Author: business

  • Beyoncé tour traditions fans don’t want to miss at her Chicago shows

    Beyoncé tour traditions fans don’t want to miss at her Chicago shows

    She coming … to Chi-town!

    Beyoncé Knowles-Carter is set to bring her “Cowboy Carter” tour to Chicago, and along with the powerful performance, fans can look forward to some unique concert traditions.

    The Grammy-winning singer will perform her “Cowboy Carter” concert at Soldier Field for a total of three nights. Beyoncé will launch her first show in the Windy City on May 15, and the remaining shows will take place May 17 and May 18 on the same stage.

    She first debuted the highly anticipated show at SoFi Stadium in Los Angeles on April 28 with 39 songs on the set list. She performed a total of five shows there on April 28, May 1, May 4, May 7 and May 9. The concerts proved to be groundbreaking spectacle filled with fashion, different music genres and most notably country music and politics.

    Here are some traditions fans should look out for as they arrive at Soldier Field.

    Beyoncé’s team chooses ‘Rodeo Queen’ before the show

    A fun tradition that has taken shape ahead of Beyoncé’s shows is her publicist, Yvette Noel-Schure, selecting the best-dressed fan and crowning them “rodeo queen” for a standout Western-inspired outfit. During the Los Angeles leg of the tour, Schure would stroll through the pit areas and choose a winner ahead of the show. And fans have been looking forward to this friendly competition each night. At the fifth and final show, Schure surprised the crowd by announcing that this time, the winner was chosen by none other than Blue Ivy Carter herself.

    Buckle up for Beyoncé’s ‘Ya Ya’ performance

    During the Renaissance World Tour, there was the mute challenge. Now, during her “Cowboy Carter” era, Beyoncé’s performance of “Ya Ya” is emerging as a new standout that fans are eagerly anticipating each night. Be prepared to “raise your ya ya ya” as Beyoncé does a lively call and response moment with bold vocals. Additionally, for those with signs, this is your moment to shine. During this segment, Beyoncé has called out fans by name.

    Be prepared to hit viral dances, line dances and more

    From Beyoncé’s Cécred hair-care line to SirDavis whiskey brand, there are many live activations and other special moments fans can look forward to at the show. Without giving too many spoilers, it’s safe to say it will be a real life boogie and a real life hoedown. This may include dances to songs like “II Hands II Heaven,” “Sweet Honey Buckin,’” and even Beyoncé’s 2019 hit “Before I Let Go.”

    The nine-city tour will span the U.S. and Europe with the grand finale taking place in Las Vegas on July 26. Beyoncé has already made history with her scheduled tour dates, including by playing the most dates at SoFi Stadium of any artist.

    Follow Caché McClay, the USA TODAY Network’s Beyoncé Knowles-Carter reporter, on InstagramTikTok and X as @cachemcclay.

  • Halle Berry Cannes dress axed over new red carpet fashion rules

    Halle Berry Cannes dress axed over new red carpet fashion rules

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    This year at Cannes, nudity is definitively out − and so are long, billowy gowns.

    After the international film festival announced a new set of dress code rules this year, Halle Berry, who is serving on the competition jury, revealed she had to ditch a pre-planned outfit.

    “I had an amazing dress by Gupta that I cannot wear tonight because it’s too big of a train,” she told Variety, referring to celebrity designer and couturier Gaurav Gupta.

    The new rules, posted on the festival’s website, expressly prohibit “voluminous outfits,” particularly if they have “a large train,” arguing they “hinder the proper flow of traffic of guests and complicate seating in the theater.”

    The new rules also took aim at the scantily clad, prohibiting nudity on the carpet or in any area of the festival − a seeming check on the new trend of “nude dresses” that are a garment in name only, often figure-hugging and see-through.

    “For decency reasons, nudity is prohibited on the Red Carpet, as well as in any other area of the Festival,” the rules read.

    The move comes after Bianca Censori made waves at the Grammys in a nearly entirely see-through dress. Censori, who arrived alongside her husband Ye, the rapper previously known as Kanye West, caught a large degree of backlash for the fashion choice, with many categorizing it as a sexist stunt.

    Berry, for one, is not opposed to the nudity ban.

    “I’m not going to break the rules,” she said of her outfit change. “The nudity part is also probably a good rule.” Her comments come in the wake of a mini-outcry over her recent Met Gala look, which featured highly revealing cutouts in her LaQuan Smith gown. Not quite a full “naked dress,” it left little to the imagination, a sartorial choice some blasted.

    Beyond the more propriety-focused guidelines the festival has imposed − in alignment with French law, they say − the nude dress trend may just be out of style.

    “The only thing you can count on in fashion is that what goes up must come down,” Lorynn Divita, a professor of apparel design and merchandising and the author of the book “Fashion Forecasting,” previously told USA TODAY. “Eventually, people will get tired and the cycle will change.”

    “We have gotten to a point with clubwear that we are so used to tight, revealing clothing that we’re fatigued of it,” she added. “We’ve seen it. We’ve been there. We’ve done that.”

