Author: business

  • Diddy beating Cassie video altered by CNN, lawyers claim

    Diddy beating Cassie video altered by CNN, lawyers claim

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    Sean “Diddy” Combs’ lawyers are coming forward with new bombshell allegations about a nearly decade-old video showing the music mogul physically assaulting ex-girlfriend Cassie Ventura, which plays a role in his upcoming criminal trial.

    In a joint letter to the judge from Combs’ defense team and prosecutors, reviewed by USA TODAY, Combs’ lawyers say they subpoenaed CNN, which last May made public the footage of Combs physically assaulting Cassie at a Los Angeles hotel on March 5, 2016. The news organization provided copies of the hotel surveillance footage to the defense, according to the letter.

    But, Combs’ team claims, “a forensic video analysis of the CNN footage” showed it was “substantially altered in significant respects.”

    CNN, Combs’ lawyers allege, covered the time stamp in the footage and sped up the video “to make it falsely appear that the actions in the video are taking place faster than they are.” They also alleged “CNN purchased the only known copy of the Hotel’s surveillance footage, uploaded that footage into a free editing software, altered the video; and then destroyed the original footage.”

    As such, the defense will request for the footage to be excluded from evidence presented to the jury in the upcoming trial. Combs previously acknowledged his violent actions in the footage, claiming “full responsibility” in a video he posted last year, while his lead attorney characterized the clips as evidence of “toxicity and drug use in the 10-year relationship” rather than sex trafficking, as prosecutors claim.

    The U.S. Attorney’s Office for the Southern District of New York declined to comment. TMZ was first to report the news.

    CNN denies altering video of Diddy’s assault

    In a Thursday statement to USA TODAY, CNN denied the allegations leveled by Combs’ team.

    “CNN never altered the video and did not destroy the original copy of the footage, which was retained by the source,” a spokesperson for CNN said. “CNN aired the story about the video several months before Combs was arrested.”

    Meanwhile, Combs’ legal team stands by their allegations in Thursday’s letter. “Our written and oral communications with CNN’s counsel was clear — they destroyed the original video file they received from their source,” his lawyers said in a statement provided to USA TODAY.

    In the letter, which was filed in New York federal court Thursday, both sides presented the issues they would like to address in the pretrial conference scheduled for Friday afternoon in Manhattan, including the CNN footage.

    As the prosecution and defense presented their positions regarding when Combs’ team would share materials and evidence they’ve collected with U.S. attorneys, the hip-hop mogul’s defense attorneys revealed they would be introducing the subpoenaed materials they’ve gathered in Friday’s conference.

    Combs is currently in jail after being denied bond multiple times and is scheduled to head to trial for his sex trafficking and racketeering charges on May 5. He has pleaded not guilty to all charges.

    Cassie’s lawyer says assault footage ‘fairly and accurately represents what happened’

    In a statement shared with USA TODAY on Thursday, Cassie’s attorney, Douglas H. Wigdor, criticized this latest move from Combs’ team.

    “It is not surprising that Combs would make a disingenuous argument to exclude the disturbing video from being shown to the jury in the upcoming trial,” Wigdor said. “I am confident that the video fairly and accurately represents what happened, will be admitted into evidence, and that Combs will be held accountable for his depravity.”

    Shortly after CNN made the video public last year, Combs posted a video apologizing for the incident.

    “My behavior on that video is inexcusable,” he said. “I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, (and) I’m disgusted now.”

    In a TMZ documentary released last year, Combs’ lead attorney Marc Agnifilo argued that the attack footage was not relevant to his client’s criminal case.

    “Their difficulties did not stem from their intimate time together. Their difficulties stemmed from the fact that she was cheating on him and he was cheating on her,” he said. “And what we see in that video is terrible. It’s unforgivable, and we don’t seek to forgive it. But it’s not related to the charge.”

    Diddy’s lawyers have cast doubt on video of him attacking Cassie before

    This is not the first time Combs’ lawyers have cast doubt on the hotel video as evidence of what U.S. attorneys allege was a widespread sex trafficking enterprise spearheaded by Combs. In November, his team accused prosecutors of presenting an “altered” video of him attacking Ventura to convince a judge he should not remain detained.

