Author: business

  • Ye sued for copyright infringement by singer angry over antisemitism

    Ye sued for copyright infringement by singer angry over antisemitism

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    Ye, the artist formerly known as Kanye West, is being sued for copyright infringement.

    In a complaint filed Tuesday in California, German singer-songwriter Alice Merton accused Ye of “massive and continuing unauthorized commercial exploitation” of her song “Blindside.”

    In the filing, lawyers for Merton, her record label and her publishing company allege that Ye’s 2023 song “Gun to My Head,” illegally sampled her track without proper permission or compensation.

    USA TODAY has reached out to Ye’s lawyers for comment.

    Merton, who rose to fame after the release of her popular song “No Roots” in 2016, is principally known in Europe but has achieved some American crossover appeal, performing on several late-night programs in the U.S.

    In the filing, she alleges that Ye, along with Kid Cudi, who is featured on “Gun to My Head,” released the track to widespread attention, as it marked the first music drop for both rappers in a while.

    When the public began to notice that it sampled “Blindside,” Ye and his record label requested approval to use the track, which Merton denied, the complaint claims. While she did not originally share her reasoning with Ye, after a follow-up email requesting an explanation, Merton informed the rapper’s team that “the artist’s values are contrary to our values.”

    Merton, who is a direct descendant of holocaust survivors, cited Ye’s “antisemitic, racist remarks” as the underlying reason she “was unwilling to compromise her personal beliefs and wanted not to be associated with Ye in any manner,” according to the complaint.

    In recent years Ye has taken to sharing controversial political and social beliefs online, often spouting antisemitic screeds on X that valorize the swastika symbol and accusing Jews of being untrustworthy, among other things.

    When Ye released his album “Vultures” in 2024, which “Gun to My Head” was slated to be a part of, fans were disappointed that the song was missing and blamed Merton, the complaint claims.

    “Ye’s fans were relentless, making threats to Merton should she not clear the sample,” the filing reads. “Following these threats, Merton feared returning to America for further tour dates. She also stopped performing (‘Blindside’) at concerts for fear of confrontation or potential violence against her.”

    Amid the harassment, Ye did nothing to call off the witch hunt headed by his fans, the complaint alleges.

    “Ms. Merton continuously rejected attempts by Ye and his team to use a sample of her song ‘Blindside,’” lawyers for Merton wrote in a statement to USA TODAY Thursday. “However the Ye song using Merton’s sample, ‘Gun to the Head’ was released and is still available in multiple spots on the internet …The unauthorized use was particularly problematic for Ms. Merton given she is the descendant of holocaust survivors and does not want her image or likeness associated with Ye and his antisemitic diatribes.”

    Merton is requesting damages along with a jury trial.

  • Ed Sheeran has a surprise for subway ridersCelebrities

    Ed Sheeran has a surprise for subway ridersCelebrities

    Ed Sheeran has a surprise for subway ridersCelebrities

  • Sarah Hyland talks ‘Great Gatsby’ musical, ‘Modern Family’ anxiety

    Sarah Hyland talks ‘Great Gatsby’ musical, ‘Modern Family’ anxiety

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    NEW YORK – At 15, Sarah Hyland made her Broadway debut in the Tony-winning “Grey Gardens,” a musical adaptation of the cult classic documentary.

    For the “Modern Family” star, the show brings back memories of SAT prep and bad ex-boyfriends.

    “I got dumped right before my 16th birthday, but he was there at the opening-night party,” Hyland recalls with a self-deprecating smirk. “My life as a teenager!”

    Hyland, 34, is back on the boards for the first time in nearly 20 years in “The Great Gatsby,” stepping into the iconic role of Daisy Buchanan at the Broadway Theatre. The Jazz Age musical feels like a homecoming for the Manhattan native, after more than a decade of living in Los Angeles while she played eldest daughter Haley Dunphy on TV. 

    Being back on stage as an adult is “so nice because I’m not having to go to school every day,” Hyland quips. “I have the luxury of being like, ‘You know what? I can sleep in until noon.’” Even more so, “it’s just a really beautiful, full-circle moment. I’m tap-dancing again! I haven’t tapped in decades. So it’s bringing me a lot of childlike joy.”

    Sarah Hyland talks ‘weighty’ connection to Broadway’s ‘Great Gatsby’

    Like F. Scott Fitzgerald’s 1925 novel, the stage adaptation tells the doomed love story between the ravishing caged bird Daisy and mysterious millionaire Jay Gatsby (Ryan McCartan). Daisy has long frustrated and fascinated readers, as she chooses money and status over genuine connection. But rather than dismiss her as shallow, Hyland sees the wife and mother as a survivor.

