receptions. “If it doesn’t remind you of something you have experienced before, probably it’s not right.”
Gilroy also dipped into our own history, especially when depicting the Imperial massacre at Ghorman − mentioned in various “Star Wars” projects and explored in depth in “Andor” − that ignited the rebellion. A scene from the Season 2 premiere featuring Krennic and the Imperial brain trust was modeled after the Wannsee Conference, a 1942 meeting of Nazi officials pivotal to carrying out the Holocaust.
“One of the things they really needed was propaganda and media,” Gilroy says. “Power has always used narrative as a way of shaping the battlefield, whether it’s the burning of the Reichstag or the Gulf of Tonkin (incident) that gets America into Vietnam or the sinking of the Lusitania. The use of truth and story has been in the playbook of oppression since people were sitting around a campfire. Instead of carrier pigeons, now it’s something else, but that’s a very potent tool.”
Scarlett Johansson, Sebastian Stan arrive on Oscars 2025 red carpet
Scarlett Johansson, Sebastian Stan, Penélope Cruz, Gal Gadot and more arrive on the 97th Oscars red carpet.
Entertain This!
Sebastian Stan’s Marvel superstardom may have never happened if it wasn’t for a raunchy 2010 comedy.
In a conversation with Vanity Fair published April 21, the Oscar-nominated actor, 42, reflected on how much the role of Bucky Barnes in the Marvel Cinematic Universe changed his life. Stan recalled how he was “actually struggling with work” before he was cast in 2011’s “Captain America: The First Avenger.”
“I had just gotten off the phone with my business manager, who told me I was saved by $65,000 that came in residuals from ‘Hot Tub Time Machine,’” he told Vanity Fair.
In the 2010 comedy about a group of friends who go back in time through a hot tub at a ski resort, Stan played the over-the-top bully character Blaine, who gets into a fight with Rob Corddry’s Lou.
Sebastian Stan says other actors are ‘afraid’ to interview him for his Donald Trump movie
“Hot Tub Time Machine” was one of Stan’s earliest movies after he previously had roles in films like “Rachel Getting Married” and shows like “Gossip Girl.”
In a conversation with Variety last year, he said he had some of the “most fun I’ve ever had on a project” working on “Hot Tub Time Machine.”
One year after the movie’s release, Stan debuted as Steve Rogers’ (Chris Evans) buddy Bucky Barnes in “Captain America: The First Avenger,” catapulting him to global fame.
He has now played the character across numerous Marvel films and TV shows for nearly 15 years, including in May’s “Thunderbolts,” which pairs him with Florence Pugh’s Yelena from “Black Widow.” Stan has also been announced as part of the massive cast of 2026’s “Avengers: Doomsday.”
Sebastian Stan talks his total Trump-ification for new movie ‘The Apprentice’
Stan previously starred as Bucky in 2018’s “Avengers: Infinity War” and 2019’s “Avengers: Endgame.” In a full circle moment for the actor, “Endgame” included a scene where Paul Rudd’s Ant-Man references “Hot Tub Time Machine” during a discussion about the rules of time travel.
“I was watching the movie and they made that reference, and I kind of looked around excited, but no one cared,” Stan joked during a 2019 panel. “I was the only one that really cared.”
During that same panel, Stan also touched on his past career struggles, revealing that in 2011, his business manager warned, “You have one month left until you’re completely bankrupt.” He quipped, “That’s always a good call.”
Penn Badgley is ready to say goodbye to ‘You’ character, Joe Goldberg
After playing Joe Goldberg on “You” for the past 10 years, Penn Badgley reflects on the show’s impact.
NEW YORK – Hello, you. Meet me at Mooney’s?
If you’ve ever wanted to visit the cozy bookstore from Netflix’s hit series “You,” now is your chance. You might not find Joe Goldberg working the counter, but for two days only, New Yorkers get to step inside the show’s world at a pop-up Mooney’s in Soho.
From April 22-23, fans can take photos inside the staged store, grab “You” swag and participate in literary scavenger hunts at the location at 489 Broome St., New York. Participants must register for entry and can sign up for a time slot between noon and 9 p.m. using a QR code posted outside the store.