    Prior to this, the defense also accused government agents of leaking the footage to CNN — a claim U.S. attorneys slammed as “baseless.” The judge later sided with prosecutors and denied Combs’ request for an evidentiary hearing to investigate this claim.

    Combs and his lawyers have repeatedly pushed back on prosecutors’ claims that the 2016 video is evidence of Combs’ alleged sex trafficking and so-called “freak offs.” Rather, his attorneys say, the footage shows a “domestic dispute” and “a sad glimpse into a decade-long consensual relationship.”

    In response to alleged videos that prosecutors have obtained of Combs’ so-called “freak offs,” the rapper’s team has cast the evidence as consensual sexual encounters rather than “sex parties” that show criminal conduct.

    In the 2024 grand jury indictment that charges Combs with racketeering, sex trafficking and transportation to engage in prostitution, federal prosecutors claimed the rapper “used force, threats of force, and coercion, to cause victims to engage in extended sex acts with male commercial sex workers that Combs referred to as, among other things, ‘freak offs.’”

    Since Cassie’s November 2023 sex trafficking and sexual assault lawsuit that alleged she was trafficked, raped and viciously beat by Combs over the course of a decade, the music mogul has faced dozens of civil lawsuits from alleged victims who have have accused him of rape, trafficking and sexual abuse from the 1990s to 2024. He has repeatedly maintained his innocence.

    Combs and Cassie settled the lawsuit for an undisclosed amount on Nov. 17, one day after her complaint was filed in court.

    (This story was updated to add new information.)

    If you or someone you know has experienced sexual violence, RAINN’s National Sexual Assault Hotline offers free, confidential, 24/7 support to survivors and their loved ones in English and Spanish at: 800.656.HOPE (4673) and Hotline.RAINN.org and en Español RAINN.org/es.

  • What’s up with ‘Tulsa King,’ ‘Yellowstone’ series?

    What’s up with ‘Tulsa King,’ ‘Yellowstone’ series?

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    “Yellowstone” what? The TV world is currently gushing over Taylor Sheridan’s “Landman” and Billy Bob Thornton’s crude oil-industry fixer Tommy Norris.

    The hit Paramount+ drama series about life in West Texas oilfields that also stars Jon Hamm, Demi Moore and Ali Larter has been renewed for Season 2, Paramount announced Wednesday.

    Sheridan’s “Yellowstone” (minus Kevin Costner’s patriarch, John Dutton) may be seeking new life after officially ending in December with Season 5, Part 2 on the Paramount Network. But “Landman” has continued the producer’s streak of hits since premiering last November, with what Paramount+ claims is its most-watched global series premiere yet.

    “Landman” was so spot-on that Dallas Cowboys owner Jerry Jones’ emotional cameo visiting the hospital bed of Hamm’s Monty Miller went viral — and was almost powerful enough to erase the memory of his football team’s miserable season. Thornton earned a Golden Globe nomination for best actor in a drama series, but lost to Hiroyuki Sanada for FX’s “Shōgun”.

    The Season 2 premiere date has not been announced. But here’s what’s happening on the other Sheridan shows.

    ‘1923’ continues ‘Yellowstone’ saga in Season 2

    After 2021’s “1883” series established the origins of the Yellowstone Dutton Ranch, “1923” carries the family saga through the Prohibition era. In Season 2, currently underway, Jacob (Harrison Ford) and wife Cara Dutton (Helen Mirren) defend the early ranch from the evil land baron Donald Whitfield (Timothy Dalton), a cynical early ski-resort proponent. Prodigal nephew Spencer (Brandon Sklenar) and his pregnant bride Alex (Julia Schlaepfer) race home to help save the sacred family plot and breed future generations before the April 6 season finale.

    Next up for ‘Yellowstone’ world: Michelle Pfeiffer in ‘Madison’

    “The Madison” is the next “Yellowstone” spinoff, starring Michelle Pfeiffer as New York widow Stacy Clyburn, who trades Madison Avenue for the Madison River Valley of central Montana. The exact connection to the Dutton clan is still unclear, except that Clyburn has the family’s grit in the series expected in the fall.