    “I read the book so many times as a young person, and I never thought Daisy was flaky or flippant,” Hyland says. “When you think of ‘Gatsby,’ you think of parties and prohibition and romance. But being a woman in the 1920s, there’s a lot of layers to that. She will do whatever it takes to be with her daughter and make sure her child has the best life.”

    Her sacrifice and desperation come full bore in “Beautiful Little Fool,” Daisy’s crushing ballad about navigating a patriarchal society. For Hyland, it’s a way to honor the resilience of women and the LGBTQ+ community in today’s climate: “As the words are coming out of my mouth, it’s so heavy. This book came out 100 years ago, but it’s still so relevant.”

    Marc Bruni, who directed “Gatsby,” praises the “intelligence and intention” that Hyland imbues Daisy with.

    “Sarah has a deep sense of craft and processes everything through her own barometer for truth,” Bruni says. “Her exquisite rendition of ‘Beautiful Little Fool,’ in particular, revels in the delicious complexity of Daisy, and elicits a hugely emotional response from the audience every night.”

    Hyland says the overwhelming success of ‘Modern Family’ still ‘hasn’t hit me yet’

    Hyland first fell in love with acting as a little girl watching Shirley Temple movies. Her parents, Melissa Canaday and Edward Hyland, are both actors. In fact, while Hyland was playing Audrey in “Little Shop of Horrors” Off-Broadway last summer, her dad was on the exact same street performing in “Harry Potter and the Cursed Child.”

    “It was so nice to have him up the block,” Hyland says with a grin. “Honestly, the person who loved it the most was my mom, so she didn’t have to take too many trips back and forth!”  

    The actress made her film debut at age 5, playing Howard Stern’s daughter in the 1997 comedy “Private Parts.” Some of her earliest memories are on movie sets: doing homework in Jennifer Aniston’s trailer during “The Object of My Affection,” and learning to cry on cue while shooting “Annie” with Kathy Bates.

    “I’m really fortunate to have always been surrounded not only by the cream-of-the-crop, talented actors, but also just delightful human beings,” Hyland says.

    By the time ABC sitcom “Modern Family” came around, Hyland jokes she was a “jaded” industry veteran with “zero expectations. I was like, who knows if this is even going to get picked up? At least I booked something.”

    The comedy became a cultural phenomenon, airing for 11 seasons and scooping up 22 Emmys, along with four Screen Actors Guild Awards for best ensemble. Memes and clips from the series frequently make the rounds on social media: “The impact it’s had on people is still mind-boggling to me,” Hyland says. “And I’m such an awkward person that I never know how to react to that!”

    “Modern Family” wrapped filming in February 2020, weeks before the U.S. went into COVID-19 lockdown. The cast has remained close: Jesse Tyler Ferguson came to see Hyland in “Gatsby” last month, while many others were on hand at her 2022 wedding, when she tied the knot with “Bachelor in Paradise” alum Wells Adams. That’s partly why she never panicked about the show ending.

    “If I had any anxiety at all, it was just what’s going to be my next job?” Hyland says. “I feel like I never got to the point of actually grieving ‘Modern Family’ because we were just thrown into this worldwide pandemic and hoping that people lived. The stakes became so much higher elsewhere.”

    Hyland is ready for ‘where the wind takes me’ next

    Hyland has worked steadily these last few years, hosting “Love Island” for two seasons on Peacock, and starring in the streaming comedy “Pitch Perfect: Bumper in Berlin.” And in 2021, Hyland joined chocolate supplement brand Sourse as a co-founder, spurred by her experience being “in and out of hospitals my entire life.” The actress was diagnosed with kidney dysplasia as a child and has undergone two kidney transplants. She’s also had surgeries for both endometriosis and an abdominal hernia.

    Working in the wellness space and getting to meet others with similar experiences has been “really fulfilling,” Hyland says. “Invisible illness and chronic illness warriors – the majority of people don’t understand what one day is like for us. It could be a good day or a really bad day, and you still have to go to work and live your life. I love that the door has been opened, so now we can have actual conversations about it. If you never do, it feels so isolating.”