    Contributing: Charles Trepany

  • Here’s who has turned out for the trial

    Here’s who has turned out for the trial

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    Sean “Diddy” Combs is receiving support from his family amid his sex-crimes trial.

    Several members of the embattled rap mogul’s family, including his adult children, have turned out to the courthouse in New York this week as his criminal trial gets underway.

    Combs, once among the most powerful figures in the music industry, faces charges of sex trafficking, transportation to engage in prostitution and racketeering. He has pleaded not guilty. In her opening argument, prosecutor Emily Johnson told jurors that Combs’ alleged victims will testify about “days they spent in hotel rooms, high on drugs, dressed in costumes to perform the defendant’s sexual fantasies.”

    The trial has thus far included graphic and emotional testimony, with Combs’ ex-girlfriend Cassie Ventura Fine crying on the stand and describing the “scary” rapper’s alleged abuse.

    Here’s a look at the members of Combs’ family that have been present for his criminal trial.

    Quincy Brown

    Quincy Brown, 33, is Combs’ stepson. His parents are Kim Porter, Combs’ ex-girlfriend, and singer Al B. Sure. Brown is also an actor and singer.

    Justin Combs

    Justin Combs, 31, is Combs’ first biological son, whom the rapper shares with Misa Hylton.

    Misa Hylton

    Justin Combs’ mother and Sean “Diddy” Combs’ ex-partner has also been spotted in court.

    “Misa’s appearance and her attendance at Mr. Combs’ trial is strictly in support of her son Justin and his siblings,” her lawyer told USA TODAY. “During the course of these allegations against Mr. Combs, it has proven to be a very challenging and difficult time for all involved especially his children.”‘

    Christian ‘King’ Combs

    Christian “King” Combs, 27, is Diddy’s youngest son, whom he shares with Porter.

    Chance Combs

    Chance Combs is the 18-year-old daughter of Diddy and businesswoman Sarah Chapman.

    D’Lila Combs

    Sean Combs also welcomed daughter D’Lila Combs, 18, with Porter.

    Jessie Combs

    Jessie Combs, 18, is also Combs’ daughter with Porter, and the twin sister of D’Lila.

    Janice Combs

    Janice Combs is the 85-year-old mother of Sean “Diddy” Combs.

    Contributing: Taijuan Moorman and KiMi Robinson

  • Bob Odenkirk returns as assassin

    Bob Odenkirk returns as assassin

    Prepare for another dose of suburban dad rage.

    Bob Odenkirk is back as workaholic assassin Hutch Mansell in the sequel to 2021’s sleeper hit “Nobody.” Universal Pictures dropped a trailer May 14 for the movie, out this summer, which sees Hutch four years after taking on the Russian mob, still working off a $30 million debt through a string of hits.

    Amid a fraught relationship, Hutch, his wife Becca (Connie Nielsen) and family decide on a waterpark vacation. The family eventually crosses paths with a corrupt theme-park operator (John Ortiz), his sheriff (Colin Hanks) and a terrifying crime boss (Sharon Stone) before chaos ensues. Christopher Lloyd returns as Hutch’s dad, and Wu-Tang Clan’s RZA returns as Hutch’s brother, joining the fun.

    A surprise blockbuster during the pandemic, “Nobody” topped the box office and earned $57 million globally, on a $16 million budget.

    Read on for the trailer and release date for “Nobody 2.”

    ‘Nobody 2’ trailer

    The “Nobody 2” trailer sees Hutch take off for a family vacation, only to run into some smalltown bullies. After physically taking them down, the assassin quickly runs into trouble.

    But Hutch refuses to let his work interfere with and ruin his vacation.

    Watch the NSFW trailer here.

    ‘Nobody 2’ cast

    The film features a starry cast, including:

    • Bob Odenkirk
    • Connie Nielsen
    • John Ortiz
    • RZA
    • Colin Hanks
    • Christopher Lloyd
    • Sharon Stone
    • Gage Munroe
    • Paisley Cadorath

    ‘Nobody 2’ release date

    “Nobody 2” is set to hit theaters Aug. 15, 2025.

  • ‘Ridin’ My Thumb to Mexico’ star dead at 73

    ‘Ridin’ My Thumb to Mexico’ star dead at 73

    Johnny Rodriguez, a trailblazing Mexican American country music star whose folksy storytelling propelled him to fame in the 1970s, has died, according to reports. He was 73.

    His daughter, Aubry Rodriguez, confirmed his May 9 death to the Washington Post and Associated Press, citing health complications, and revealing he was in hospice care. A specific cause of death was not released.

    Born just east of the Mexico border in Sabinal, Texas, Rodriguez became the first Mexican American artist to make a splash in the American country music scene. The second youngest of 10 children in a four-bedroom home, he gained local renown singing in church. By his later teenage years, he was playing country and Mexican music and covering Beatles hits in local bars.

    Infusing Spanish language and Latin influence into his music, his debut album “Introducing Johnny Rodriguez” was nominated for album of the year at the 1974 Academy of Country Music Awards. He had won most promising male vocalist the year prior.