    Jeremy Renner vows ‘special’ Season 4 of ‘Mayor of Kingstown’

    Just like star Jeremy Renner, beleaguered prison-town fixer Mike McLusky just keeps on rolling in “Mayor of Kingstown.” After fending off the Russian mob that tried to muscle in on the action in Kingstown, Michigan, in 2024’s Season 3, the perpetually battered McLusky will return for Season 4, Paramount+ announced in December. The gritty series also stars Hugh Dillon, who rocks, literally, as Detective Ian Ferguson. Dillon is the frontman of the rock band Headstones as well as an executive producer and Sheridan’s co-creator.

    Production is underway. Renner posted a moody Instagram photo from train tracks last month, promising that Season 4 “is shaping up to be something special.”

    Stallone won’t sing in ‘Tulsa King’ Season 3

    Sylvester Stallone’s Dwight “The General” Manfredi is still ruling his growing Oklahoma crime family of adorable misfits in “Tulsa King.” However, in November’s Season 2 finale, a hooded Manfredi was dragged into a mysterious government office and told, “You work for us, now.” Paramount has not officially greenlit Season 3, but Stallone is certain it will happen. Even before President Trump named him a “special ambassador” to Hollywood in January, Stallone, an executive producer, promised a third season and a suitable big-name actor to play his government handler. Don’t worry, Manfredi won’t sing to authorities about his friends; he’s no prairie canary. The government relationship will be beneficial to Manfredi’s operation.

    Zoe Saldaña will bring Oscar gold to Season 3 of ‘Lioness’

    Lioness chief Joe (Zoe Saldaña) survived another perilous mission, ending Season 2 last March with a brutal firefight in Iran. There has been no official announcement, but “Lioness” is a slam dunk to return for Season 3. Saldaña told Vanity Fair in November, “I signed up for three seasons at least, and so you do have a sort of contractual obligation to fulfill.”

    Saldaña will be packing gold with her tactical equipment. The actress won best supporting actress Oscar for “Emilia Pérez” at the 97th Academy Awards this month.

    ‘Yellowstone’ Season 5 heads to Peacock. When is new show?

    In the ever-shifting Sheridan-verse, previously announced “Yellowstone” spinoffs like “1944” have moved to the back burner while “2024” looks to become the next version of “Yellowstone.”

    The table is set for the reported new series, centered on Beth (Kelly Reilly) and Rip (Cole Hauser), or a sixth season of the original “Yellowstone” without Costner’s Dutton (RIP, the finale casket was magnificent). Reilly is ready, Hauser is ripped. But fans are still waiting for the official update. The Season 5 finale (streaming on Peacock starting Sunday) ended with the couple starting fresh on a new ranch about 40 miles from Dillon, Montana. As Rip said to Beth in the closing scene: “Saddle your horse.”

  • The tao of bad buildings

    The tao of bad buildings

    The tao of bad buildings

  • Schedule, cast, how to watch

    Schedule, cast, how to watch


    The crime drama premiered on STARZ on March 7.

    The long-anticipated new season of STARZ’s “Power Book III: Raising Kanan” is here.

    The first episode of Season 4, directed by Mario Van Peebles, aired on the premium cable channel last week. It provided insight into the whereabouts of Unique (Joey Bada$$) after he was seemingly killed by his brother Ronnie (Grantham Coleman) last season. Now, after his return, he is ready for revenge.

    “I think the interesting thing about Unique now is — the Unique that everybody knows is dead. This guy got his head banged and bone fragments left on the weapon of his execution. He’s not the same. His head is different,” Joey Bada$$ previously told PEOPLE.

    He continued: “I think what people can expect is a way more hyperactive, irritable, just rageful guy. It’s going to be an interesting spin on who this character [is, because Unique] has been, historically, somebody who’s more calculated and smooth with his delivery and kind of conscious and things like that. But I think this Unique is different. This is Unique like you’ve never seen him before.”

    Here’s what we know about Season 4 of “Power Book III: Raising Kanan”:

    Where to watch Power Book III: Raising Kanan’ Season 4

    Season 4, which will have 10 episodes, debuted on Friday, March 7. New episodes are released weekly on the STARZ app at midnight ET, and the show airs on television at 8 p.m. ET.