    Hyland relies on the basics ‒ water and sleep ‒ to power through her grueling eight-show weeks (“Recovery time is so, so important for my body”). On her rare off nights from “Gatsby,” she and Adams have been trying to catch as many musicals as possible (“He loves the big, glitzy Broadway shows”). Recently, she’s been excited to support her pals Nicole Scherzinger (“Sunset Boulevard”) and Jordan Fisher (“Hadestown”) in their respective productions.

    “My friends and I don’t go out to clubs: We just sit in the living room, drink wine and sing show tunes,” Hyland says. “I just love the theater community so much ‒ it’s part of my DNA.”

  • Sarah Hyland talks 'Great Gatsby'Entertain This!

    Sarah Hyland talks 'Great Gatsby'Entertain This!

    Sarah Hyland talks ‘Great Gatsby’Entertain This!

  • Johnny Mathis announces retirement from performingEntertainment

    Johnny Mathis announces retirement from performingEntertainment

  • Laurie Metcalf says ‘The Conners’ is not the ending you might expect

    Laurie Metcalf says ‘The Conners’ is not the ending you might expect

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    After seven seasons, “The Conners” is getting ready to leave the air.

    As fans anxiously await the last few episodes of the series, Laurie Metcalf, who plays Jackie Harris on the popular “Roseanne” spinoff, is urging viewers not to expect a storybook ending.

    In an interview with People published Wednesday, Metcalf revealed the final season is “not going to have a big bow tied up.”

    “There’s a lot to wrap up and I think the writers are really working hard to get everybody’s storylines sort of … not completed,” Metcalf told People.

    “It will remain true to their storyline, what happens to them in the final episode,” she told the outlet. “But, it’s a very short amount of time to wrap up this many seasons of a family that’s covered decades.”

    “The Conners,” which also stars John Goodman and Sara Gilbert, follows an eponymous fictional working-class family as they navigate the struggles of daily life and an ever-tightening budget.

    A second act for “Roseanne,” the series imagines the family at the heart of the original show but without the matriarch, who was played by Roseanne Barr. Barr’s controversial comments on Twitter, now X, led to the original reboot of the show being canceled in 2018 and later reimagined as “The Conners.”

    The spin-off has enjoyed widespread success, but as it winds down don’t expect “something wacky or kind of culminating” to happen during the finale, Metcalf’s co-star Lecy Goranson warns.

    “It’s just not really our style. Our show is about real people and real-life situations, so I feel like we don’t need to do that,” she told People.

    Goranson, who plays Becky Conner, says she’s not really ready to say goodbye.

    “I’m already thinking of the next thing for all of us, including the crew,” she told the outlet. “I’m an optimist and I’m thinking, ‘How do I keep us all together?’ I just refuse to believe that it’s done.”

    When is ‘The Conners’ finale?

    The final six episodes of the show began premiering on ABC on March 26 and will air Wednesdays at 8 p.m. ET.

  • Nicole Kidman is tulip crazy in dull thriller

    Nicole Kidman is tulip crazy in dull thriller

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    The biggest mystery in the Nicole Kidman thriller “Holland” is how to keep from falling asleep. Since it’s streaming on Prime Video, Amazon really should throw in a coffee maker so you can make it to the film’s lackluster denouement.

    “Holland” (★½ out of four; rated R; streaming now) immerses Kidman in Midwestern malaise, taking the A-lister to a Michigan town known for its tulips, ginormous windmill and Dutch festival fare. Her Lifetime-esque potboiler centers on a bored working mom who discovers her husband might not be on the level, but while the locale is postcard idyllic, the narrative is a never-ending slog, only getting halfway interesting with a silly third-act twist and a suddenly bloody finale.

    “Every day I get to wake up in the best place on Earth,” says Nancy Vandergroot (Kidman), almost trying to convince herself that her perfect life isn’t perfectly boring.

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    ‘Holland’: Nicole Kidman is embroiled in a Midwestern mystery

    A bored Michigan woman (Nicole Kidman) begins to think her optometrist hubby (Matthew Macfadyen) might be living a double life in “Holland.”

    Nancy’s biggest issues seem to be her 13-year-old son Harry (Jude Hill) being “cheesed off” at her and wondering if disinterested babysitter Candy (Rachel Sennott) stole one of her pearl earrings. She teaches life skills at the high school, where she sips on a Hi-C juice box during chats with shop teacher pal Dave (Gael García Bernal), and comes home to strait-laced optometrist husband Fred (Matthew Macfadyen) when he’s not traveling for work. Which is often.