    With popular tracks like “Ridin’ My Thumb to Mexico” and “I Just Can’t Get Her Out of My Mind,” Rodriguez endeared himself to fans with slow but soaring vocals, nailing the genre’s signature narrative constructions. In the style of John Denver or Merle Haggard, he laid out a story of the blues or of new love clearly, canonizing himself as a classic cowboy crooner.

    In 2007, Rodriguez was inducted into the Texas Country Music Hall of Fame and in 2010 received the Institute of Hispanic Culture Pioneer Award, honoring his decades of country stardom.

    Discovered first behind bars, when his singing caught the ears of a well-connected local businessman, Rodriguez’s brushes with the law did not end even as he reached peak success.

    In 1998, Rodriguez, back in his native San Marcos, shot and killed 28-year-old Israel Borrego. According to Uvalde County district attorney Tony Hackebeil, Rodriguez, who had been drinking, believed his acquaintance, Borrego, whose blood alcohol level was more than three times the legal limit, to be a burglar. Fifteen months later, Rodriguez was acquitted of murder by a jury.

    Rodriguez’s love life was also marked by tumult. He married Linda Patterson in 1976 — they divorced by 1979. Two decades later, in 1995, he married Willie Nelson’s daughter, Lana. That marriage lasted seven months. In 1998, he married Debbie McNeely. McNeely gave birth to their daughter, Aubry Rae Rodriguez, in April of that year.

    By August 1998, McNeely and Rodriguez had parted ways. According to Texas Monthly reporting, the singer returned to the same San Marcos land where he was raised, but had torn down his original home to build a new one during his career’s height.

    Contributing: Marcus K. Dowling, The Nashville Tennessean

  • The wild true story behind the Broadway show

    The wild true story behind the Broadway show

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    NEW YORK — Like a sequin-studded black ops mission, “Operation Mincemeat” has infiltrated the unlikeliest of Broadway audiences: the dads.

    The farcical World War II comedy tells the mind-boggling true story of how British spies used a stolen corpse to mislead Nazi Germany about where the Allies planned to invade next. The scrappy, gender-bending show appeals to a unique cross section of theater kids and history buffs, with many audience members returning with their fathers.

    “We never set out to make a piece of theater for the dads, but do you know what? We’re really here for it,” says Natasha Hodgson, one of the musical’s cocreators and stars. “It’s lovely to have the dads come and see a show, which is essentially about fighting fascism, how gender isn’t real, and how women should claim their history. Bring all the dads!”

    The Olivier Award-winning production was conceived by Hodgson, David Cumming, Zoë Roberts, and Felix Hagan, who make up the theater company SpitLip. It is now up for four Tony Awards including best musical, with rapturous reviews and diehard fans (known as Mincefluencers) that have followed the show from London to New York.

    “How does one react when you walk into Times Square and there’s your poster up there?” Hagan says. “Suddenly you’re afloat in an ocean, as opposed to standing in a puddle. It’s really quite astonishing.”

    Tony-nominated ‘Operation Mincemeat’ brings an outrageous true story to Broadway

    “Operation Mincemeat” is based on an elaborate 1943 scheme by British intelligence to trick the Germans into thinking that Allied troops were set to invade Greece instead of Sicily. The plan hinged on an unclaimed body from a London morgue, which agents dressed as a fake British officer named William Martin, whom they planted with forged documents. They then dropped the corpse off the Spanish coast and his briefcase was later recovered by the Nazis, who delivered the falsified orders straight to Adolf Hitler.

    As a result, the Germans were caught off guard when Allied forces invaded Sicily, which helped further Benito Mussolini’s downfall and was considered a major turning point in World War II.

    Hodgson first learned of the real-life Operation Mincemeat through a podcast that her brother recommended.

    “Initially, I was like, ‘There’s enough art about World War II and I’m crushingly bored of it,’” Hodgson says. But she was quickly enraptured by the story’s vibrant characters and heist-like adventure: “I fell in love with it completely. It’s global stakes, but with this gang of little idiots.”

    The fast-paced show got its start in 2019 at an 80-seat black-box theater in London. Some early audience members were vehemently opposed to the musical, arguing that it was too far-fetched and “disrespectful.”

    “We got feedback saying, ‘You cannot lie about the war like this,’ when in actuality, it was all 100% true,” Cumming says. “For instance, there was a war magician who worked in the same department as these guys and created inflatable tanks to deceive the Germans. There was also a night-blind racecar driver who drove the body up to Scotland and crashed numerous times because he couldn’t see. We tried to put these things into the story, but there’s a limit to what audiences will believe. The truth is far more wild than you’re allowed to put on stage.”

    Laughing, Hagan adds, “If we put in everything that we thought was funny, it’d be three days long. We should do a director’s cut.”

    The musical honors ‘invisible’ World War II heroes including Glyndwr Michael

    The show features a bevy of well-known figures including James Bond author Ian Fleming, who worked for Britain’s Naval Intelligence Division during World War II and helped brainstorm ideas for Operation Mincemeat. The Nazis also briefly appear in satirical fashion, with a K-pop-style dance number about succumbing to the far-right movement.