    Episode Schedule

    • Episode 401: “Gangstas Don’t Die” − March 7
    • Episode 402: “It’s All Love” − March 14
    • Episode 403: “Bygones” − March 21
    • Episode 404: “The Way We Were” − March 28
    • Episode 405: “The Nail That Sticks Up” − April 4
    • Episode 406: “The Price of Fame” − April 11
    • Episode 407: “Allow Me to Re-Introduce Myself” − April 18
    • Episode 408: Title TBD − May 2
    • Episode 409: Title TBD − May 9
    • Episode 410: Finale Title TBD – May 16

    What can fans expect in Season 4?

    Patina Miller told USA TODAY that the fourth season will continue to focus on the strained relationship between her character, Raq, and her son Kanan, played by Mekai Curtis.

    “At the beginning of the [new] season, she and Kanan are not in the same place as they used to be, but they found a way to be in each other’s orbit as business partners,” Miller explained. “Kanan and Raq are on their own paths this season of trying to build up their businesses separately. And you know, once you have power, you want to hold on to that power, and power makes people act a certain way. And Raquel, we all know, to keep the power, she might do whatever she has to do.”

    Season 4 Trailer

    Main Cast

    • Mekai Curtis as Kanan Stark
    • Patina Miller as Raquel “Raq” Thomas
    • Malcolm Mays as Lou-Lou
    • London Brown as Marvin
    • Hailey Kilgore as Jukebox
    • Joey Bada$$ as Unique
    • Antonio Ortiz as Famous
    • Omar Epps as Howard
    • Tony Danza as Stefano Marchetti
    • Wendell Pierce as Snaps
    • Erika Woods as Pop

    Taylor Ardrey is a news reporter for USA TODAY. You can reach her at [email protected].

  • Watch new 'F1' trailer with Brad Pitt ripping around in a fast carMovies

    Watch new 'F1' trailer with Brad Pitt ripping around in a fast carMovies

    Watch new ‘F1’ trailer with Brad Pitt ripping around in a fast carMovies

  • NBC remains Olympics broadcaster through 2036 with new $3 billion deal

    NBC remains Olympics broadcaster through 2036 with new $3 billion deal

    NBC and the International Olympic Committee announced Thursday that they have reached a $3 billion deal to extend and expand their long-running partnership.

    The new deal, which was approved by the IOC’s executive board Wednesday, will go into effect this year and give NBC exclusive U.S. broadcasting rights across platforms − including its streaming service, Peacock, which has played a more prominent role in the network’s programming in recent Games. It also adds four more years to NBC’s previous broadcasting deal, ensuring that the network will be the U.S. television home of the Summer and Winter Olympics through at least the 2036 Summer Games.

    “There is no event like the Olympics. Its power to bring joy, and the unifying spirit it embodies, are truly unique,” Comcast chairman and chief executive officer Brian Roberts said in a statement. “We live in a time when technology is driving faster and more fundamental transformation than we’ve seen in decades. This groundbreaking, new, long-term partnership between Comcast NBCUniversal and the International Olympic Committee not only recognises this dynamic but anticipates that it will accelerate.”

    NBC has become nearly synonymous with the Games for the better part of the past three decades. The network has televised every iteration of the Summer Olympics since 1988 and added Winter Games broadcasting rights in 2002. (The network’s parent company, Comcast, is also a major sponsor of Team USA.)

    The company’s investments in Olympic coverage over the years have also come with a massive price tag. Prior to the $3 billion deal announced Thursday, NBC’s previous rights deal with the IOC, signed in 2014, was valued at $7.75 billion and had been scheduled to run through 2032.

    The new TV rights deal comes as the U.S. is slated to host two of the next five iterations of the Olympics: The 2028 Summer Games in Los Angeles and the 2034 Winter Games in Salt Lake City. And it comes on the heels of a strong performance last summer in Paris. NBC said its coverage reached an average of 67 million total viewers per day during the 2024 Summer Olympics and featured 23.5 billion minutes of streaming on Peacock, where it experimented with new approaches like a real-time highlights show and content involving non-athlete influencers.

    “The media landscape is evolving rapidly and, by partnering with one of the world’s leading media and technology companies, we will ensure that fans in the United States are able to experience the Olympic Games like never before,” outgoing IOC president Thomas Bach said in a statement.

    IOC members are due to elect Bach’s replacement as president at a session in Greece next week.