    But drawing ketchup hearts on meatloaf isn’t doing it for Nancy anymore. She’s haunted by weird nightmares and increasingly restless when she discovers small clues that make her believe Fred isn’t being entirely truthful about where he’s been going.

    When she worries about him cheating, Dave tries to have her keep things in perspective – he even wonders aloud to her what we’re all thinking, like who’s going to hook up with this dull eye doctor? However, Dave also fosters strong feelings for Nancy, so he becomes a willing participant in her sneaky missions to seek out evidence. Along the way, Nancy and Dave dig up something wholly unexpected that puts a damper on their enjoying Holland’s Tulip Time parade.

    Directed by Mimi Cave, who helmed the more confidently bonkers “Fresh,” “Holland” is a slice of underwhelming disturbia that wastes its actors and its premise. Holland, Michigan, is REALLY into tulips and offers a lot of potentially interesting visuals and plot points, yet much of the thriller could have been set anywhere. There is one creative use of a wooden clog that’s pretty inspired, and a couple of scenes with Kidman in Dutch wardrobe that are unsettling, purposefully or not.

    Kidman has done better nervy performances than this, but she also doesn’t have a ton to work with in Andrew Sodroski’s script: There are quite a few seeds planted that tease to Nancy’s mysterious backstory but frustratingly fail to bear fruit. Bernal is solid as a man who lets love get in the way of making smart decisions for his own well-being, while Macfadyen, one of the best things about “Succession,” gets the best role. Fred is as white bread as they come, happily sharing his massively detailed train set with his boy, yet the British actor does darkly smarmy better than most anyone.

    While “Holland” has decent star power, it whiffs on its comedic tones, sinister underpinnings and a mystery that doesn’t exactly satisfy. Instead of playing with your mind and a sense of reality, this forgettable flick will just make you snooze.

  • Remi Bader says she got weight loss surgery SADI-S

    Remi Bader says she got weight loss surgery SADI-S

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    Influencer Remi Bader is opening up about how her weight loss procedure led her into a “deep depression.”

    The TikTok star appeared on Khloé Kardashian’s podcast “Khloé in Wonder Land.” In an interview posted Wednesday on X, Bader, 30, opened up about undergoing a bariatric surgery called SADI-S over a year ago due to her health issues and her struggle with opening up about the surgery due to privacy concerns.

    Bader explained that she gained “80 to 100 pounds” in 2023, and suffered from knee pain. At one point, she was bedridden for a month due to back pain.

    Bader said other weight loss methods didn’t work for her, including trying Ozempic twice and Manjaro once.

    “I tried Ozempic before it was even a thing,” she said. “My doctor was just like, ‘Oh, you’re pre-diabetic, you should try this.’ I lost probably, like 10 pounds, but I was really sick and threw up a lot from it.”

    She then began considering other methods. Though she was concerned with public perception, a doctor referred to her convinced her to have a single anastomosis duodenal-ileal bypass with sleeve gastrectomy, a newer procedure recommended for her situation that is supposed to be simpler than other weight loss surgeries such as gastric bypass.

    Why Remi Bader calls weight loss surgery recovery ‘worst thing of my life’

    Normally, the surgery is a brief recovery process, her doctor told her, but for Bader, it was the “worst thing of my life.”

    “I couldn’t leave the hospital. I couldn’t swallow water. I was like, projectile vomiting,” she said. “But then that went on for six weeks.”

    Things got so bad that Bader went to stay with her parents, she said. She describes the recovery process as a dark time: “I got (in) a very scary, deep depression. I did not want to live anymore, I would literally just stare at the wall all day and be sick. It was just horrifying.”

    She also battled with feelings of guilt.

    “I think at that time, I had a lot of regret. I was like, ‘Oh my God, I’ve been this person that people looked up to online for this whole time,’” she added. “I was very open that I was struggling, but I was this person that was like, ‘But be confident in whatever you look like.’”

    Now, she said she’s in a much better mindset and is getting to a place where she loves herself internally and externally.

    The model emphasized that people with bigger body types could be healthy, and admitted that she was “so jealous” of her friends who were confident in their bodies. But, she said, “My journey was different.”

    “I was in pain. I was struggling with health, and this is what I felt I needed to do,” she said.

    What is SADI-S?

    SADI-S is a bariatric, or weight loss, surgery combining two weight loss procedures: a sleeve gastrectomy and a duodenal switch, according to the American Society for Metabolic and Bariatric Surgery. For the sleeve gastrectomy, a doctor removes nearly 80% of the stomach into a smaller, tube-shaped stomach. For the duodenal switch, the first part of the small intestine is divided just below the stomach, and a section of the intestine is rerouted and connected to the stomach.