Bookstore from ‘You’ series gets temporary NYC spot
The Mooney’s early birds caught the worm on the pop-up’s opening day – “You” star Penn Badgley himself made an appearance to surprise fans and snag some pictures.
Inside the pop-up, you’ll find dark walls, gold-framed pictures, green bankers lamps and dozens of bookshelves reminiscent of “You.” Grab a Mooney’s swag bag from the front desk and head out on a scavenger hunt amid the shelves to solve for a secret code that’ll get you access to the second part of the experience.
Solve the mystery and you’ll be ushered into a dark hallway with replicas of the artifacts Goldberg kept from his victims, all the way back to Guinevere Beck in Season 1. At the end of the hallway is Goldberg’s pièce de résistance – the glass case he uses as a vault to trap his lovers and enemies. Take a picture inside (if you dare) and take a look at the serial killer mappings on the walls.
When does ‘You’ Season 5 come out?
Season 5 of “You” will be available to stream on Netflix starting April 24. The final season sees Goldberg back in New York City and is expected to tie up some loose ends. After his Season 4 stint in London, Goldberg returns to the city with his wife and son, one eye over his shoulder in case the (literal) skeletons in his closet spill out.
Clare Mulroy is USA TODAY’s Books Reporter, where she covers buzzy releases, chats with authors and dives into the culture of reading. Find her on Instagram, subscribe to our weekly Books newsletter or tell her what you’re reading at [email protected].
Presale tickets for “John Mulaney: Mister Whatever” in Detroit will be available starting April 23.
John Mulaney praised girlfriend Olivia Munn for ‘fighting so hard’ during her breast cancer battle
John Mulaney has praised his girlfriend Olivia Munn, with whom he has a two-year-old son, for “fighting so hard” during her battle with breast cancer.
Bang Showbiz
John Mulaney, the “Saturday Night Live” favorite and freshly minted talk show host, is taking his act on the road.
On April 22, Mulaney announced a brand new stand-up comedy tour, which will bring him to venues across the U.S. and Canada. Kicking off in June, the tour, entitled John Mulaney: Mister Whatever, will run through mid-December.
With 31 stops, the Emmy-winning funny man, who is currently hosting the quirky Netflix talk show “Everybody’s Live with John Mulaney,” will bring laughs to crowds across North America.
John Mulaney opens up about life with infant son Malcolm during Hollywood Bowl show
John Mulaney tour dates
See if John Mulaney is headed to your city:
June 27, 2025 − Prudential Center Arena − Newark, New Jersey
June 28, 2025 − Turning Stone Resort Casino − Verona, New York
June 29, 2025 − Tanglewood Theater − Lenox, Mass.
July 18, 2025 − Grand Casino Hinckley Amphitheater − Hinckley, Minn.
July 19, 2025 − Assiniboine Park − Winnipeg, Manitoba
July 20, 2025 − Kinsmen Park − Edmonton, Alberta
Aug. 7, 2025 − Westbille Music Bowl − New Haven, Conn.
Aug. 8, 2025 − Bethel Woods Center for the Arts − Bethel, New York
Aug. 9, 2025 − Cross Insurance Arena − Portland, Maine
Aug. 10, 2025 − Garrison Grounds − Halifax, Nova Scotia
Sept. 5, 2025 − Massey Hall − Toronto, Ontario
Sept. 6, 2025 − CMAC − Canandaigua, New York
Sept. 13, 2025 − Brockton Oval − Stanley Park − Vancouver, B.C.
Sept. 18, 2025 − The Met − Philadelphia
Sept. 25, 2025 − Boch Center − The Wang Theatre − Boston
Oct. 4, 2025 − Durham Performing Arts Center − Durham, North Carolina
Oct. 5, 2025 − North Charleston Coliseum & Performing Arts Center − North Charleston, South Carolina
Oct. 10, 2025 − The Mountain Winey − Saratoga, Calif.
Oct. 11, 2025 − Dolby Live − Park Theater − Las Vegas
Oct. 12, 2025 − The Rady Shell at Jacobs Park − San Diego
Oct. 16, 2025 − Fox Theatre − Detroit
Oct. 23, 2025 − Peterson Events Center − Pittsburgh