    “Sonically, that’s why that song is so modern, because fascism was the new ideology at the time,” Cumming says. “It’s popular! It’s sexy! It’s cool! Then you catch yourself applauding and you’re like, ‘Did you turn your brain on for one second through any of that? Or did you just go along with it because it was exciting?’”

    Although the song has been met with laughter in the U.K., it’s often greeted by stunned silence on Broadway, where it perhaps hits too close to home for American theatergoers.

    “The discomfort here is quite palpable,” Roberts says. “I’ve had a couple people at the stage door say to me (proudly), ‘I didn’t clap after that number!’ And I’m like, ‘Well, thank you? We’re all going to be OK, aren’t we?’”

    “Operation Mincemeat” shines a light on MI5’s unsung female employees Jean Leslie (Claire Marie-Hall) and Hester Leggatt (Jak Malone), whose photographs and love letters were instrumental in crafting a believable backstory for the fictitious William Martin.

    The musical also gives a sneakily poignant tribute to Martin, who in reality, was a homeless man named Glyndwr Michael, who died after eating rat poison. Michael’s body was buried with full military honors in 1943 under his fake moniker, and in 1998, the British government added his true identity to his tombstone.  

    Throughout the show, the British spies frequently question who this man really is, although they don’t prioritize the answer until the very end, when details of Michael’s life are revealed to the audience.

    It’s a chance “to pay respects to this person that had been invisible in society; that had fallen through the cracks and been forgotten about,” Roberts says. “It gives us a huge moment of catharsis.” By the finale, “we drop all the artifice and say, ‘Everybody is important.’ That being the lasting message of the show is something that we’re really proud of.”

    “Operation Mincemeat” is now playing at the Golden Theatre (252 W. 45th Street).

  • Live Nation $30 summer concert tickets: The list of shows

    Live Nation $30 summer concert tickets: The list of shows

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    Tickets to more than 1,000 amphitheaters shows will be a little more affordable this summer.

    The Live Nation $30 Ticket to Summer promotion will encompass concerts including Rod Stewart, The Offspring, Cyndi Lauper, Avril Lavigne, Kesha, Dierks Bentley, Halsey and others, with more expected to be added.

    The $30 cost includes all fees, but not taxes as applicable according to city, state and venue and applies to amphitheater shows throughout the U.S. and Canada. Tickets are available while inventory lasts.

    The promotion starts at 10 a.m. local time May 21, when a full list of participating concerts will be available at livenation.com/tickettosummer. Fans can select a show, look for the tickets labeled “$30 Ticket to Summer” and proceed to checkout. Searches can be filtered by event, artist, venue and location, as well as other participating shows nearby.

    Prior to the general sale, T-Mobile customers and Rakuten members will have early access from 10 a.m. through 11:59 p.m. ET May 20 via t-mobiletickets.com and rakuten.com.

    Here’s a list of some of the participating concerts. Fans should also check the $30 Ticket to Summer website to confirm which dates from the below tours are a part of the offer.

    Live Nation $30 Ticket to Summer concerts

    • $UICIDEBOY$
    • Goo Goo Dolls
    • Pantera
    • Avril Lavigne
    • Halsey
    • Papa Roach & Rise Against
    • Barenaked Ladies
    • Hardy
    • Peach Pit & Briston Maroney
    • Big Time Rush
    • Hauser
    • Pierce the Veil
    • Billy Idol
    • James Taylor
    • Rod Stewart
    • The Black Keys
    • Keith Urban
    • Simple Minds
    • Cody Jinks
    • Kesha
    • Slightly Stoopid
    • Coheed and Cambria
    • Kidz Bop Kids
    • Styx & Kevin Cronin Band
    • Counting Crows
    • Leon Bridges
    • Summer of Loud
    • Cyndi Lauper
    • Little Big Town
    • Tedeschi Trucks Band
    • Dierks Bentley
    • +Live+ & Collective Soul
    • Thomas Rhett
    • Dispatch
    • Luke Bryan
    • Toto + Christopher Cross + Men at Work
    • The Doobie Brothers
    • Nelly
    • Volbeat
    • The Driver Era
    • The Offspring
    • “Weird Al” Yankovic
    • Willie Nelson
  • Can you watch Cassie Ventura Fine testimony?

    Can you watch Cassie Ventura Fine testimony?

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    Editor’s note: This story contains graphic descriptions that some readers may find disturbing.

    Casandra Ventura Fine is testifying for the second day in a row about the alleged sexual, physical and psychological abuse she endured at the hands of former partner Sean “Diddy” Combs.

    In November 2023, Ventura Fine − better known as Cassie, the hitmaker behind the song “Me & U” − alleged in a bombshell lawsuit that Combs had trafficked, sexually assaulted and physically abused her during their decadelong relationship.

    The two “amicably” settled the lawsuit a day after Ventura Fine’s filing, and Combs’ team alluded to a “substantial eight-figure settlement” in court documents for his criminal case. Last May, a 2016 hotel surveillance video exclusively shared by CNN showed Combs kicking, hitting and dragging Ventura Fine – actions that were first described in her legal complaint.