  • Rachel Zegler slammed by ‘Snow White’ producer’s son Jonah Platt

    Rachel Zegler slammed by ‘Snow White’ producer’s son Jonah Platt

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    The opening weekend of “Snow White” may have passed, but the drama surrounding the film isn’t going anywhere.

    Jonah Platt, son of “Snow White” producer Marc Platt (who is also the father of “Dear Evan Hansen” star Ben Platt), has slammed star Rachel Zegler in a since-deleted Instagram comment, partially blaming her for the movie’s disappointing box office debut.

    The 38-year-old took issue with Zegler’s social media activity, including her decision to post “free Palestine” on X after thanking fans for watching the “Snow White” trailer last year. He also confirmed a report from Variety that his father flew to New York to speak with Zegler, 23, after she made her “free Palestine” post. Zegler did not delete the post, which is still up on her X account.

    USA TODAY has reached out to representatives for Zegler, Marc Platt and Jonah Platt for comment.

    “My dad, the producer of (an) enormous piece of Disney IP with hundreds of millions of dollars on the line, had to leave his family to fly across the country to reprimand his 20 year old employee for dragging her personal politics into the middle of promoting the movie for which she signed a multi-million dollar contract to get paid and do publicity for,” Platt wrote in the since-deleted comment, according to Variety, The Hollywood Reporter and People. “This is called adult responsibility and accountability. And her actions clearly hurt the film’s box office.”

    Keep up with what the stars are saying: Sign up for USA TODAY’s Entertainment newsletter.

    Platt continued, “Free speech does not mean you’re allowed to say whatever you want in your private employment without repercussions. Tens of thousands of people worked on that film and she hijacked the conversation for her own immature desires at the risk of all the colleagues and crew and blue collar workers who depend on that movie to be successful. Narcissism is not something to be coddled or encouraged.”

    “Snow White” grossed $42 million in its opening weekend at the domestic box office, which was considered a disappointment compared to how other Disney live-action remakes have performed. The live-action “The Little Mermaid” opened to $95 million over three days in 2023, while 2015’s “Cinderella” started with $67 million. The “Snow White” debut was roughly in line with the live-action “Dumbo,” which opened to $45 million in 2019.

    The movie, which received mixed reviews, was the subject of numerous controversies in the years leading up to its release, including due to remarks Zegler made that were seen as dismissive of the 1937 original. Some fans also took issue with the casting of the “West Side Story” star, who is of Colombian and Polish descent, as Snow White, though most critics had nothing but positive things to say about her performance.

    In addition to supporting Palestine on social media, Zegler also posted on Instagram after the November presidential election that she hopes President Donald Trump and his supporters “never know peace.” Variety reported that Marc Platt also took issue with this post. Zegler later apologized and said she “let my emotions get the best of me.”

    Meanwhile, Israeli actress Gal Gadot, who played the evil queen in “Snow White,” drew protesters when receiving a star on the Hollywood Walk of Fame ahead of the film’s debut. The “Wonder Woman” star was a combat fitness instructor in the Israel Defense Forces during her mandatory two years of service and has advocated for Israeli hostages of Hamas amid the Israel-Hamas war. Protesters gathered across the street from Gadot’s Hollywood Walk of Fame ceremony, with one holding a sign that read, “Snow White supports genocide.”

    Fans, Melissa Barrera defend Rachel Zegler from ‘Snow White’ criticism

    Platt’s Instagram comment followed a report from Variety dissecting the box office disappointment of “Snow White” and the role that Zegler’s social media activity may have played in it.

    But the article prompted a wave of Zegler fans to defend her on social media. On X, one supporter argued that by reportedly refusing to delete her “free Palestine” post, the actress demonstrated “more backbone and integrity at 23 than 99% of powerful people in this country.”

    Melissa Barrera, who was fired from “Scream 7” due to her pro-Palestine social media posts that the studio alleged constituted hate speech, has also defended Zegler. On her Instagram story, the “In the Heights” star reshared a post saying that Zegler is “cool as hell and full of integrity.”