    Contact Tom Schad at [email protected] or on social media @tomschad.bsky.social.

  • Watch Brad Pitt as a driver in Formula One movie

    Watch Brad Pitt as a driver in Formula One movie

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    Leave it to Brad Pitt to try and steal some of Tom Cruise’s action thunder.

    The actor’s upcoming summer movie, “F1″ (in theaters and IMAX on June 27), features Pitt – teamed with “Top Gun: Maverick” director Joseph Kosinski – ripping around famous global racetracks at upward of 180 mph.

    Talking via radio to Pitt when he was at the wheel “mostly was me telling him to slow down,” Kosinski joked during a Zoom session on Tuesday where he answered questions from journalists.

    Kosinski’s event was aimed at promoting Thursday’s release of the second “F1” trailer, which sheds a bit more light on the plot.

    Join our Watch Party! Sign up to receive USA TODAY’s movie and TV recommendations right in your inbox

    “F1” in brief: Pitt plays washed-up Sonny Hayes, dubbed “the greatest driver that never was,” who gets a call from a former teammate-turned-struggling F1 team owner, Ruben Cervantes (Javier Bardem). There’s an offer of a F1 ride and a shot at redemption for both. Complicating matters is Pitt’s talented and cocky teammate Joshua Pearce (Damson Idris), and there’s also team engineer and potential love interest Kate (Kerry Condon).

    And F1 in brief: Though fans of NASCAR, IndyCar and various sports-car racing series might disagree, Formula 1 has long been considered the pinnacle of motor racing, a destination for the smartest engineers who leverage the finest technology to power the world’s best drivers.

    Netflix hit series ‘Drive to Survive’ was an inspiration for ‘F1’ director Joseph Kosinski

    Kosinski says his movie “has the tension you’d expect, but at the same time, real heart with Sonny’s redemption journey, plus humor and romance.”

    But mostly, judging from both the first and latest trailer, “F1” seems to promise truly epic racing sequences. No surprise that they look ripped straight out of the popular Netflix series “Drive to Survive,” which has been chronicling the real F1 drama for seven seasons: Kosinski cited his COVID-era binging of “Drive” as inspiration for “F1.”

    “I found it was a unique sport where your own teammate is in many ways your greatest competition,” he said. “The first season (of ‘Drive’) focused on the last-place teams, the underdogs. So I thought there was an interesting story to be told about the underdogs not trying to win a championship but even just one race against the titans of the sport.”

    Once he had the idea, Kosinski went looking for stars of both Hollywood and F1 to join in, and quickly found both.

    Driving ground-based missiles that pull multiple Gs and boast upward of 1,000-hp sounds a bit like the world of “Top Gun.” Pitt, 61, like Cruise, 62, had to stay fit for the role.

    But Pitt proved a natural behind the wheel of a high-powered racing car. Says who? None other than F1 deity Lewis Hamilton, seven-time world champion driver for Mercedes (and next year Ferrari). He not only appears in “F1,” along with other real drivers, but also is a producer on the film (as are Pitt and Hollywood action-film staple Jerry Bruckheimer).

    “One of the first things we did was go out on the track in sports cars, because Lewis wanted to see if Brad could drive, because if not, this won’t work,” said Kosinski. “When Lewis saw that he was naturally gifted at the wheel, it gave him confidence.”

    Hamilton also helped shape the script, said Kosinski, offering insights into “what drives these guys day in and day out … I couldn’t have made this film without him.”

    Hollywood has a tough time selling racing movies, but Lewis Hamilton vows victory with ‘F1’

    Hamilton is promising that “F1” will be “the most authentic racing film ever experienced in the cinema.” That’s no small promise. Hollywood has a history of making racing movies that offer plenty of story but don’t quite deliver that in-the-driver’s-seat feeling.

    Among the best recent efforts are 2013’s “Rush,” the story of Niki Lauda and James Hunt’s rivalry and friendship, and 2019’s “Ford v Ferrari,” the tale of Carroll Shelby’s attack on Ferrari’s dominance. But Kosinski assures that “F1” will significantly up the ante.

    “We bought six Formula 2 cars and worked with the Mercedes-Benz AMG F1 team to build real race cars that could carry our cameras,” he said.