    Now, as Combs, 55, faces charges of sex trafficking, racketeering and transportation to engage in prostitution, Ventura Fine, 38, is confronting him in court as the prosecution’s star witness in the case.

    Combs has pleaded not guilty.

    During her May 13 testimony, which she recounted while very much pregnant with her third child, Ventura Fine spoke slowly and softly, lifting a tissue to her eyes and often touching her abdomen.

    Several members of the embattled rap mogul’s family, including his adult children, have turned out to the in New York this week as his criminal trial gets underway.

    From stepson Quincy Brown to Combs’ biological sons and daughters and former partners, here’s a look at his loved ones who have been spotted at the courthouse.

    Ventura Fine took the stand and told the court about the beginnings of her relationship with Combs. She said they first kissed in a bathroom on her 21st birthday, and their physical relationship progressed from there.

    She said Combs “basically taught me” how to have oral sex, and being with him felt like her “first adult relationship.”

    Ventura Fine also painted a picture of Combs when things between the two turned violent. Answering questions from prosecutors, Ventura Fine told the jury that Combs would often beat her, leaving her with black eyes and bruises all over her body.

    She was positioned with federal prosecutor Emily Johnson looking straight ahead at her, with her body occasionally facing the jury. “He would bash my head, knock me over, drag me, kick me, stomp me in the head if I was down,” Ventura Fine, her voice breaking slightly, alleged on the stand.

    While discussing participating in the “freak offs,” Ventura Fine broke down. “I just felt that’s all I was good for to him. I was humiliated and didn’t have anyone to talk to about it,” she said.

    “His eyes go black. The version I loved of him was no longer there,” she said of his anger, continuing to cry. Asked why she continued to participate in “freak offs” even when they made her uncomfortable, she said, “the one-on-one time.”

    She added that participating in the “freak offs,” which were sometimes days-long sexual performances, made her “feel horrible. It made me feel worthless.”

    Throughout a two-month trial, jurors are expected to hear testimony from three and possibly four of Combs’ female accusers, as well as ex-employees who prosecutors say helped arrange and cover up his actions.

    Prosecutors have claimed Combs lured women into romantic relationships, forced them to take part in days of drug-fueled sex parties and then blackmailed them with videos he recorded of the encounters.

    Before the jury entered the courtroom May 13, Combs’ defense team attempted to prevent Cassie’s husband, Alex Fine, from being present for witness testimony. One of the embattled mogul’s lawyers, Teny Geragos, said they may call him as a witness.

    Ultimately, he was let inside the courtroom for support.

    The first witness who took the stand May 13 was former male stripper Daniel Phillip. He was being cross-examined by Combs’ defense team from his May 12 testimony.

    Diddy’s legal team tried to show that Cassie was in control during the sexual encounters. Combs’ lawyer, Xavier Donaldson, asked Phillip whether she appeared drunk or high during their first night together at the Gramercy Park Hotel. He replied that she did not.

    Donaldson also called Phillip’s story into question because this week, during cross-examination and direct examination, Phillip said Combs gave him and Cassie directions during sex. But they said Phillip told federal prosecutors in March that he didn’t remember Combs doing so.

    The Combs defense team also tried to paint Phillip as vindictive and jealous of Cassie’s relationship with the music mogul.

    On May 13, both the defense and the prosecution raised privacy concerns about showing “freak off” videos, which the government said are all sexually explicit, in court. Combs’ attorneys asked, “What would the press do with this information if they had it?”

    A press representative argued that testimony “is not a substitute for these visuals” and that the videos are important to show whether the acts were consensual or coerced. He suggested the number of reporters able to see the videos could be limited.

    The judge said they would work to come up with a solution.

    Racketeering is the participation in an illegal scheme under the Racketeer Influenced and Corrupt Organizations Statute, or RICO, as a way for the U.S. government to prosecute organizations that contribute to criminal activity.

    Using RICO law, which is typically aimed at targeting multi-person criminal organizations, prosecutors allege that Combs coerced victims, some of whom they say were sex workers, through intimidation and narcotics to participate in “freak offs” — sometimes dayslong sex performances that federal prosecutors claim they have video of.

    The trial will not be televised, as cameras are typically not allowed in federal criminal trial proceedings.

    USA TODAY will be reporting live from the courtroom.

  • Karol G talks Netflix documentary, boyfriend Feid, next album

    Karol G talks Netflix documentary, boyfriend Feid, next album

    It takes hard work to be a bichota, but it also takes a lot of heart.

    Colombian pop star Karol G, aka La Bichota (“the big boss” in Spanish), has become a dominating force in Latin music since her 2017 debut. Armed with an arsenal of reggaeton grooves and relatable lyrics, the singer born Carolina Giraldo Navarro conquered the charts and endeared herself to legions of fans with her sonic confessionals of love and self-empowerment.

    This white-hot momentum culminated in Karol’s Mañana Será Bonito Tour, a global trek that saw her become the first female Latin artist to embark on a stadium tour. The 34-year-old chronicles the grit and glory of this career benchmark, as well as her journey to the top, in the Netflix documentary “Karol G: Tomorrow Was Beautiful” (streaming now).