    Contributing: KiMi Robinson

  • ‘Bejeweled’ Dita Von Teese makes whole place shimmer in Vegas show

    ‘Bejeweled’ Dita Von Teese makes whole place shimmer in Vegas show

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    • Dita Von Teese brings opulence to her second Las Vegas residency at the Venetian Resort.
    • Her Voltaire show features elaborate costumes, including custom-made Swarovski-clad crystal outfits and Christian Louboutin heels.
    • Von Teese appeared in Taylor Swift’s “Bejeweled” music video.

    Dita Von Teese swirls in her larger-than-life champagne glass and the crowd leaps to its feet in joyous applause. She cups a strawberry sponge the size of a couch pillow and squeezes. Water cascades over her body.

    The iconic act is one of the many reasons fans are flocking to the Voltaire inside The Venetian Resort Las Vegas to watch the vedette’s second residency.

    “I first started performing that with my friend, Catherine D’Lish, who’s my creative collaborator in everything I’ve done,” Von Teese says.

    Bubbles hang from the ceiling. Magenta velvet chairs shaped like seashells are scattered throughout the space that fits 1,000. Von Teese wears a 1950s black dress with a red rose pattern to speak with the USA TODAY Network before one of her shows. Her hair is styled in an immaculate pageboy like an actress from the golden age of Hollywood.

    “It was originally a dueling glasses act where it was my best friend Catherine D’Lish in the champagne glass and me in the martini,” she says. “And we had music that shifted back and forth between classic champagne style music and then the swinging hit martini.”

    Best believe I’m still bejeweled

    The act caught the eye of superstar Taylor Swift, who featured Von Teese in her “Bejeweled” music video in 2022 following the release of her 10th studio album “Midnights.”

    “[Swift’s] assistant called and started talking to me about this project,” Von Teese reflects, “and then Taylor suddenly got on. It was really an amazing conversation. She knew everything about what I’d done.”

    The behind-the-scenes video of the “Bejeweled” set was played at each of the Eras Tour stops before Swift took the stage, bringing the art of burlesque to Swifties.

    “ I kind of introduced her to my whole world,” Von Teese says. “Like, here’s the stockings I wear. Let’s do the stocking peel. And she brought  a lot of new fans that maybe had never heard of burlesque, or never heard of me before.”

    ‘Dita Las Vegas’

    Von Teese’s 90-minute show has no dialogue. She let’s her acts, dancers and body of work do the talking. Visitors must be over 18.

    Clothes come off in effortless movements, and tassels adorn the dancers’ breasts. The burlesque show paints sexual confidence with an artistic brush. During the second act, Von Teese rides a pink velvet mechanical bull with 6-foot-long Swarovski crystallized horns while her dancers kick up their silver bedazzled boots.

    “It’s really fun for me to step into the role and direct someone on how to make it their own,” she explains of the vignettes performed by her cast members between costume changes. As Von Teese straps on a new corset and Christian Louboutin heels, her fleet of fast-tapping dancers entertain the audience.

    “Christian is a really close friend of mine,” she says. The two met in the early 2000s while Von Teese was performing in London. “He was just here a couple weeks ago. He makes all the shoes for my shows.”

    Nothing makes her feel sexier than strutting the catwalk in those red-painted soles. She says the latest Louboutin heels come with inside padding allowing for a sleek and sophisticated, but comfortable, walk.

    “I spent five hours on them the other day, and I was totally fine,” she says.

    In her final number, Von Teese elegantly strides down stairs into a classic showgirl scene with vintage Bob Mackie headpieces and feather backpacks from the last showgirl revue on the strip, Jubilee.

    Louboutin loved the number but offered one note: “Christian told me, ‘I think you need to wear the highest shoe with your finale.’ … He’s like, ‘I know it’s dangerous. We can see that it’s difficult and dangerous. I think you should up the ante,’ And I was like, ‘OK, I’m going to do that.’”

    Make the whole place shimmer

    The most jaw-dropping part of the show isn’t necessarily the strip teases, but a Swarovski crystal dress and heels that glisten so intensely, it almost appears like an electronic animation is projected onto them. The cut of the jewels refracts every single light source. It’s impossible to look away.

    “I just love fantasy and spectacle and glitz,” Von Teese says, smiling. “The opulence and absurdity of all of it. I just love the idea of creating things that you won’t see in real life, you know?”

    Tickets to see the “Queen of Burlesque” extend through October at The Venetian Resort Las Vegas.

    Don’t miss any Taylor Swift news; sign up for the free, weekly newsletter This Swift Beat.

    Follow Bryan West, the USA TODAY Network’s Taylor Swift reporter, on Instagram, TikTok and X as @BryanWestTV.