    What’s more, he worked with Sony to miniaturize the high-definition cameras he had used on “Top Gun: Maverick” because he needed small, light units to mount on F1 cars. The cameras also were remotely maneuverable, something that was not available on Kosinski’s fighter pilot film.

    In addition to tech innovations, shooting “F1” at actual Formula 1 races at tracks everywhere from England to Abu Dhabi promises to help the film’s authenticity.

    “We would be at these races with hundreds of thousands of people, shooting between practice and qualifying (laps),” Kosinski said. “Instead of having a whole day (to shoot scenes), we’d have 9- or 10-minute slots. We’re literally shooting at 180 mph. It’s an adrenaline rush. What we captured, you can’t fake.”

    Did Kosinski get to take out a F1 car to see what all the fuss is about?

    The director just laughs: “There’s no way they’d let me near one, not the insurance company, no way.”

  • Gene Simmons reveals details about KISS future, solo tour

    Gene Simmons reveals details about KISS future, solo tour

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    Gene Simmons leans toward the camera and holds his hand sideways.

    “You see my hand?” he asks. “It does not shake and I’m 75. Kids, don’t do drugs and booze, and stop smoking.”

    This advice from the God of Thunder, a man who spent five decades encased in face paint, dragon boots and the battle armor of a rock star, might sound contradictory. But Simmons’ preaching has a point that proves his longevity.

    Though KISS wrapped touring for good in December 2023, the band behind foot stompers “I Love It Loud,” “Lick It Up,” “Rock and Roll All Nite” and more than 50 other singles that inspired many an air guitarist, will live on. Because how can it not?

    The 50th anniversary of KISS’ “Dressed to Kill” album will be celebrated March 22 with a free audio tour on kissonline.com of band-related landmarks in their New York City hometown (those in the city can visit a KISS pop-up store at Generation Records).

    Simmons, meanwhile, is packing up his bass and returning to the road April 3 with his solo band comprised of Brent Woods on lead guitar, Jason Walker on guitar and Brian Tichy on drums, for more than a month of shows in theaters, clubs and casinos. The trio also shares lead vocals with Simmons, who crafted a set list stocked with KISS hits (“Cold Gin,” “Deuce,” “Calling Dr. Love”) and the original version of Van Halen’s “House of Pain,” which he produced for the band’s demo in 1976.  

    In between his tour planning, overseeing a chain of Rock & Brews restaurants, making movies with his Simmons/Hamilton Productions company and fielding “a lot of phone calls,” the ever-candid and interminably cheeky Simmons chatted from his Malibu home (one of six he owns) about his solo shows, his family and why “50 years was enough” for KISS.

    Question: You went back on the road a few months after KISS’ last show. Apparently, you don’t like to rest.

    Gene Simmons: When I was growing up, I always thought (success) was about money and chicks and fame. (Whispers conspiratorially) And I love it! I have more fun onstage than the pope. The magic of this band is, I just take the guitar and a guitar pick and that’s it. I can get up on stage like this (points to his denim shirt). I don’t have to walk around in dragon boots and wear more makeup and higher heels than you ever wore.

    Do you ever miss the outfits and the makeup and the theater that accompanied KISS shows?

    You have to have dignity and respect for the fans who made your life possible in the first place. If you’re a surfer and you’re blessed enough to ride this giant tsunami of a wave successfully, stop. You’ve reached it. Have a little self-respect and go out when you look good. And let’s be honest, 50 years is enough. The Beatles lasted seven – and we ain’t The Beatles – but the magic of them or Marilyn Monroe is they will be iconic forever. All respect to the rock god Elvis, but I don’t want to be fat and bloated and naked on the bathroom floor.

    Do you still talk to (KISS mates) Paul (Stanley) and Tommy (Thayer) and Eric (Singer) on a regular basis?

    Sure, of course. Paul is like the brother I never had. I’ve known him longer than anyone except my mother. It goes deeper than friendship. He and I don’t agree on lots of things, but it’s like going to a restaurant and ordering off a menu. We don’t have to order the same thing. It’s about having a work ethic, responsibility and respecting the person you’re with and realizing you don’t know it all. Without Paul, I’d be asking the next person in line, “Would you like fries with that?” ‒ and that’s an honorable job as well. And Paul says the same thing about me. If you get into the right company of people, one and one equals three.