    “There are a lot of ups and downs, and I was like, ‘Oh my God, I am a leader,’ and I don’t know if it’s good to show those moments that I wasn’t really good or doubting myself,” Karol tells USA TODAY. “But for me, it’s really important to show the process because a lot of the time, people are waiting for motivation or some inspiration for them to feel like, ‘I’m on the path. Everything is going to be OK.’”

    Despite her unflappable stage persona, it was important for Karol to shed the “social media glitter” of celebrity for candid discussions of mental health, predatory grooming and the demands of the entertainment industry, says director Cristina Costantini.

    “We don’t often imagine that after our heroes and pop stars are done with their performances that they’re going off stage and collapsing and crying,” Costantini says. “Once the performance is over is when the really interesting part of the story starts.”

    Karol G on how daunting stadium tour gave her confidence

    The Mañana Será Bonito Tour wasn’t an easy sell for Karol, but the payoff was priceless.

    Inspired by the fan fervor for her 2023 album “Mañana Será Bonito,” which became the first all-Spanish album by a female artist to top the Billboard 200, Karol proposed an ambitious stadium tour. The singer had just gotten off the road from her Strip Love arena tour.

    But as seen in “Tomorrow Was Beautiful,” Karol’s team had its doubts, citing the recent completion of her previous tour and the lengthy prep work typically required of a stadium outing. Undeterred, Karol said, “I had this feeling in me that said I have to do it. I don’t know why, but I have this feeling that people connected with my album in a different way.”

    The Mañana Será Bonito Tour, which concluded in July 2024, grossed $313.3 million and was attended by 2.3 million fans across North America, Europe and Latin America, according to Billboard. It also became the highest-grossing Latin tour by a female artist.

    “It was hard for them to understand, but in the end, I’m super happy that I just followed my intuition,” Karol says. “It gave me more confidence to keep following my thoughts and feelings. I’m super proud and super grateful for what happened.”

    Karol G is leveling up for her ‘dream’ album

    For Karol, the runaway success of “Mañana Será Bonito” isn’t just a professional triumph. It’s a launching pad for her next evolution.

    “I’ve always been super dedicated to my career and my music; I’m very passionate. But after all that happened, I had to stop and think about what’s next because I had to see this as the great opportunity of my life,” Karol says. “Right now, I have this opportunity to give this dignity to myself and elevate myself to the highest level – to be out and show the world I’m ready to be in this position.”

    To that end, the Grammy-winning songstress has been perfecting her craft for her yet-to-be-announced fifth album, including honing her musical skills in the studio. While details are scant, the “Si Antes Te Hubiera Conocido” singer is teasing a multimedia experience.

    “I’ve been creating what for me would be my dream next level of Karol G,” Karol says. “I’m so excited because it’s not just music. It’s so many different things that I worked on surrounding the same project in different routes.”

    Why Karol G’s romance with Feid is a ‘blessing’

    “Tomorrow Was Beautiful” also peels back the curtain on Karol’s swoonworthy romance with reggaeton singer-songwriter Feid.

    The two became close during Karol’s 2021-2022 Bichota Tour after the singer tapped Feid to be her opening act. A star in his own right, the Colombian musician, 32, has scored 13 No. 1 hits on Billboard’s Latin Rhythm Airplay chart and crisscrossed Latin American stadiums last fall on his Ferxxocalipsis World Tour.

    “There have been two or three moments that we couldn’t see each other, but we understand that. Even if it’s hard, it’s not that hard because both of us understand what we do,” Karol says. “It’s a blessing for me that I have someone like him in my life and in this moment of my career.”

    While the musical lovebirds have previously joined forces in the studio (2021’s “Friki” and 2024’s “+57”), Karol says the couple prefers to not mix business with pleasure.

    “Both of our music has different feelings and even different narratives and perceptions, so we don’t try to put what we think in the other’s career,” Karol says. “But we support each other. If he needs an opinion or if I need an opinion, or whatever we need, we’re going to be there.”

    How Karol G is making history with female empowerment

    Karol’s womanhood, which she once saw as an “obstacle,” has been transformed into her superpower.

    The singer’s emergence in the reggaeton scene, alongside fellow female powerhouses Natti Natasha, Becky G and Anitta, brought a girl-power revolution to the once male-dominated genre. At the 2024 Latin Grammys, Karol took home the award for best urban album for the second year in a row, making her the first woman to do so.

    “In the beginning, everything was about being a girl in this industry and why it wasn’t possible,” Karol says. “Like other women opened doors for me, in this generation I’m one of those who is trying to make a difference, and this gives me a lot of motivation to keep going and to keep trying to change the story and the path.”

    This unabashedly feminine perspective is evident throughout Karol’s brand, says Costantini, who observed the singer’s predominantly female team while working with Karol on her Netflix documentary.

    “Part of the reason she’s been so successful is because all of the people making decisions at the high levels in her company are women, and there’s an authenticity to that,” Costantini says. “It’s all young Latina women who are pushing this thing.”

    The legacy Karol G wants to leave behind

    Karol is far from her final act, but el futuro is definitely on her mind.

    In one of the more introspective scenes from “Tomorrow Was Beautiful,” Karol reflects that she believes she will die at a young age and that this mentality, in part, drives her to create as quickly as she can. “I feel there are so many things I have left to do,” she says in Spanish.

    Such a somber confession almost contradicts the feel-good optimism of the Mañana Será Bonito tour and album, whose tagline translates to, “Tomorrow Will Be Beautiful.” But perhaps for Karol, the true beauty lies in the souls she’s able to touch while she’s still alive.

    “If someone is happy because of my music, that’s the best legacy that I can leave,” Karol says. “I just want to be that person where people find a little more peace in this tough world.”

  • Diddy net worth is huge. Prosecutors think ‘Benjamins’ up for grabs

    Diddy net worth is huge. Prosecutors think ‘Benjamins’ up for grabs


    In a sign of how serious the disgraced entrepreneur is taking the asset forfeiture effort, his lawyers have hired as a consultant the former senior Justice Department official, USA TODAY has learned

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    Sean “Diddy” Combs’s 1997 hit “It’s All About the Benjamins” sums up the rap mogul’s voracious thirst for the good life and ostentatious trappings of wealth: “Colossal-sized Picassos,” five-carat diamond rings, Cristal Champagne and skiing in Aspen with “chicks who win beauty pageants.”   

    By becoming a successful entrepreneur in the music, fashion, liquor and other realms, Combs became a mogul. He bought all that and more – private jets, exotic cars, mansions on both coasts. 

    Now, as Combs faces a jury trial that could send him to prison for life, he’s also fighting a Justice Department forfeiture action that could cost him much – if not most – of an empire that prosecutors allege he used as part of a criminal racketeering enterprise from 2008 to the present. 

     Combs and his defense team have denied all allegations against him, characterizing some as baseless “money grabs.” He has pleaded not guilty to federal charges of sex trafficking, racketeering and transportation to engage in prostitution  

    But in a sign of how serious the disgraced entrepreneur is taking the asset forfeiture effort, his lawyers have hired as a consultant the former deputy chief of the Justice Department’s Asset Forfeiture and Money Laundering Section, USA TODAY has learned.   

    Stefan Cassella, who serves as an expert witness and consultant to law enforcement agencies and wrote two books on the topic, has trained thousands of prosecutors and federal law enforcement agents across the U.S. and their counterparts overseas.  

    Cassella said he could not comment on the specifics of the case because of his involvement in it. Broadly speaking, though, he told USA TODAY that by charging Combs under the Racketeer Influenced and Corrupt Organizations Act, or RICO, the government is taking an aggressive approach to seizing as many of Combs’ assets as possible. 

    “RICO forfeiture is intended to be very broad, and so it has significant consequences” for Combs, Cassella said in an exclusive interview. “So, it’s going to boil down to what they can prove was part of the enterprise.”  

    Prosecutors declined to comment, citing the ongoing case.

    ‘A very broadly worded forfeiture allegation’

    In many RICO cases, prosecutors include very specific allegations of what “instrumentalities” were used as part of an alleged racketeering enterprise, legal speak for what people, cars, planes, houses and companies helped facilitate the criminal behavior, said James Trusty, the former longtime chief of DOJ’s Organized Crime and Gang Section. 

    But in an ominous sign of prosecutors’ intentions, Trusty said, the Combs indictment and related court documents essentially target all his business and personal assets. 

    “They’ve written a very broadly worded forfeiture allegation,” Trusty said. “It’s so vague and so broad that I would think the defense would push for a bill of particulars,” or a more specific explanation of what the feds are going after. 

    One thing for certain, Trusty said, is that the fancy cars, houses and planes that Combs has accumulated are in the prosecutors’ crosshairs, as are any of his companies that could broadly be construed as being part of the racketeering enterprise in the slightest of ways. 

    For instance, if an assault took place at a record studio, it could implicate not only that studio but the record company Combs used to pay musical artists to record there, Trusty said. 

    If Combs is convicted, the jury must then decide how much of his empire is subject to forfeiture, according to Cassella, Trusty, Justice Department law and a breakdown of RICO and asset forfeiture statutes by Cornell Law School’s Legal Information Institute. 

    So how much is Combs worth? What is the government explicitly seeking? And how accessible are his assets after years of Combs trying to protect himself from growing accusations of criminal misconduct? 

    Still wealthy but now worth almost half as much: Forbes  

    In 2024, Forbes magazine estimated Combs’ net worth at $400 million – a significant drop from its 2019 figure of $740 million. Both Combs and his team later claimed he was a billionaire, Forbes said, despite offering no documentation to back up the claim. 

    According to publicly available documents and news reports, Combs’ most valuable personal possession is likely his 17,000 square foot, 10-bedroom mansion in the tony Holmby Hills section of Los Angeles. Appraised at more than $61 million, it was raided as part of a criminal probe and listed for sale last September. 