    At the end of the last KISS show, the band debuted avatars. What’s the status of that project?

    A caterpillar goes into a cocoon and what looks like the casket of its life. And shortly after the casket opens up, this beautiful butterfly (comes out). That’s what’s about to happen with KISS. The avatars are just a placeholder. We’re working with the amazing company Pophouse and (what we’re doing) is closer to virtual reality. We’ve already been to George Lucas’ Industrial Light & Magic to do motion capture. We dressed up like X-Men and we had cameras all over.

    What is the time frame to see the results?

    Two years.

    It must be gratifying for you and Paul to see your sons, Nick and Evan, collaborating on music.

    Nick has his own band, Sym Fera, and Evan spent his life committed to songwriting and learning the craft and has his own band. They were always pals. If you look up their names (online), the first thing they did was strum guitar and sing “The Sound of Silence.” There was a look, a sound and it’s real.

    Tell me about the dynamic among you and the guys in your solo band and the difference playing with them compared to decades with KISS.

    With KISS, you have to be well-rehearsed because you have light cues and pyro. Here, there’s no Auto-Tune, no one backstage singing harmonies … If you’re in front of me in the audience, you bet your sweet bippy I’m gonna pull you up to sing “I Was Made for Lovin’ You.” And at the end, do I dare bring 20, 30, 50 people onstage to sing “Rock and Roll All Nite” with me? You betcha.

  • Meghan Markle announces new podcast ‘Confessions of a Female Founder’

    Meghan Markle announces new podcast ‘Confessions of a Female Founder’

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    Move over King Charles, another royal needs room for her podcast equipment.

    Meghan, Duchess of Sussex, will launch a new audio series next month, the actress-turned-royal-turned-lifestyle guru revealed Monday.

    The show, entitled “Confessions of a Female Founder,” will premiere April 8 with Lemonada Media − a podcast empire also home to “Wiser Than Me,” Julia Louis Dreyfus’ popular interview series. Lemonada also distributed “Archetypes,” Meghan’s first podcast venture, which ran for eight episodes in 2022, originally on Spotify.

    USA TODAY has reached out to Meghan’s reps for comment.

    The show is expected to highlight conversations between Meghan, a female founder herself, and other women in business as they discuss their struggles and triumphs on the way to success. It comes as she gears up for the launch of As Ever, a lifestyle brand and product line expected to be fully available some time in March.

    “I’m so proud of what we’re creating, and the candid conversations that I’m able to have with other female founders as we unpack the twists and turns of building a business,” Meghan said in a release announcing the show. “Through my friendships and relationships, we’re able to dive into the type of insights that everyone wants to know as they’re building a business, and that I’m able to tap into as I’m building my own business with As Ever.”

    Those twists and turns come from real-life experience. Meghan’s journey to launch As Ever has been plagued with roadblocks, as the duchess ran into trademark issues and jabs from familiar celebrity critics.

    “I appreciate everyone who gave me the grace to make mistakes and figure it out and also to be forgiving with myself through that,” she told People in an interview earlier this month. “It’s a learning curve.”

    A double-pronged return to public life, the duchess also released a show on Netflix earlier this month, “With Love, Meghan,” which saw her doling out cooking and hosting tips.

    The show was met with mixed reactions as a bevy of critics ripped it to shreds, chiding Meghan for being unrelatable and failing to be as authentic or revelatory as they had hoped. Others, however, heralded the show as an aspirational escape, and hit back at detractors for continuing to hound a woman who has been open about the effects of public bullying.

    “We can be hypercritical, and we need to look at, ‘What is that doing to us, when we feel such a high level of judgment of other people?’” psychotherapist Stephanie Sarkis previously told USA TODAY. “It seems that whatever (Meghan) does, she’s going to be under a microscope.”

    For now, Meghan’s approach appears to be: If you’re under the microscope, you might as well make the best of it. With Season 2 of “With Love, Meghan” already announced and both the podcast and brand launches impending, the duchess doesn’t appear to be going anywhere.

  • Jack Quaid has his action hero moment with 'Novocaine'Movies

    Jack Quaid has his action hero moment with 'Novocaine'Movies

    Jack Quaid has his action hero moment with ‘Novocaine’Movies