    Combs also owns a 9,600 square foot house in Toluca Lake just northwest of the Hollywood Sign. And he owns a $48 million mansion at 2 West Star Island in Miami and the adjacent property at 1 West Star Island. On Aug. 20, 2024, Combs paid off the $18.9 million mortgage so he could put up 2 West Star as collateral in his failed efforts to obtain bail and stay out of jail while awaiting trial, documents show.   

    Combs also owns a Gulfstream G550 jet valued at more than $25 million, known as LoveAir, which he rents out while also seeking a sale to help pay his enormous legal expenses. 

    Also, potentially open to forfeiture: Combs’ Bad Boy Records, which still generates money from recordings and music publishing rights since he launched the company in 1993. 

    Combs is not known to own any “Colossal-sized Picassos,” as he sings about in his hit song. But he is believed to have an extensive art collection, including works by Jean-Michel Basquiat and Keith Haring.  

    In 2018, he was revealed as the mystery buyer of the renowned painting “Past Times” by Kerry James Marshall for $21.1 million. 

    At one time, his fleet of at least 20 luxury cars included a Rolls-Royce, Bentley, Ferrari, Lamborghini and an ultra-luxury Mercedes known as a Maybach. 

    A 2023 ‘rebranding’ of his empire to Combs Global 

    In February 2023, Combs announced that “after three decades of entrepreneurial success across his renowned brands,” he was “rebranding” and changing the name of his parent company from Combs Enterprises to Combs Global.

    That, Combs said, more accurately reflected his ambitious vision for the future, including his “landmark acquisition of becoming the largest minority-owned, vertically integrated multi-state operator in the cannabis industry” for $185 million. 

    At its founding in 2013, Combs Enterprises included his New York City-based Bad Boy Entertainment, Combs Wines and Spirits, the AQUAhydrate water firm, Revolt Media, Sean John fashion and fragrances, Capital Preparatory Charter Schools and The Sean Combs Foundation. 

    Over the years, it expanded to include new business units and ventures such as Empower Global, Our Fair Share and Love Records, which focused on R&B. 

    “Combs Global represents the next chapter in my journey as a business leader and a bigger vision to build the largest portfolio of leading Black-owned brands in the world,” Combs said. “I’ve enlisted world-class teams of top executives, specialists and strategic partners to bring this new dream to life and put us in the best position to keep making history while leading another 30 years of dominance across industries.” 

    The Combs empire begins to crumble 

    In November 2023, Combs’ empire began to crumble following allegations of rape, beatings and abuse by his former girlfriend Cassie, whose legal name is Casandra “Cassie” Ventura. 

    Combs’ partnerships also ended with Love Records, Capital Preparatory Schools and the Empower Global online Black business marketplace. And the cannabis venture ultimately failed due to merger complications. 

    What is the government going after? 

    Prosecutors in the Southern District of New York, or Manhattan, have unsealed the indictment against Combs. Other alleged co-conspirators are indicted under seal. 

    But the indictment also mentions Combs’ business, “headquartered at various times in Manhattan and Los Angeles,” under a variety of U.S.-based corporate entities, including Bad Boy Entertainment, Combs Enterprises and Combs Global. 

    Collectively, it refers to all of them as the “Combs Business.” And while it avoids specific entities, it says they include “among other things, record labels, a recording studio, an apparel line, an alcoholic spirits business, a marketing agency, and a television network and media company.” 

    According to federal law, anything that’s forfeited following a criminal conviction could conceivably be used to help some or all of those alleged to have been victimized by Combs. 

    Both Cassella and Trusty said, however, that the federal RICO statute is designed more to punish the convicted rather than compensate the victims. It does not, for instance, include the kind of headline-grabbing multimillion-dollar awards for the pain and suffering and reputational damage caused by the accused that is common in civil suits like the one brought by Ventura. 

    Instead, victims in a criminal case would be eligible for using asset forfeiture money for repayment of medical expenses, funeral expenses if a death was involved, “literal out of pocket reimbursement for victims’ costs like that,” Trusty said. 

    “It’s not a full picture of the restitution that they’re actually owed under the law,” he said. “The criminal law has just never been as expansive as civil law” when it comes to making whole victims of criminal acts. 

    Victims of alleged Combs criminal acts can, however, seek a share of forfeited assets through civil lawsuits and prosecutions, Trusty and Cassella said. To date, more than 70 lawsuits have been filed against Combs, many of them claiming sexual abuse. 

    In Combs’ case, prosecutors and FBI investigators are likely looking for assets that the embattled music mogul may have hidden, especially in recent years as his legal problems mounted. 

    Combs himself might have alluded to a propensity to stash money away in the 1997 hit that helped launch his rapping career after years as a producer and impresario. 

    “And what you can’t have now, leave in your will,” Combs sings in “All About the Benjamins.” “But don’t knock me for tryin’ to bury, seven zeros over in Rio de Janeiry.”

    Josh Meyer is a veteran correspondent focusing on domestic, national and global security issues, including transnational criminal organizations. Reach him at [email protected]. Follow him on X at @JoshMeyerDC and Bluesky at @joshmeyerdc.bsky.social.